Vintage Stories – Bedtime Stories https://www.storyberries.com Bedtime Stories, Fairy Tales, Short Stories for Kids and Poems for Kids Sun, 04 Feb 2024 09:55:49 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.3 https://www.storyberries.com/wp-content/uploads/2016/06/cropped-Mini-Square-500-Logo-32x32.png Vintage Stories – Bedtime Stories https://www.storyberries.com 32 32 Alice in Wonderland https://www.storyberries.com/bedtime-stories-alice-in-wonderland-by-lewis-carroll-june-feature/ Thu, 27 Jun 2019 00:56:13 +0000 https://www.storyberries.com/?p=15290 When Alice follows a white rabbit down a hole, things get curiouser and curiouser!

The post Alice in Wonderland first appeared on Bedtime Stories.

]]>
CONTENTS

CHAPTER I. Down the Rabbit-Hole

Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, ‘and what is the use of a book,’ thought Alice ‘without pictures or conversations?’

So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her.

There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, ‘Oh dear! Oh dear! I shall be late!’ (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge.

Original children's illustration by John Tenniel of white rabbit and pocket watch from Alice in Wonderland

In another moment down went Alice after it, never once considering how in the world she was to get out again.

The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.

Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled ‘ORANGE MARMALADE’, but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.

‘Well!’ thought Alice to herself, ‘after such a fall as this, I shall think nothing of tumbling down stairs! How brave they’ll all think me at home! Why, I wouldn’t say anything about it, even if I fell off the top of the house!’ (Which was very likely true.)

Down, down, down. Would the fall never come to an end! ‘I wonder how many miles I’ve fallen by this time?’ she said aloud. ‘I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think—’ (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) ‘—yes, that’s about the right distance—but then I wonder what Latitude or Longitude I’ve got to?’ (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)

Presently she began again. ‘I wonder if I shall fall right through the earth! How funny it’ll seem to come out among the people that walk with their heads downward! The Antipathies, I think—’ (she was rather glad there was no one listening, this time, as it didn’t sound at all the right word) ‘—but I shall have to ask them what the name of the country is, you know. Please, Ma’am, is this New Zealand or Australia?’ (and she tried to curtsey as she spoke—fancy curtseying as you’re falling through the air! Do you think you could manage it?) ‘And what an ignorant little girl she’ll think me for asking! No, it’ll never do to ask: perhaps I shall see it written up somewhere.’

Down, down, down. There was nothing else to do, so Alice soon began talking again. ‘Dinah’ll miss me very much to-night, I should think!’ (Dinah was the cat.) ‘I hope they’ll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I’m afraid, but you might catch a bat, and that’s very like a mouse, you know. But do cats eat bats, I wonder?’

And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, ‘Do cats eat bats? Do cats eat bats?’ and sometimes, ‘Do bats eat cats?’ for, you see, as she couldn’t answer either question, it didn’t much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, ‘Now, Dinah, tell me the truth: did you ever eat a bat?’ when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over.

Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, ‘Oh my ears and whiskers, how late it’s getting!’ She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof.

Original children's illustration by John Tenniel of Alice and white rabbit from Alice in Wonderland

There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again.

Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice’s first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. However, on the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted!

Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway; ‘and even if my head would go through,’ thought poor Alice, ‘it would be of very little use without my shoulders. Oh, how I wish I could shut up like a telescope! I think I could, if I only knew how to begin.’ For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible.

Original children's illustration by John Tenniel of Alice pulling curtain from Alice in Wonderland

There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, (‘which certainly was not here before,’ said Alice,) and round the neck of the bottle was a paper label, with the words ‘DRINK ME’ beautifully printed on it in large letters.

Original children's illustration by John Tenniel of Drink Me Bottle from Alice in Wonderland

It was all very well to say ‘Drink me,’ but the wise little Alice was not going to do that in a hurry. ‘No, I’ll look first,’ she said, ‘and see whether it’s marked “poison” or not’; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they would not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger very deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked ‘poison,’ it is almost certain to disagree with you, sooner or later.

However, this bottle was not marked ‘poison,’ so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off.

* * * * * * *

* * * * * *

* * * * * * *

‘What a curious feeling!’ said Alice; ‘I must be shutting up like a telescope.’

And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; ‘for it might end, you know,’ said Alice to herself, ‘in my going out altogether, like a candle. I wonder what I should be like then?’ And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing.

After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried.

‘Come, there’s no use in crying like that!’ said Alice to herself, rather sharply; ‘I advise you to leave off this minute!’ She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. ‘But it’s no use now,’ thought poor Alice, ‘to pretend to be two people! Why, there’s hardly enough of me left to make one respectable person!’

Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words ‘EAT ME’ were beautifully marked in currants. ‘Well, I’ll eat it,’ said Alice, ‘and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I’ll get into the garden, and I don’t care which happens!’

She ate a little bit, and said anxiously to herself, ‘Which way? Which way?’, holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way.

So she set to work, and very soon finished off the cake.

CHAPTER II. The Pool of Tears

‘Curiouser and curiouser!’ cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); ‘now I’m opening out like the largest telescope that ever was! Good-bye, feet!’ (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). ‘Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I’m sure I shan’t be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;—but I must be kind to them,’ thought Alice, ‘or perhaps they won’t walk the way I want to go! Let me see: I’ll give them a new pair of boots every Christmas.’

Original children's illustration by John Tenniel of Alice neck stretching from Alice in Wonderland

And she went on planning to herself how she would manage it. ‘They must go by the carrier,’ she thought; ‘and how funny it’ll seem, sending presents to one’s own feet! And how odd the directions will look!

Alice’s Right Foot, Esq.
Hearthrug,
near The Fender,
(with Alice’s love).

Oh dear, what nonsense I’m talking!’

Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door.

Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again.

‘You ought to be ashamed of yourself,’ said Alice, ‘a great girl like you,’ (she might well say this), ‘to go on crying in this way! Stop this moment, I tell you!’ But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall.

After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, ‘Oh! the Duchess, the Duchess! Oh! won’t she be savage if I’ve kept her waiting!’

Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, ‘If you please, sir—’ The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go.

Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: ‘Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I’ve been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I’m not the same, the next question is, Who in the world am I? Ah, that’s the great puzzle!’ And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them.

‘I’m sure I’m not Ada,’ she said, ‘for her hair goes in such long ringlets, and mine doesn’t go in ringlets at all; and I’m sure I can’t be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, she’s she, and I’m I, and—oh dear, how puzzling it all is! I’ll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is—oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn’t signify: let’s try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome—no, that’s all wrong, I’m certain! I must have been changed for Mabel! I’ll try and say “How doth the little—”‘ and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:—

‘How doth the little crocodile
Improve his shining tail,
And pour the waters of the Nile
On every golden scale!

‘How cheerfully he seems to grin,
How neatly spread his claws,
And welcome little fishes in
With gently smiling jaws!’

‘I’m sure those are not the right words,’ said poor Alice, and her eyes filled with tears again as she went on, ‘I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I’ve made up my mind about it; if I’m Mabel, I’ll stay down here! It’ll be no use their putting their heads down and saying “Come up again, dear!” I shall only look up and say “Who am I then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here till I’m somebody else”—but, oh dear!’ cried Alice, with a sudden burst of tears, ‘I do wish they would put their heads down! I am so very tired of being all alone here!’

As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit’s little white kid gloves while she was talking. ‘How can I have done that?’ she thought. ‘I must be growing small again.’ She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.

‘That was a narrow escape!’ said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; ‘and now for the garden!’ and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, ‘and things are worse than ever,’ thought the poor child, ‘for I never was so small as this before, never! And I declare it’s too bad, that it is!’

As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, ‘and in that case I can go back by railway,’ she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high.

Original children's illustration by John Tenniel of Alice swimming from Alice in Wonderland

‘I wish I hadn’t cried so much!’ said Alice, as she swam about, trying to find her way out. ‘I shall be punished for it now, I suppose, by being drowned in my own tears! That will be a queer thing, to be sure! However, everything is queer to-day.’

Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself.

‘Would it be of any use, now,’ thought Alice, ‘to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there’s no harm in trying.’

So she began: ‘O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!’ (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother’s Latin Grammar, ‘A mouse—of a mouse—to a mouse—a mouse—O mouse!’)

Original children's illustration by John Tenniel of swimming in tears from Alice in Wonderland

The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing.

‘Perhaps it doesn’t understand English,’ thought Alice; ‘I daresay it’s a French mouse, come over with William the Conqueror.’ (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: ‘Ou est ma chatte?’ which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. ‘Oh, I beg your pardon!’ cried Alice hastily, afraid that she had hurt the poor animal’s feelings. ‘I quite forgot you didn’t like cats.’

‘Not like cats!’ cried the Mouse, in a shrill, passionate voice. ‘Would you like cats if you were me?’

‘Well, perhaps not,’ said Alice in a soothing tone: ‘don’t be angry about it. And yet I wish I could show you our cat Dinah: I think you’d take a fancy to cats if you could only see her. She is such a dear quiet thing,’ Alice went on, half to herself, as she swam lazily about in the pool, ‘and she sits purring so nicely by the fire, licking her paws and washing her face—and she is such a nice soft thing to nurse—and she’s such a capital one for catching mice—oh, I beg your pardon!’ cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. ‘We won’t talk about her any more if you’d rather not.’

‘We indeed!’ cried the Mouse, who was trembling down to the end of his tail. ‘As if I would talk on such a subject! Our family always hated cats: nasty, low, vulgar things! Don’t let me hear the name again!’

‘I won’t indeed!’ said Alice, in a great hurry to change the subject of conversation. ‘Are you—are you fond—of—of dogs?’ The Mouse did not answer, so Alice went on eagerly: ‘There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it’ll fetch things when you throw them, and it’ll sit up and beg for its dinner, and all sorts of things—I can’t remember half of them—and it belongs to a farmer, you know, and he says it’s so useful, it’s worth a hundred pounds! He says it kills all the rats and—oh dear!’ cried Alice in a sorrowful tone, ‘I’m afraid I’ve offended it again!’ For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went.

So she called softly after it, ‘Mouse dear! Do come back again, and we won’t talk about cats or dogs either, if you don’t like them!’ When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, ‘Let us get to the shore, and then I’ll tell you my history, and you’ll understand why it is I hate cats and dogs.’

Alice in Wonderland Pool of Tears Illustration

It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore.

CHAPTER III. A Caucus-Race and a Long Tale

They were indeed a queer-looking party that assembled on the bank—the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable.

The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, ‘I am older than you, and must know better’; and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said.

At last the Mouse, who seemed to be a person of authority among them, called out, ‘Sit down, all of you, and listen to me! I’ll soon make you dry enough!’ They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.

‘Ahem!’ said the Mouse with an important air, ‘are you all ready? This is the driest thing I know. Silence all round, if you please! “William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria—”‘

Original children's illustration of Caucus Race from Alice in Wonderland

‘Ugh!’ said the Lory, with a shiver.

‘I beg your pardon!’ said the Mouse, frowning, but very politely: ‘Did you speak?’

‘Not I!’ said the Lory hastily.

‘I thought you did,’ said the Mouse. ‘—I proceed. “Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable—”‘

‘Found what?’ said the Duck.

‘Found it,’ the Mouse replied rather crossly: ‘of course you know what “it” means.’

‘I know what “it” means well enough, when I find a thing,’ said the Duck: ‘it’s generally a frog or a worm. The question is, what did the archbishop find?’

The Mouse did not notice this question, but hurriedly went on, ‘”—found it advisable to go with Edgar Atheling to meet William and offer him the crown. William’s conduct at first was moderate. But the insolence of his Normans—” How are you getting on now, my dear?’ it continued, turning to Alice as it spoke.

‘As wet as ever,’ said Alice in a melancholy tone: ‘it doesn’t seem to dry me at all.’

‘In that case,’ said the Dodo solemnly, rising to its feet, ‘I move that the meeting adjourn, for the immediate adoption of more energetic remedies—’

‘Speak English!’ said the Eaglet. ‘I don’t know the meaning of half those long words, and, what’s more, I don’t believe you do either!’ And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly.

‘What I was going to say,’ said the Dodo in an offended tone, ‘was, that the best thing to get us dry would be a Caucus-race.’

Original children's illustration by John Tenniel of dry story from Alice in Wonderland

‘What is a Caucus-race?’ said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that somebody ought to speak, and no one else seemed inclined to say anything.

‘Why,’ said the Dodo, ‘the best way to explain it is to do it.’ (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.)

First it marked out a race-course, in a sort of circle, (‘the exact shape doesn’t matter,’ it said,) and then all the party were placed along the course, here and there. There was no ‘One, two, three, and away,’ but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out ‘The race is over!’ and they all crowded round it, panting, and asking, ‘But who has won?’

This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, ‘Everybody has won, and all must have prizes.’

‘But who is to give the prizes?’ quite a chorus of voices asked.

‘Why, she, of course,’ said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, ‘Prizes! Prizes!’

Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece all round.

‘But she must have a prize herself, you know,’ said the Mouse.

‘Of course,’ the Dodo replied very gravely. ‘What else have you got in your pocket?’ he went on, turning to Alice.

‘Only a thimble,’ said Alice sadly.

‘Hand it over here,’ said the Dodo.

Original children's illustration by John Tenniel of Caucus Race from Alice in Wonderland

Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying ‘We beg your acceptance of this elegant thimble’; and, when it had finished this short speech, they all cheered.

Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could.

The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more.

‘You promised to tell me your history, you know,’ said Alice, ‘and why it is you hate—C and D,’ she added in a whisper, half afraid that it would be offended again.

‘Mine is a long and a sad tale!’ said the Mouse, turning to Alice, and sighing.

‘It is a long tail, certainly,’ said Alice, looking down with wonder at the Mouse’s tail; ‘but why do you call it sad?’ And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:—

Original children's illustration of Mouse Tale from Alice in Wonderland

‘Fury said to a
mouse, That he
met in the
house,
“Let us
both go to
law: I will
prosecute
you.—Come,
I’ll take no
denial; We
must have a
trial: For
really this
morning I’ve
nothing
to do.”
Said the
mouse to the
cur, “Such
a trial,
dear Sir,
With
no jury
or judge,
would be
wasting
our
breath.”
“I’ll be
judge, I’ll
be jury,”
Said
cunning
old Fury:
“I’ll
try the
whole
cause,
and
condemn
you
to
death.”‘

‘You are not attending!’ said the Mouse to Alice severely. ‘What are you thinking of?’

‘I beg your pardon,’ said Alice very humbly: ‘you had got to the fifth bend, I think?’

‘I had not!’ cried the Mouse, sharply and very angrily.

‘A knot!’ said Alice, always ready to make herself useful, and looking anxiously about her. ‘Oh, do let me help to undo it!’

‘I shall do nothing of the sort,’ said the Mouse, getting up and walking away. ‘You insult me by talking such nonsense!’

‘I didn’t mean it!’ pleaded poor Alice. ‘But you’re so easily offended, you know!’

The Mouse only growled in reply.

‘Please come back and finish your story!’ Alice called after it; and the others all joined in chorus, ‘Yes, please do!’ but the Mouse only shook its head impatiently, and walked a little quicker.

‘What a pity it wouldn’t stay!’ sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter ‘Ah, my dear! Let this be a lesson to you never to lose your temper!’

‘Hold your tongue, Ma!’ said the young Crab, a little snappishly. ‘You’re enough to try the patience of an oyster!’

‘I wish I had our Dinah here, I know I do!’ said Alice aloud, addressing nobody in particular. ‘She’d soon fetch it back!’

‘And who is Dinah, if I might venture to ask the question?’ said the Lory.

Alice replied eagerly, for she was always ready to talk about her pet: ‘Dinah’s our cat. And she’s such a capital one for catching mice you can’t think! And oh, I wish you could see her after the birds! Why, she’ll eat a little bird as soon as look at it!’

This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, ‘I really must be getting home; the night-air doesn’t suit my throat!’ and a Canary called out in a trembling voice to its children, ‘Come away, my dears! It’s high time you were all in bed!’ On various pretexts they all moved off, and Alice was soon left alone.

‘I wish I hadn’t mentioned Dinah!’ she said to herself in a melancholy tone. ‘Nobody seems to like her, down here, and I’m sure she’s the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!’ And here poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had changed his mind, and was coming back to finish his story.

CHAPTER IV. The Rabbit Sends in a Little Bill

It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself ‘The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She’ll get me executed, as sure as ferrets are ferrets! Where can I have dropped them, I wonder?’

Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen—everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely.

Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, ‘Why, Mary Ann, what are you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!’ And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made.

Original children's illustration of Mary Anne and Rabbit from Alice in Wonderland

‘He took me for his housemaid,’ she said to herself as she ran. ‘How surprised he’ll be when he finds out who I am! But I’d better take him his fan and gloves—that is, if I can find them.’

As she said this, she came upon a neat little house, on the door of which was a bright brass plate with the name ‘W. RABBIT’ engraved upon it. She went in without knocking, and hurried upstairs, in great fear lest she should meet the real Mary Ann, and be turned out of the house before she had found the fan and gloves.

‘How queer it seems,’ Alice said to herself, ‘to be going messages for a rabbit! I suppose Dinah’ll be sending me on messages next!’ And she began fancying the sort of thing that would happen: ‘”Miss Alice! Come here directly, and get ready for your walk!” “Coming in a minute, nurse! But I’ve got to see that the mouse doesn’t get out.” Only I don’t think,’ Alice went on, ‘that they’d let Dinah stop in the house if it began ordering people about like that!’

By this time she had found her way into a tidy little room with a table in the window, and on it (as she had hoped) a fan and two or three pairs of tiny white kid gloves: she took up the fan and a pair of the gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass. There was no label this time with the words ‘DRINK ME,’ but nevertheless she uncorked it and put it to her lips. ‘I know something interesting is sure to happen,’ she said to herself, ‘whenever I eat or drink anything; so I’ll just see what this bottle does. I do hope it’ll make me grow large again, for really I’m quite tired of being such a tiny little thing!’

It did so indeed, and much sooner than she had expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and had to stoop to save her neck from being broken. She hastily put down the bottle, saying to herself ‘That’s quite enough—I hope I shan’t grow any more—As it is, I can’t get out at the door—I do wish I hadn’t drunk quite so much!’

Alas! it was too late to wish that! She went on growing, and growing, and very soon had to kneel down on the floor: in another minute there was not even room for this, and she tried the effect of lying down with one elbow against the door, and the other arm curled round her head. Still she went on growing, and, as a last resource, she put one arm out of the window, and one foot up the chimney, and said to herself ‘Now I can do no more, whatever happens. What will become of me?’

Original children's illustration by John Tenniel of growing girl from Alice in Wonderland

Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and, as there seemed to be no sort of chance of her ever getting out of the room again, no wonder she felt unhappy.

‘It was much pleasanter at home,’ thought poor Alice, ‘when one wasn’t always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn’t gone down that rabbit-hole—and yet—and yet—it’s rather curious, you know, this sort of life! I do wonder what can have happened to me! When I used to read fairy-tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I’ll write one—but I’m grown up now,’ she added in a sorrowful tone; ‘at least there’s no room to grow up any more here.’

‘But then,’ thought Alice, ‘shall I never get any older than I am now? That’ll be a comfort, one way—never to be an old woman—but then—always to have lessons to learn! Oh, I shouldn’t like that!’

‘Oh, you foolish Alice!’ she answered herself. ‘How can you learn lessons in here? Why, there’s hardly room for you, and no room at all for any lesson-books!’

And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen.

‘Mary Ann! Mary Ann!’ said the voice. ‘Fetch me my gloves this moment!’ Then came a little pattering of feet on the stairs. Alice knew it was the Rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the Rabbit, and had no reason to be afraid of it.

Presently the Rabbit came up to the door, and tried to open it; but, as the door opened inwards, and Alice’s elbow was pressed hard against it, that attempt proved a failure. Alice heard it say to itself ‘Then I’ll go round and get in at the window.’

‘That you won’t’ thought Alice, and, after waiting till she fancied she heard the Rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall, and a crash of broken glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort.

Original children's illustration by John Tenniel of hand grabbing white rabbit from Alice in Wonderland

Next came an angry voice—the Rabbit’s—’Pat! Pat! Where are you?’ And then a voice she had never heard before, ‘Sure then I’m here! Digging for apples, yer honour!’

‘Digging for apples, indeed!’ said the Rabbit angrily. ‘Here! Come and help me out of this!’ (Sounds of more broken glass.)

‘Now tell me, Pat, what’s that in the window?’

‘Sure, it’s an arm, yer honour!’ (He pronounced it ‘arrum.’)

‘An arm, you goose! Who ever saw one that size? Why, it fills the whole window!’

‘Sure, it does, yer honour: but it’s an arm for all that.’

‘Well, it’s got no business there, at any rate: go and take it away!’

There was a long silence after this, and Alice could only hear whispers now and then; such as, ‘Sure, I don’t like it, yer honour, at all, at all!’ ‘Do as I tell you, you coward!’ and at last she spread out her hand again, and made another snatch in the air. This time there were two little shrieks, and more sounds of broken glass.

‘What a number of cucumber-frames there must be!’ thought Alice. ‘I wonder what they’ll do next! As for pulling me out of the window, I only wish they could! I’m sure I don’t want to stay in here any longer!’

She waited for some time without hearing anything more: at last came a rumbling of little cartwheels, and the sound of a good many voices all talking together: she made out the words: ‘Where’s the other ladder?—Why, I hadn’t to bring but one; Bill’s got the other—Bill! fetch it here, lad!—Here, put ’em up at this corner—No, tie ’em together first—they don’t reach half high enough yet—Oh! they’ll do well enough; don’t be particular—Here, Bill! catch hold of this rope—Will the roof bear?—Mind that loose slate—Oh, it’s coming down! Heads below!’ (a loud crash)—’Now, who did that?—It was Bill, I fancy—Who’s to go down the chimney?—Nay, I shan’t! You do it!—That I won’t, then!—Bill’s to go down—Here, Bill! the master says you’re to go down the chimney!’

‘Oh! So Bill’s got to come down the chimney, has he?’ said Alice to herself. ‘Shy, they seem to put everything upon Bill! I wouldn’t be in Bill’s place for a good deal: this fireplace is narrow, to be sure; but I think I can kick a little!’

She drew her foot as far down the chimney as she could, and waited till she heard a little animal (she couldn’t guess of what sort it was) scratching and scrambling about in the chimney close above her: then, saying to herself ‘This is Bill,’ she gave one sharp kick, and waited to see what would happen next.

Original children's illustration by John Tenniel of Bill Lizard from Alice in Wonderland

The first thing she heard was a general chorus of ‘There goes Bill!’ then the Rabbit’s voice along—’Catch him, you by the hedge!’ then silence, and then another confusion of voices—’Hold up his head—Brandy now—Don’t choke him—How was it, old fellow? What happened to you? Tell us all about it!’
Last came a little feeble, squeaking voice, (‘That’s Bill,’ thought Alice,) ‘Well, I hardly know—No more, thank ye; I’m better now—but I’m a deal too flustered to tell you—all I know is, something comes at me like a Jack-in-the-box, and up I goes like a sky-rocket!’

‘So you did, old fellow!’ said the others.

‘We must burn the house down!’ said the Rabbit’s voice; and Alice called out as loud as she could, ‘If you do. I’ll set Dinah at you!’

There was a dead silence instantly, and Alice thought to herself, ‘I wonder what they will do next! If they had any sense, they’d take the roof off.’ After a minute or two, they began moving about again, and Alice heard the Rabbit say, ‘A barrowful will do, to begin with.’

‘A barrowful of what?’ thought Alice; but she had not long to doubt, for the next moment a shower of little pebbles came rattling in at the window, and some of them hit her in the face. ‘I’ll put a stop to this,’ she said to herself, and shouted out, ‘You’d better not do that again!’ which produced another dead silence.

Alice noticed with some surprise that the pebbles were all turning into little cakes as they lay on the floor, and a bright idea came into her head. ‘If I eat one of these cakes,’ she thought, ‘it’s sure to make some change in my size; and as it can’t possibly make me larger, it must make me smaller, I suppose.’

So she swallowed one of the cakes, and was delighted to find that she began shrinking directly. As soon as she was small enough to get through the door, she ran out of the house, and found quite a crowd of little animals and birds waiting outside. The poor little Lizard, Bill, was in the middle, being held up by two guinea-pigs, who were giving it something out of a bottle. They all made a rush at Alice the moment she appeared; but she ran off as hard as she could, and soon found herself safe in a thick wood.

‘The first thing I’ve got to do,’ said Alice to herself, as she wandered about in the wood, ‘is to grow to my right size again; and the second thing is to find my way into that lovely garden. I think that will be the best plan.’

It sounded an excellent plan, no doubt, and very neatly and simply arranged; the only difficulty was, that she had not the smallest idea how to set about it; and while she was peering about anxiously among the trees, a little sharp bark just over her head made her look up in a great hurry.

An enormous puppy was looking down at her with large round eyes, and feebly stretching out one paw, trying to touch her. ‘Poor little thing!’ said Alice, in a coaxing tone, and she tried hard to whistle to it; but she was terribly frightened all the time at the thought that it might be hungry, in which case it would be very likely to eat her up in spite of all her coaxing.

Original children's illustration by John Tenniel of Alice and big puppy from Alice in Wonderland

Hardly knowing what she did, she picked up a little bit of stick, and held it out to the puppy; whereupon the puppy jumped into the air off all its feet at once, with a yelp of delight, and rushed at the stick, and made believe to worry it; then Alice dodged behind a great thistle, to keep herself from being run over; and the moment she appeared on the other side, the puppy made another rush at the stick, and tumbled head over heels in its hurry to get hold of it; then Alice, thinking it was very like having a game of play with a cart-horse, and expecting every moment to be trampled under its feet, ran round the thistle again; then the puppy began a series of short charges at the stick, running a very little way forwards each time and a long way back, and barking hoarsely all the while, till at last it sat down a good way off, panting, with its tongue hanging out of its mouth, and its great eyes half shut.

This seemed to Alice a good opportunity for making her escape; so she set off at once, and ran till she was quite tired and out of breath, and till the puppy’s bark sounded quite faint in the distance.

‘And yet what a dear little puppy it was!’ said Alice, as she leant against a buttercup to rest herself, and fanned herself with one of the leaves: ‘I should have liked teaching it tricks very much, if—if I’d only been the right size to do it! Oh dear! I’d nearly forgotten that I’ve got to grow up again! Let me see—how is it to be managed? I suppose I ought to eat or drink something or other; but the great question is, what?’

The great question certainly was, what? Alice looked all round her at the flowers and the blades of grass, but she did not see anything that looked like the right thing to eat or drink under the circumstances. There was a large mushroom growing near her, about the same height as herself; and when she had looked under it, and on both sides of it, and behind it, it occurred to her that she might as well look and see what was on the top of it.

Original children's illustration of Caterpillar from Alice in Wonderland

She stretched herself up on tiptoe, and peeped over the edge of the mushroom, and her eyes immediately met those of a large caterpillar, that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else.

CHAPTER V. Advice from a Caterpillar

The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice.

‘Who are you?’ said the Caterpillar.

This was not an encouraging opening for a conversation. Alice replied, rather shyly, ‘I—I hardly know, sir, just at present—at least I know who I was when I got up this morning, but I think I must have been changed several times since then.’

‘What do you mean by that?’ said the Caterpillar sternly. ‘Explain yourself!’

‘I can’t explain myself, I’m afraid, sir’ said Alice, ‘because I’m not myself, you see.’

‘I don’t see,’ said the Caterpillar.

‘I’m afraid I can’t put it more clearly,’ Alice replied very politely, ‘for I can’t understand it myself to begin with; and being so many different sizes in a day is very confusing.’

‘It isn’t,’ said the Caterpillar.

‘Well, perhaps you haven’t found it so yet,’ said Alice; ‘but when you have to turn into a chrysalis—you will some day, you know—and then after that into a butterfly, I should think you’ll feel it a little queer, won’t you?’

‘Not a bit,’ said the Caterpillar.

‘Well, perhaps your feelings may be different,’ said Alice; ‘all I know is, it would feel very queer to me.’

‘You!’ said the Caterpillar contemptuously. ‘Who are you?’

Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar’s making such very short remarks, and she drew herself up and said, very gravely, ‘I think, you ought to tell me who you are, first.’

‘Why?’ said the Caterpillar.

Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a very unpleasant state of mind, she turned away.

‘Come back!’ the Caterpillar called after her. ‘I’ve something important to say!’

This sounded promising, certainly: Alice turned and came back again.

‘Keep your temper,’ said the Caterpillar.

‘Is that all?’ said Alice, swallowing down her anger as well as she could.

‘No,’ said the Caterpillar.

Original children's illustration by John Tenniel of Caterpillar from Alice in Wonderland

Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, ‘So you think you’re changed, do you?’

‘I’m afraid I am, sir,’ said Alice; ‘I can’t remember things as I used—and I don’t keep the same size for ten minutes together!’

‘Can’t remember what things?’ said the Caterpillar.

‘Well, I’ve tried to say “How doth the little busy bee,” but it all came different!’ Alice replied in a very melancholy voice.

‘Repeat, “You are old, Father William,”‘ said the Caterpillar.

Alice folded her hands, and began:—

‘You are old, Father William,’ the young man said,
‘And your hair has become very white;
And yet you incessantly stand on your head—
Do you think, at your age, it is right?’

Original children's illustration by John Tenniel of You Are Old Father William fat man headstand from Alice in Wonderland

‘In my youth,’ Father William replied to his son,
‘I feared it might injure the brain;
But, now that I’m perfectly sure I have none,
Why, I do it again and again.’

‘You are old,’ said the youth, ‘as I mentioned before,
And have grown most uncommonly fat;
Yet you turned a back-somersault in at the door—
Pray, what is the reason of that?’

Original children's illustration by John Tenniel of You Are Old Father William fat man flying from Alice in Wonderland

In my youth,’ said the sage, as he shook his grey locks,
‘I kept all my limbs very supple
By the use of this ointment—one shilling the box—
Allow me to sell you a couple?’

‘You are old,’ said the youth, ‘and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak—
Pray how did you manage to do it?’

Original children's illustration by John Tenniel of You Are Old Father William from Alice in Wonderland

‘In my youth,’ said his father, ‘I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life.’

‘You are old,’ said the youth, ‘one would hardly suppose
That your eye was as steady as ever;
Yet you balanced an eel on the end of your nose—
What made you so awfully clever?’

‘I have answered three questions, and that is enough,’
Said his father; ‘don’t give yourself airs!
Do you think I can listen all day to such stuff?
Be off, or I’ll kick you down stairs!’

Original children's illustration of You Are Old Father William from Alice in Wonderland

‘That is not said right,’ said the Caterpillar.

‘Not quite right, I’m afraid,’ said Alice, timidly; ‘some of the words have got altered.’

‘It is wrong from beginning to end,’ said the Caterpillar decidedly, and there was silence for some minutes.

The Caterpillar was the first to speak.

‘What size do you want to be?’ it asked.

‘Oh, I’m not particular as to size,’ Alice hastily replied; ‘only one doesn’t like changing so often, you know.’

‘I don’t know,’ said the Caterpillar.

Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper.

‘Are you content now?’ said the Caterpillar.

‘Well, I should like to be a little larger, sir, if you wouldn’t mind,’ said Alice: ‘three inches is such a wretched height to be.’

‘It is a very good height indeed!’ said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high).

‘But I’m not used to it!’ pleaded poor Alice in a piteous tone. And she thought of herself, ‘I wish the creatures wouldn’t be so easily offended!’

‘You’ll get used to it in time,’ said the Caterpillar; and it put the hookah into its mouth and began smoking again.

This time Alice waited patiently until it chose to speak again. In a minute or two the Caterpillar took the hookah out of its mouth and yawned once or twice, and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, ‘One side will make you grow taller, and the other side will make you grow shorter.’

‘One side of what? The other side of what?’ thought Alice to herself.

‘Of the mushroom,’ said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight.

Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand.

‘And now which is which?’ she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot!

She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit.

* * * * * * *

* * * * * *

* * * * * * *
‘Come, my head’s free at last!’ said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her.

‘What can all that green stuff be?’ said Alice. ‘And where have my shoulders got to? And oh, my poor hands, how is it I can’t see you?’ She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves.

As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings.

‘Serpent!’ screamed the Pigeon.

‘I’m not a serpent!’ said Alice indignantly. ‘Let me alone!’

‘Serpent, I say again!’ repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, ‘I’ve tried every way, and nothing seems to suit them!’

‘I haven’t the least idea what you’re talking about,’ said Alice.

‘I’ve tried the roots of trees, and I’ve tried banks, and I’ve tried hedges,’ the Pigeon went on, without attending to her; ‘but those serpents! There’s no pleasing them!’

Alice was more and more puzzled, but she thought there was no use in saying anything more till the Pigeon had finished.

‘As if it wasn’t trouble enough hatching the eggs,’ said the Pigeon; ‘but I must be on the look-out for serpents night and day! Why, I haven’t had a wink of sleep these three weeks!’

‘I’m very sorry you’ve been annoyed,’ said Alice, who was beginning to see its meaning.

‘And just as I’d taken the highest tree in the wood,’ continued the Pigeon, raising its voice to a shriek, ‘and just as I was thinking I should be free of them at last, they must needs come wriggling down from the sky! Ugh, Serpent!’

‘But I’m not a serpent, I tell you!’ said Alice. ‘I’m a—I’m a—’

‘Well! What are you?’ said the Pigeon. ‘I can see you’re trying to invent something!’

‘I—I’m a little girl,’ said Alice, rather doubtfully, as she remembered the number of changes she had gone through that day.

‘A likely story indeed!’ said the Pigeon in a tone of the deepest contempt. ‘I’ve seen a good many little girls in my time, but never one with such a neck as that! No, no! You’re a serpent; and there’s no use denying it. I suppose you’ll be telling me next that you never tasted an egg!’

‘I have tasted eggs, certainly,’ said Alice, who was a very truthful child; ‘but little girls eat eggs quite as much as serpents do, you know.’

‘I don’t believe it,’ said the Pigeon; ‘but if they do, why then they’re a kind of serpent, that’s all I can say.’

This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, ‘You’re looking for eggs, I know that well enough; and what does it matter to me whether you’re a little girl or a serpent?’

‘It matters a good deal to me,’ said Alice hastily; ‘but I’m not looking for eggs, as it happens; and if I was, I shouldn’t want yours: I don’t like them raw.’

‘Well, be off, then!’ said the Pigeon in a sulky tone, as it settled down again into its nest.

Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height.

It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. ‘Come, there’s half my plan done now! How puzzling all these changes are! I’m never sure what I’m going to be, from one minute to another! However, I’ve got back to my right size: the next thing is, to get into that beautiful garden—how is that to be done, I wonder?’

As she said this, she came suddenly upon an open place, with a little house in it about four feet high. ‘Whoever lives there,’ thought Alice, ‘it’ll never do to come upon them this size: why, I should frighten them out of their wits!’ So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high.

CHAPTER VI. Pig and Pepper

For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood—(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)—and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen.

The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone,

‘For the Duchess. An invitation from the Queen to play croquet.’

Original children's illustration by John Tenniel of frog delivering letter from Alice in Wonderland

The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, ‘From the Queen. An invitation for the Duchess to play croquet.’

Then they both bowed low, and their curls got entangled together.

Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky.
Alice went timidly up to the door, and knocked.

‘There’s no sort of use in knocking,’ said the Footman, ‘and that for two reasons. First, because I’m on the same side of the door as you are; secondly, because they’re making such a noise inside, no one could possibly hear you.’

And certainly there was a most extraordinary noise going on within—a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces.

‘Please, then,’ said Alice, ‘how am I to get in?’

‘There might be some sense in your knocking,’ the Footman went on without attending to her, ‘if we had the door between us. For instance, if you were inside, you might knock, and I could let you out, you know.’ He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. ‘But perhaps he can’t help it,’ she said to herself; ‘his eyes are so very nearly at the top of his head. But at any rate he might answer questions.—How am I to get in?’ she repeated, aloud.

‘I shall sit here,’ the Footman remarked, ’till tomorrow—’

At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman’s head: it just grazed his nose, and broke to pieces against one of the trees behind him.

‘—or next day, maybe,’ the Footman continued in the same tone, exactly as if nothing had happened.

‘How am I to get in?’ asked Alice again, in a louder tone.

‘Are you to get in at all?’ said the Footman. ‘That’s the first question, you know.’

It was, no doubt: only Alice did not like to be told so. ‘It’s really dreadful,’ she muttered to herself, ‘the way all the creatures argue. It’s enough to drive one crazy!’

The Footman seemed to think this a good opportunity for repeating his remark, with variations. ‘I shall sit here,’ he said, ‘on and off, for days and days.’

‘But what am I to do?’ said Alice.

‘Anything you like,’ said the Footman, and began whistling.

‘Oh, there’s no use in talking to him,’ said Alice desperately: ‘he’s perfectly idiotic!’ And she opened the door and went in.

The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup.

‘There’s certainly too much pepper in that soup!’ Alice said to herself, as well as she could for sneezing.

There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment’s pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear.

Original children's illustration by John Tenniel of Duchess and baby from Alice in Wonderland

‘Please would you tell me,’ said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, ‘why your cat grins like that?’

‘It’s a Cheshire cat,’ said the Duchess, ‘and that’s why. Pig!’

She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:—

‘I didn’t know that Cheshire cats always grinned; in fact, I didn’t know that cats could grin.’

‘They all can,’ said the Duchess; ‘and most of ’em do.’

‘I don’t know of any that do,’ Alice said very politely, feeling quite pleased to have got into a conversation.

‘You don’t know much,’ said the Duchess; ‘and that’s a fact.’

Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby—the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not.

Original children's illustration of Pepper Pig from Alice in Wonderland

‘Oh, please mind what you’re doing!’ cried Alice, jumping up and down in an agony of terror. ‘Oh, there goes his precious nose’; as an unusually large saucepan flew close by it, and very nearly carried it off.

‘If everybody minded their own business,’ the Duchess said in a hoarse growl, ‘the world would go round a deal faster than it does.’

‘Which would not be an advantage,’ said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. ‘Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis—’

‘Talking of axes,’ said the Duchess, ‘chop off her head!’

Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: ‘Twenty-four hours, I think; or is it twelve? I—’

‘Oh, don’t bother me,’ said the Duchess; ‘I never could abide figures!’ And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line:

‘Speak roughly to your little boy,
And beat him when he sneezes:
He only does it to annoy,
Because he knows it teases.’

CHORUS.

(In which the cook and the baby joined):—

‘Wow! wow! wow!’

Original children's illustration of Shake Him When He Sneezes from Alice in Wonderland

While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:—

‘I speak severely to my boy,
I beat him when he sneezes;
For he can thoroughly enjoy
The pepper when he pleases!’

CHORUS.

‘Wow! wow! wow!’

‘Here! you may nurse it a bit, if you like!’ the Duchess said to Alice, flinging the baby at her as she spoke. ‘I must go and get ready to play croquet with the Queen,’ and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her.

Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, ‘just like a star-fish,’ thought Alice.

The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it.

As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. ‘If I don’t take this child away with me,’ thought Alice, ‘they’re sure to kill it in a day or two: wouldn’t it be murder to leave it behind?’ She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). ‘Don’t grunt,’ said Alice; ‘that’s not at all a proper way of expressing yourself.’

Original children's illustration of Baby Turning Into Pig from Alice in Wonderland

The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a very turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. ‘But perhaps it was only sobbing,’ she thought, and looked into its eyes again, to see if there were any tears.

No, there were no tears. ‘If you’re going to turn into a pig, my dear,’ said Alice, seriously, ‘I’ll have nothing more to do with you. Mind now!’ The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence.

Alice was just beginning to think to herself, ‘Now, what am I to do with this creature when I get it home?’ when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be no mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further.

Original children's illustration by John Tenniel of Alice and pig baby from Alice in Wonderland

So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. ‘If it had grown up,’ she said to herself, ‘it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.’

And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, ‘if one only knew the right way to change them—’ when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off.

Original children's illustration by John Tenniel of Alice talking to Cheshire Cat from Alice in Wonderland

The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had very long claws and a great many teeth, so she felt that it ought to be treated with respect.

‘Cheshire Puss,’ she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. ‘Come, it’s pleased so far,’ thought Alice, and she went on. ‘Would you tell me, please, which way I ought to go from here?’

‘That depends a good deal on where you want to get to,’ said the Cat.

‘I don’t much care where—’ said Alice.

‘Then it doesn’t matter which way you go,’ said the Cat.

‘—so long as I get somewhere,’ Alice added as an explanation.

‘Oh, you’re sure to do that,’ said the Cat, ‘if you only walk long enough.’

Alice felt that this could not be denied, so she tried another question. ‘What sort of people live about here?’

‘In that direction,’ the Cat said, waving its right paw round, ‘lives a Hatter: and in that direction,’ waving the other paw, ‘lives a March Hare. Visit either you like: they’re both mad.’

‘But I don’t want to go among mad people,’ Alice remarked.

‘Oh, you can’t help that,’ said the Cat: ‘we’re all mad here. I’m mad. You’re mad.’

Original children's illustration by John Tenniel of Cheshire Cat from Alice in Wonderland

‘How do you know I’m mad?’ said Alice.

‘You must be,’ said the Cat, ‘or you wouldn’t have come here.’

Alice didn’t think that proved it at all; however, she went on ‘And how do you know that you’re mad?’

‘To begin with,’ said the Cat, ‘a dog’s not mad. You grant that?’

‘I suppose so,’ said Alice.

‘Well, then,’ the Cat went on, ‘you see, a dog growls when it’s angry, and wags its tail when it’s pleased. Now I growl when I’m pleased, and wag my tail when I’m angry. Therefore I’m mad.’

‘I call it purring, not growling,’ said Alice.

‘Call it what you like,’ said the Cat. ‘Do you play croquet with the Queen to-day?’

‘I should like it very much,’ said Alice, ‘but I haven’t been invited yet.’

‘You’ll see me there,’ said the Cat, and vanished.

Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again.

‘By-the-bye, what became of the baby?’ said the Cat. ‘I’d nearly forgotten to ask.’

‘It turned into a pig,’ Alice quietly said, just as if it had come back in a natural way.

‘I thought it would,’ said the Cat, and vanished again.

Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. ‘I’ve seen hatters before,’ she said to herself; ‘the March Hare will be much the most interesting, and perhaps as this is May it won’t be raving mad—at least not so mad as it was in March.’ As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree.

‘Did you say pig, or fig?’ said the Cat.

‘I said pig,’ replied Alice; ‘and I wish you wouldn’t keep appearing and vanishing so suddenly: you make one quite giddy.’

‘All right,’ said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone.

‘Well! I’ve often seen a cat without a grin,’ thought Alice; ‘but a grin without a cat! It’s the most curious thing I ever saw in my life!’

She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself ‘Suppose it should be raving mad after all! I almost wish I’d gone to see the Hatter instead!’

CHAPTER VII. A Mad Tea-Party

There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. ‘Very uncomfortable for the Dormouse,’ thought Alice; ‘only, as it’s asleep, I suppose it doesn’t mind.’

The table was a large one, but the three were all crowded together at one corner of it: ‘No room! No room!’ they cried out when they saw Alice coming. ‘There’s plenty of room!’ said Alice indignantly, and she sat down in a large arm-chair at one end of the table.

Original children's illustration of Mad Tea Party from Alice in Wonderland

‘Have some wine,’ the March Hare said in an encouraging tone.

Alice looked all round the table, but there was nothing on it but tea. ‘I don’t see any wine,’ she remarked.

‘There isn’t any,’ said the March Hare.

‘Then it wasn’t very civil of you to offer it,’ said Alice angrily.

‘It wasn’t very civil of you to sit down without being invited,’ said the March Hare.

‘I didn’t know it was your table,’ said Alice; ‘it’s laid for a great many more than three.’

‘Your hair wants cutting,’ said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech.

‘You should learn not to make personal remarks,’ Alice said with some severity; ‘it’s very rude.’

Original children's illustration by John Tenniel of Mad Hatter tea party from Alice in Wonderland

The Hatter opened his eyes very wide on hearing this; but all he said was, ‘Why is a raven like a writing-desk?’

‘Come, we shall have some fun now!’ thought Alice. ‘I’m glad they’ve begun asking riddles.—I believe I can guess that,’ she added aloud.

‘Do you mean that you think you can find out the answer to it?’ said the March Hare.

‘Exactly so,’ said Alice.

‘Then you should say what you mean,’ the March Hare went on.

‘I do,’ Alice hastily replied; ‘at least—at least I mean what I say—that’s the same thing, you know.’

‘Not the same thing a bit!’ said the Hatter. ‘You might just as well say that “I see what I eat” is the same thing as “I eat what I see”!’

‘You might just as well say,’ added the March Hare, ‘that “I like what I get” is the same thing as “I get what I like”!’

‘You might just as well say,’ added the Dormouse, who seemed to be talking in his sleep, ‘that “I breathe when I sleep” is the same thing as “I sleep when I breathe”!’

‘It is the same thing with you,’ said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn’t much.

The Hatter was the first to break the silence. ‘What day of the month is it?’ he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear.

Original children's illustration by John Tenniel of Mad Hatter talking in teapot from Alice in Wonderland

Alice considered a little, and then said ‘The fourth.’

‘Two days wrong!’ sighed the Hatter. ‘I told you butter wouldn’t suit the works!’ he added looking angrily at the March Hare.

‘It was the best butter,’ the March Hare meekly replied.

‘Yes, but some crumbs must have got in as well,’ the Hatter grumbled: ‘you shouldn’t have put it in with the bread-knife.’

The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, ‘It was the best butter, you know.’

Alice had been looking over his shoulder with some curiosity. ‘What a funny watch!’ she remarked. ‘It tells the day of the month, and doesn’t tell what o’clock it is!’

‘Why should it?’ muttered the Hatter. ‘Does your watch tell you what year it is?’

‘Of course not,’ Alice replied very readily: ‘but that’s because it stays the same year for such a long time together.’

‘Which is just the case with mine,’ said the Hatter.

Alice felt dreadfully puzzled. The Hatter’s remark seemed to have no sort of meaning in it, and yet it was certainly English. ‘I don’t quite understand you,’ she said, as politely as she could.

‘The Dormouse is asleep again,’ said the Hatter, and he poured a little hot tea upon its nose.

The Dormouse shook its head impatiently, and said, without opening its eyes, ‘Of course, of course; just what I was going to remark myself.’

‘Have you guessed the riddle yet?’ the Hatter said, turning to Alice again.

‘No, I give it up,’ Alice replied: ‘what’s the answer?’

‘I haven’t the slightest idea,’ said the Hatter.

‘Nor I,’ said the March Hare.

Alice sighed wearily. ‘I think you might do something better with the time,’ she said, ‘than waste it in asking riddles that have no answers.’

‘If you knew Time as well as I do,’ said the Hatter, ‘you wouldn’t talk about wasting it. It’s him.’

‘I don’t know what you mean,’ said Alice.

‘Of course you don’t!’ the Hatter said, tossing his head contemptuously. ‘I dare say you never even spoke to Time!’

‘Perhaps not,’ Alice cautiously replied: ‘but I know I have to beat time when I learn music.’

‘Ah! that accounts for it,’ said the Hatter. ‘He won’t stand beating. Now, if you only kept on good terms with him, he’d do almost anything you liked with the clock. For instance, suppose it were nine o’clock in the morning, just time to begin lessons: you’d only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!’

(‘I only wish it was,’ the March Hare said to itself in a whisper.)

‘That would be grand, certainly,’ said Alice thoughtfully: ‘but then—I shouldn’t be hungry for it, you know.’

‘Not at first, perhaps,’ said the Hatter: ‘but you could keep it to half-past one as long as you liked.’

‘Is that the way you manage?’ Alice asked.

The Hatter shook his head mournfully. ‘Not I!’ he replied. ‘We quarrelled last March—just before he went mad, you know—’ (pointing with his tea spoon at the March Hare,) ‘—it was at the great concert given by the Queen of Hearts, and I had to sing

“Twinkle, twinkle, little bat!
How I wonder what you’re at!”

You know the song, perhaps?’

‘I’ve heard something like it,’ said Alice.

‘It goes on, you know,’ the Hatter continued, ‘in this way:—

“Up above the world you fly,
Like a tea-tray in the sky.
Twinkle, twinkle—”‘

Here the Dormouse shook itself, and began singing in its sleep ‘Twinkle, twinkle, twinkle, twinkle—’ and went on so long that they had to pinch it to make it stop.

‘Well, I’d hardly finished the first verse,’ said the Hatter, ‘when the Queen jumped up and bawled out, “He’s murdering the time! Off with his head!”‘

‘How dreadfully savage!’ exclaimed Alice.

‘And ever since that,’ the Hatter went on in a mournful tone, ‘he won’t do a thing I ask! It’s always six o’clock now.’

A bright idea came into Alice’s head. ‘Is that the reason so many tea-things are put out here?’ she asked.

‘Yes, that’s it,’ said the Hatter with a sigh: ‘it’s always tea-time, and we’ve no time to wash the things between whiles.’

‘Then you keep moving round, I suppose?’ said Alice.

‘Exactly so,’ said the Hatter: ‘as the things get used up.’

‘But what happens when you come to the beginning again?’ Alice ventured to ask.

‘Suppose we change the subject,’ the March Hare interrupted, yawning. ‘I’m getting tired of this. I vote the young lady tells us a story.’

‘I’m afraid I don’t know one,’ said Alice, rather alarmed at the proposal.

‘Then the Dormouse shall!’ they both cried. ‘Wake up, Dormouse!’ And they pinched it on both sides at once.

The Dormouse slowly opened his eyes. ‘I wasn’t asleep,’ he said in a hoarse, feeble voice: ‘I heard every word you fellows were saying.’

‘Tell us a story!’ said the March Hare.

‘Yes, please do!’ pleaded Alice.

‘And be quick about it,’ added the Hatter, ‘or you’ll be asleep again before it’s done.’

Original children's illustration of Mad Hatter from Alice in Wonderland

‘Once upon a time there were three little sisters,’ the Dormouse began in a great hurry; ‘and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well—’

‘What did they live on?’ said Alice, who always took a great interest in questions of eating and drinking.

‘They lived on treacle,’ said the Dormouse, after thinking a minute or two.

‘They couldn’t have done that, you know,’ Alice gently remarked; ‘they’d have been ill.’

‘So they were,’ said the Dormouse; ‘very ill.’

Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: ‘But why did they live at the bottom of a well?’

‘Take some more tea,’ the March Hare said to Alice, very earnestly.

‘I’ve had nothing yet,’ Alice replied in an offended tone, ‘so I can’t take more.’

‘You mean you can’t take less,’ said the Hatter: ‘it’s very easy to take more than nothing.’

‘Nobody asked your opinion,’ said Alice.

‘Who’s making personal remarks now?’ the Hatter asked triumphantly.

Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question.

‘Why did they live at the bottom of a well?’

The Dormouse again took a minute or two to think about it, and then said, ‘It was a treacle-well.’

‘There’s no such thing!’ Alice was beginning very angrily, but the Hatter and the March Hare went ‘Sh! sh!’ and the Dormouse sulkily remarked, ‘If you can’t be civil, you’d better finish the story for yourself.’

‘No, please go on!’ Alice said very humbly; ‘I won’t interrupt again. I dare say there may be one.’

‘One, indeed!’ said the Dormouse indignantly. However, he consented to go on.

‘And so these three little sisters—they were learning to draw, you know—’

‘What did they draw?’ said Alice, quite forgetting her promise.

‘Treacle,’ said the Dormouse, without considering at all this time.

‘I want a clean cup,’ interrupted the Hatter: ‘let’s all move one place on.’

He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse’s place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate.

Alice did not wish to offend the Dormouse again, so she began very cautiously:

‘But I don’t understand. Where did they draw the treacle from?’

‘You can draw water out of a water-well,’ said the Hatter; ‘so I should think you could draw treacle out of a treacle-well—eh, stupid?’

‘But they were in the well,’ Alice said to the Dormouse, not choosing to notice this last remark.

‘Of course they were’, said the Dormouse; ‘—well in.’

This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it.

‘They were learning to draw,’ the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; ‘and they drew all manner of things—everything that begins with an M—’

‘Why with an M?’ said Alice.

‘Why not?’ said the March Hare.

Alice was silent.

The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: ‘—that begins with an M, such as mouse-traps, and the moon, and memory, and muchness—you know you say things are “much of a muchness”—did you ever see such a thing as a drawing of a muchness?’

‘Really, now you ask me,’ said Alice, very much confused, ‘I don’t think—’

‘Then you shouldn’t talk,’ said the Hatter.

This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though she looked back once or twice, half hoping that they would call after her: the last time she saw them, they were trying to put the Dormouse into the teapot.

Original children's illustration by John Tenniel of Mad Hatter and March Hare putting dormouse in teapot from Alice in Wonderland

‘At any rate I’ll never go there again!’ said Alice as she picked her way through the wood. ‘It’s the stupidest tea-party I ever was at in all my life!’

Just as she said this, she noticed that one of the trees had a door leading right into it. ‘That’s very curious!’ she thought. ‘But everything’s curious today. I think I may as well go in at once.’ And in she went.

Once more she found herself in the long hall, and close to the little glass table. ‘Now, I’ll manage better this time,’ she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she went to work nibbling at the mushroom (she had kept a piece of it in her pocket) till she was about a foot high: then she walked down the little passage: and then—she found herself at last in the beautiful garden, among the bright flower-beds and the cool fountains.

CHAPTER VIII. The Queen’s Croquet-Ground

A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, ‘Look out now, Five! Don’t go splashing paint over me like that!’

‘I couldn’t help it,’ said Five, in a sulky tone; ‘Seven jogged my elbow.’

On which Seven looked up and said, ‘That’s right, Five! Always lay the blame on others!’

Original children's illustration by John Tenniel of cards painting roses red from Alice in Wonderland

‘You’d better not talk!’ said Five. ‘I heard the Queen say only yesterday you deserved to be beheaded!’

‘What for?’ said the one who had spoken first.

‘That’s none of your business, Two!’ said Seven.

‘Yes, it is his business!’ said Five, ‘and I’ll tell him—it was for bringing the cook tulip-roots instead of onions.’

Seven flung down his brush, and had just begun ‘Well, of all the unjust things—’ when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low.

‘Would you tell me,’ said Alice, a little timidly, ‘why you are painting those roses?’

Five and Seven said nothing, but looked at Two. Two began in a low voice, ‘Why the fact is, you see, Miss, this here ought to have been a red rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we’re doing our best, afore she comes, to—’

Original children's illustration of Painting Roses from Alice in Wonderland

At this moment Five, who had been anxiously looking across the garden, called out ‘The Queen! The Queen!’ and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen.

First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King’s crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS.

Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; ‘and besides, what would be the use of a procession,’ thought she, ‘if people had all to lie down upon their faces, so that they couldn’t see it?’ So she stood still where she was, and waited.

When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely ‘Who is this?’ She said it to the Knave of Hearts, who only bowed and smiled in reply.

‘Idiot!’ said the Queen, tossing her head impatiently; and, turning to Alice, she went on, ‘What’s your name, child?’

‘My name is Alice, so please your Majesty,’ said Alice very politely; but she added, to herself, ‘Why, they’re only a pack of cards, after all. I needn’t be afraid of them!’

‘And who are these?’ said the Queen, pointing to the three gardeners who were lying round the rosetree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children.

‘How should I know?’ said Alice, surprised at her own courage. ‘It’s no business of mine.’

The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed ‘Off with her head! Off—’

‘Nonsense!’ said Alice, very loudly and decidedly, and the Queen was silent.

Original children's illustration of Queen Playing Croquet from Alice in Wonderland

The King laid his hand upon her arm, and timidly said ‘Consider, my dear: she is only a child!’

The Queen turned angrily away from him, and said to the Knave ‘Turn them over!’
The Knave did so, very carefully, with one foot.

‘Get up!’ said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else.

‘Leave off that!’ screamed the Queen. ‘You make me giddy.’ And then, turning to the rose-tree, she went on, ‘What have you been doing here?’

‘May it please your Majesty,’ said Two, in a very humble tone, going down on one knee as he spoke, ‘we were trying—’

‘I see!’ said the Queen, who had meanwhile been examining the roses. ‘Off with their heads!’ and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection.

‘You shan’t be beheaded!’ said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others.

‘Are their heads off?’ shouted the Queen.

‘Their heads are gone, if it please your Majesty!’ the soldiers shouted in reply.

‘That’s right!’ shouted the Queen. ‘Can you play croquet?’

The soldiers were silent, and looked at Alice, as the question was evidently meant for her.

‘Yes!’ shouted Alice.

‘Come on, then!’ roared the Queen, and Alice joined the procession, wondering very much what would happen next.

‘It’s—it’s a very fine day!’ said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face.

‘Very,’ said Alice: ‘—where’s the Duchess?’

‘Hush! Hush!’ said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered ‘She’s under sentence of execution.’

‘What for?’ said Alice.

‘Did you say “What a pity!”?’ the Rabbit asked.

‘No, I didn’t,’ said Alice: ‘I don’t think it’s at all a pity. I said “What for?”‘

‘She boxed the Queen’s ears—’ the Rabbit began. Alice gave a little scream of laughter. ‘Oh, hush!’ the Rabbit whispered in a frightened tone. ‘The Queen will hear you! You see, she came rather late, and the Queen said—’

‘Get to your places!’ shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began.

Original children's illustration by John Tenniel of Alice with Queen of Hearts and King of Hearts from Alice in Wonderland

Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches.

The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it would twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed.

Original children's illustration by John Tenniel of Croquet and flamingo from Alice in Wonderland

The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting ‘Off with his head!’ or ‘Off with her head!’ about once in a minute.

Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, ‘and then,’ thought she, ‘what would become of me? They’re dreadfully fond of beheading people here; the great wonder is, that there’s any one left alive!’

She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself ‘It’s the Cheshire Cat: now I shall have somebody to talk to.’

‘How are you getting on?’ said the Cat, as soon as there was mouth enough for it to speak with.

Original children's illustration by John Tenniel of Cheshire Cat and King of Hearts from Alice in Wonderland

Alice waited till the eyes appeared, and then nodded. ‘It’s no use speaking to it,’ she thought, ’till its ears have come, or at least one of them.’

In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared.

‘I don’t think they play at all fairly,’ Alice began, in rather a complaining tone, ‘and they all quarrel so dreadfully one can’t hear oneself speak—and they don’t seem to have any rules in particular; at least, if there are, nobody attends to them—and you’ve no idea how confusing it is all the things being alive; for instance, there’s the arch I’ve got to go through next walking about at the other end of the ground—and I should have croqueted the Queen’s hedgehog just now, only it ran away when it saw mine coming!’

‘How do you like the Queen?’ said the Cat in a low voice.

‘Not at all,’ said Alice: ‘she’s so extremely—’ Just then she noticed that the Queen was close behind her, listening: so she went on, ‘—likely to win, that it’s hardly worth while finishing the game.’

The Queen smiled and passed on.

‘Who are you talking to?’ said the King, going up to Alice, and looking at the Cat’s head with great curiosity.

‘It’s a friend of mine—a Cheshire Cat,’ said Alice: ‘allow me to introduce it.’

‘I don’t like the look of it at all,’ said the King: ‘however, it may kiss my hand if it likes.’

‘I’d rather not,’ the Cat remarked.

‘Don’t be impertinent,’ said the King, ‘and don’t look at me like that!’ He got behind Alice as he spoke.

‘A cat may look at a king,’ said Alice. ‘I’ve read that in some book, but I don’t remember where.’

‘Well, it must be removed,’ said the King very decidedly, and he called the Queen, who was passing at the moment, ‘My dear! I wish you would have this cat removed!’

The Queen had only one way of settling all difficulties, great or small. ‘Off with his head!’ she said, without even looking round.

‘I’ll fetch the executioner myself,’ said the King eagerly, and he hurried off.

Alice thought she might as well go back, and see how the game was going on, as she heard the Queen’s voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog.

The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree.

By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: ‘but it doesn’t matter much,’ thought Alice, ‘as all the arches are gone from this side of the ground.’ So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend.

When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable.

The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said.

The executioner’s argument was, that you couldn’t cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn’t going to begin at his time of life.

The King’s argument was, that anything that had a head could be beheaded, and that you weren’t to talk nonsense.

The Queen’s argument was, that if something wasn’t done about it in less than no time she’d have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.)

Alice could think of nothing else to say but ‘It belongs to the Duchess: you’d better ask her about it.’

‘She’s in prison,’ the Queen said to the executioner: ‘fetch her here.’ And the executioner went off like an arrow.

The Cat’s head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game.

CHAPTER IX. The Mock Turtle’s Story

‘You can’t think how glad I am to see you again, you dear old thing!’ said the Duchess, as she tucked her arm affectionately into Alice’s, and they walked off together.

Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.

‘When I’m a Duchess,’ she said to herself, (not in a very hopeful tone though), ‘I won’t have any pepper in my kitchen at all. Soup does very well without—Maybe it’s always pepper that makes people hot-tempered,’ she went on, very much pleased at having found out a new kind of rule, ‘and vinegar that makes them sour—and camomile that makes them bitter—and—and barley-sugar and such things that make children sweet-tempered. I only wish people knew that: then they wouldn’t be so stingy about it, you know—’

She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. ‘You’re thinking about something, my dear, and that makes you forget to talk. I can’t tell you just now what the moral of that is, but I shall remember it in a bit.’

Original children's illustration by John Tenniel of Alice, flamingo and Duchess from Alice in Wonderland

‘Perhaps it hasn’t one,’ Alice ventured to remark.

‘Tut, tut, child!’ said the Duchess. ‘Everything’s got a moral, if only you can find it.’ And she squeezed herself up closer to Alice’s side as she spoke.

Alice did not much like keeping so close to her: first, because the Duchess was very ugly; and secondly, because she was exactly the right height to rest her chin upon Alice’s shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.

‘The game’s going on rather better now,’ she said, by way of keeping up the conversation a little.

”Tis so,’ said the Duchess: ‘and the moral of that is—”Oh, ’tis love, ’tis love, that makes the world go round!”‘

‘Somebody said,’ Alice whispered, ‘that it’s done by everybody minding their own business!’

‘Ah, well! It means much the same thing,’ said the Duchess, digging her sharp little chin into Alice’s shoulder as she added, ‘and the moral of that is—”Take care of the sense, and the sounds will take care of themselves.”‘

‘How fond she is of finding morals in things!’ Alice thought to herself.

‘I dare say you’re wondering why I don’t put my arm round your waist,’ the

Duchess said after a pause: ‘the reason is, that I’m doubtful about the temper of your flamingo. Shall I try the experiment?’

‘He might bite,’ Alice cautiously replied, not feeling at all anxious to have the experiment tried.

‘Very true,’ said the Duchess: ‘flamingoes and mustard both bite. And the moral of that is—”Birds of a feather flock together.”‘

‘Only mustard isn’t a bird,’ Alice remarked.

‘Right, as usual,’ said the Duchess: ‘what a clear way you have of putting things!’

‘It’s a mineral, I think,’ said Alice.

‘Of course it is,’ said the Duchess, who seemed ready to agree to everything that Alice said; ‘there’s a large mustard-mine near here. And the moral of that is—”The more there is of mine, the less there is of yours.”‘

‘Oh, I know!’ exclaimed Alice, who had not attended to this last remark, ‘it’s a vegetable. It doesn’t look like one, but it is.’

‘I quite agree with you,’ said the Duchess; ‘and the moral of that is—”Be what you would seem to be”—or if you’d like it put more simply—”Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.”‘

‘I think I should understand that better,’ Alice said very politely, ‘if I had it written down: but I can’t quite follow it as you say it.’

‘That’s nothing to what I could say if I chose,’ the Duchess replied, in a pleased tone.

‘Pray don’t trouble yourself to say it any longer than that,’ said Alice.

‘Oh, don’t talk about trouble!’ said the Duchess. ‘I make you a present of everything I’ve said as yet.’

‘A cheap sort of present!’ thought Alice. ‘I’m glad they don’t give birthday presents like that!’ But she did not venture to say it out loud.

‘Thinking again?’ the Duchess asked, with another dig of her sharp little chin.

‘I’ve a right to think,’ said Alice sharply, for she was beginning to feel a little worried.

‘Just about as much right,’ said the Duchess, ‘as pigs have to fly; and the m—’

But here, to Alice’s great surprise, the Duchess’s voice died away, even in the middle of her favourite word ‘moral,’ and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm.

‘A fine day, your Majesty!’ the Duchess began in a low, weak voice.

‘Now, I give you fair warning,’ shouted the Queen, stamping on the ground as she spoke; ‘either you or your head must be off, and that in about half no time! Take your choice!’

The Duchess took her choice, and was gone in a moment.

‘Let’s go on with the game,’ the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground.

The other guests had taken advantage of the Queen’s absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment’s delay would cost them their lives.
All the time they were playing the Queen never left off quarrelling with the other players, and shouting ‘Off with his head!’ or ‘Off with her head!’ Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution.

Then the Queen left off, quite out of breath, and said to Alice, ‘Have you seen the Mock Turtle yet?’

‘No,’ said Alice. ‘I don’t even know what a Mock Turtle is.’

‘It’s the thing Mock Turtle Soup is made from,’ said the Queen.

‘I never saw one, or heard of one,’ said Alice.

‘Come on, then,’ said the Queen, ‘and he shall tell you his history,’

As they walked off together, Alice heard the King say in a low voice, to the company generally, ‘You are all pardoned.’

‘Come, that’s a good thing!’ she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered.

They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don’t know what a Gryphon is, look at the picture.)

Original children's illustration by John Tenniel of sleeping Gryphon at sea shore from Alice in Wonderland

‘Up, lazy thing!’ said the Queen, ‘and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered’; and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited.

The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. ‘What fun!’ said the Gryphon, half to itself, half to Alice.

‘What is the fun?’ said Alice.

‘Why, she,’ said the Gryphon. ‘It’s all her fancy, that: they never executes nobody, you know. Come on!’

‘Everybody says “come on!” here,’ thought Alice, as she went slowly after it: ‘I never was so ordered about in all my life, never!’

They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply.

‘What is his sorrow?’ she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, ‘It’s all his fancy, that: he hasn’t got no sorrow, you know. Come on!’

So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing.

‘This here young lady,’ said the Gryphon, ‘she wants for to know your history, she do.’

‘I’ll tell it her,’ said the Mock Turtle in a deep, hollow tone: ‘sit down, both of you, and don’t speak a word till I’ve finished.’

So they sat down, and nobody spoke for some minutes. Alice thought to herself, ‘I don’t see how he can ever finish, if he doesn’t begin.’ But she waited patiently.

‘Once,’ said the Mock Turtle at last, with a deep sigh, ‘I was a real Turtle.’

Original children's illustration of Mock Turtle from Alice in Wonderland

These words were followed by a very long silence, broken only by an occasional exclamation of ‘Hjckrrh!’ from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, ‘Thank you, sir, for your interesting story,’ but she could not help thinking there must be more to come, so she sat still and said nothing.

‘When we were little,’ the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, ‘we went to school in the sea. The master was an old Turtle—we used to call him Tortoise—’

‘Why did you call him Tortoise, if he wasn’t one?’ Alice asked.

‘We called him Tortoise because he taught us,’ said the Mock Turtle angrily: ‘really you are very dull!’

‘You ought to be ashamed of yourself for asking such a simple question,’ added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, ‘Drive on, old fellow! Don’t be all day about it!’ and he went on in these words:

Original children's illustration by John Tenniel of Alice Mock Turtle and Gryphon at sea shore from Alice in Wonderland

‘Yes, we went to school in the sea, though you mayn’t believe it—’

‘I never said I didn’t!’ interrupted Alice.

‘You did,’ said the Mock Turtle.

‘Hold your tongue!’ added the Gryphon, before Alice could speak again. The Mock Turtle went on.

‘We had the best of educations—in fact, we went to school every day—’

‘I’ve been to a day-school, too,’ said Alice; ‘you needn’t be so proud as all that.’

‘With extras?’ asked the Mock Turtle a little anxiously.

‘Yes,’ said Alice, ‘we learned French and music.’

‘And washing?’ said the Mock Turtle.

‘Certainly not!’ said Alice indignantly.
‘Ah! then yours wasn’t a really good school,’ said the Mock Turtle in a tone of great relief. ‘Now at ours they had at the end of the bill, “French, music, and washing—extra.”‘

‘You couldn’t have wanted it much,’ said Alice; ‘living at the bottom of the sea.’

‘I couldn’t afford to learn it.’ said the Mock Turtle with a sigh. ‘I only took the regular course.’

‘What was that?’ inquired Alice.

‘Reeling and Writhing, of course, to begin with,’ the Mock Turtle replied; ‘and then the different branches of Arithmetic—Ambition, Distraction, Uglification, and Derision.’

‘I never heard of “Uglification,”‘ Alice ventured to say. ‘What is it?’

The Gryphon lifted up both its paws in surprise. ‘What! Never heard of uglifying!’ it exclaimed. ‘You know what to beautify is, I suppose?’

‘Yes,’ said Alice doubtfully: ‘it means—to—make—anything—prettier.’

‘Well, then,’ the Gryphon went on, ‘if you don’t know what to uglify is, you are a simpleton.’

Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said ‘What else had you to learn?’

‘Well, there was Mystery,’ the Mock Turtle replied, counting off the subjects on his flappers, ‘—Mystery, ancient and modern, with Seaography: then Drawling—the Drawling-master was an old conger-eel, that used to come once a week: he taught us Drawling, Stretching, and Fainting in Coils.’

‘What was that like?’ said Alice.

‘Well, I can’t show it you myself,’ the Mock Turtle said: ‘I’m too stiff. And the Gryphon never learnt it.’

‘Hadn’t time,’ said the Gryphon: ‘I went to the Classics master, though. He was an old crab, he was.’

Original children's illustration by John Tenniel of Alice Mock Turtle and Gryphon from Alice in Wonderland

‘I never went to him,’ the Mock Turtle said with a sigh: ‘he taught Laughing and Grief, they used to say.’

‘So he did, so he did,’ said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws.

‘And how many hours a day did you do lessons?’ said Alice, in a hurry to change the subject.

‘Ten hours the first day,’ said the Mock Turtle: ‘nine the next, and so on.’

‘What a curious plan!’ exclaimed Alice.

‘That’s the reason they’re called lessons,’ the Gryphon remarked: ‘because they lessen from day to day.’

This was quite a new idea to Alice, and she thought it over a little before she made her next remark. ‘Then the eleventh day must have been a holiday?’

‘Of course it was,’ said the Mock Turtle.

‘And how did you manage on the twelfth?’ Alice went on eagerly.

‘That’s enough about lessons,’ the Gryphon interrupted in a very decided tone: ‘tell her something about the games now.’

CHAPTER X. The Lobster Quadrille

The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. ‘Same as if he had a bone in his throat,’ said the Gryphon: and it set to work shaking him and punching him in the back.

At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:—

‘You may not have lived much under the sea—’ (‘I haven’t,’ said Alice)—’and perhaps you were never even introduced to a lobster—’ (Alice began to say ‘I once tasted—’ but checked herself hastily, and said ‘No, never’) ‘—so you can have no idea what a delightful thing a Lobster Quadrille is!’

‘No, indeed,’ said Alice. ‘What sort of a dance is it?’

‘Why,’ said the Gryphon, ‘you first form into a line along the sea-shore—’

‘Two lines!’ cried the Mock Turtle. ‘Seals, turtles, salmon, and so on; then, when you’ve cleared all the jelly-fish out of the way—’

‘That generally takes some time,’ interrupted the Gryphon.

‘—you advance twice—’

‘Each with a lobster as a partner!’ cried the Gryphon.

‘Of course,’ the Mock Turtle said: ‘advance twice, set to partners—’

‘—change lobsters, and retire in same order,’ continued the Gryphon.

‘Then, you know,’ the Mock Turtle went on, ‘you throw the—’

‘The lobsters!’ shouted the Gryphon, with a bound into the air.

‘—as far out to sea as you can—’

‘Swim after them!’ screamed the Gryphon.

‘Turn a somersault in the sea!’ cried the Mock Turtle, capering wildly about.

‘Change lobsters again!’ yelled the Gryphon at the top of its voice.

‘Back to land again, and that’s all the first figure,’ said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice.

‘It must be a very pretty dance,’ said Alice timidly.

‘Would you like to see a little of it?’ said the Mock Turtle.

‘Very much indeed,’ said Alice.

‘Come, let’s try the first figure!’ said the Mock Turtle to the Gryphon. ‘We can do without lobsters, you know. Which shall sing?’

‘Oh, you sing,’ said the Gryphon. ‘I’ve forgotten the words.’

So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:—

‘”Will you walk a little faster?” said a whiting to a snail.
“There’s a porpoise close behind us, and he’s treading on my tail.

See how eagerly the lobsters and the turtles all advance!
They are waiting on the shingle—will you come and join the dance?

Will you, won’t you, will you, won’t you, will you join the dance?
Will you, won’t you, will you, won’t you, won’t you join the dance?

“You can really have no notion how delightful it will be
When they take us up and throw us, with the lobsters, out to sea!”

But the snail replied “Too far, too far!” and gave a look askance—
Said he thanked the whiting kindly, but he would not join the dance.

Would not, could not, would not, could not, would not join the dance.
Would not, could not, would not, could not, could not join the dance.

‘”What matters it how far we go?” his scaly friend replied.
“There is another shore, you know, upon the other side.

The further off from England the nearer is to France—
Then turn not pale, beloved snail, but come and join the dance.

Will you, won’t you, will you, won’t you, will you join the dance?
Will you, won’t you, will you, won’t you, won’t you join the dance?”‘

Original children's illustration of Lobster Quadrille from Alice in Wonderland

‘Thank you, it’s a very interesting dance to watch,’ said Alice, feeling very glad that it was over at last: ‘and I do so like that curious song about the whiting!’

‘Oh, as to the whiting,’ said the Mock Turtle, ‘they—you’ve seen them, of course?’

‘Yes,’ said Alice, ‘I’ve often seen them at dinn—’ she checked herself hastily.

‘I don’t know where Dinn may be,’ said the Mock Turtle, ‘but if you’ve seen them so often, of course you know what they’re like.’

‘I believe so,’ Alice replied thoughtfully. ‘They have their tails in their mouths—and they’re all over crumbs.’

‘You’re wrong about the crumbs,’ said the Mock Turtle: ‘crumbs would all wash off in the sea. But they have their tails in their mouths; and the reason is—’ here the Mock Turtle yawned and shut his eyes.—’Tell her about the reason and all that,’ he said to the Gryphon.

‘The reason is,’ said the Gryphon, ‘that they would go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn’t get them out again. That’s all.’

‘Thank you,’ said Alice, ‘it’s very interesting. I never knew so much about a whiting before.’

‘I can tell you more than that, if you like,’ said the Gryphon. ‘Do you know why it’s called a whiting?’

‘I never thought about it,’ said Alice. ‘Why?’

‘It does the boots and shoes,’ the Gryphon replied very solemnly.

Alice was thoroughly puzzled. ‘Does the boots and shoes!’ she repeated in a wondering tone.

‘Why, what are your shoes done with?’ said the Gryphon. ‘I mean, what makes them so shiny?’

Alice looked down at them, and considered a little before she gave her answer. ‘They’re done with blacking, I believe.’

‘Boots and shoes under the sea,’ the Gryphon went on in a deep voice, ‘are done with a whiting. Now you know.’

‘And what are they made of?’ Alice asked in a tone of great curiosity.

‘Soles and eels, of course,’ the Gryphon replied rather impatiently: ‘any shrimp could have told you that.’

‘If I’d been the whiting,’ said Alice, whose thoughts were still running on the song, ‘I’d have said to the porpoise, “Keep back, please: we don’t want you with us!”‘

‘They were obliged to have him with them,’ the Mock Turtle said: ‘no wise fish would go anywhere without a porpoise.’

‘Wouldn’t it really?’ said Alice in a tone of great surprise.

‘Of course not,’ said the Mock Turtle: ‘why, if a fish came to me, and told me he was going a journey, I should say “With what porpoise?”‘

‘Don’t you mean “purpose”?’ said Alice.

‘I mean what I say,’ the Mock Turtle replied in an offended tone. And the Gryphon added ‘Come, let’s hear some of your adventures.’

‘I could tell you my adventures—beginning from this morning,’ said Alice a little timidly: ‘but it’s no use going back to yesterday, because I was a different person then.’

‘Explain all that,’ said the Mock Turtle.

‘No, no! The adventures first,’ said the Gryphon in an impatient tone: ‘explanations take such a dreadful time.’

So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so very wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating ‘You are old, Father William,’ to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said ‘That’s very curious.’

‘It’s all about as curious as it can be,’ said the Gryphon.

‘It all came different!’ the Mock Turtle repeated thoughtfully. ‘I should like to hear her try and repeat something now. Tell her to begin.’ He looked at the Gryphon as if he thought it had some kind of authority over Alice.

‘Stand up and repeat “‘Tis the voice of the sluggard,”‘ said the Gryphon.

‘How the creatures order one about, and make one repeat lessons!’ thought Alice; ‘I might as well be at school at once.’ However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:—

”Tis the voice of the Lobster; I heard him declare,
“You have baked me too brown, I must sugar my hair.”
As a duck with its eyelids, so he with his nose
Trims his belt and his buttons, and turns out his toes.
When the sands are all dry, he is gay as a lark,
And will talk in contemptuous tones of the Shark,
But, when the tide rises and sharks are around,
His voice has a timid and tremulous sound.”

Original children's illustration by John Tenniel of lobster from Alice in Wonderland

‘That’s different from what I used to say when I was a child,’ said the Gryphon.

‘Well, I never heard it before,’ said the Mock Turtle; ‘but it sounds uncommon nonsense.’

Alice said nothing; she had sat down with her face in her hands, wondering if anything would ever happen in a natural way again.

‘I should like to have it explained,’ said the Mock Turtle.

‘She can’t explain it,’ said the Gryphon hastily. ‘Go on with the next verse.’

‘But about his toes?’ the Mock Turtle persisted. ‘How could he turn them out with his nose, you know?’

‘It’s the first position in dancing.’ Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject.

‘Go on with the next verse,’ the Gryphon repeated impatiently: ‘it begins “I passed by his garden.”‘

Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:—

‘I passed by his garden, and marked, with one eye,
How the Owl and the Panther were sharing a pie—
The Panther took pie-crust, and gravy, and meat,
While the Owl had the dish as its share of the treat.
When the pie was all finished, the Owl, as a boon,
Was kindly permitted to pocket the spoon:
While the Panther received knife and fork with a growl,
And concluded the banquet—”

‘What is the use of repeating all that stuff,’ the Mock Turtle interrupted, ‘if you don’t explain it as you go on? It’s by far the most confusing thing I ever heard!’

‘Yes, I think you’d better leave off,’ said the Gryphon: and Alice was only too glad to do so.

‘Shall we try another figure of the Lobster Quadrille?’ the Gryphon went on. ‘Or would you like the Mock Turtle to sing you a song?’

‘Oh, a song, please, if the Mock Turtle would be so kind,’ Alice replied, so eagerly that the Gryphon said, in a rather offended tone,

‘Hm! No accounting for tastes! Sing her “Turtle Soup,” will you, old fellow?’

The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:—

‘Beautiful Soup, so rich and green,
Waiting in a hot tureen!
Who for such dainties would not stoop?
Soup of the evening, beautiful Soup!
Soup of the evening, beautiful Soup!
Beau—ootiful Soo—oop!
Beau—ootiful Soo—oop!
Soo—oop of the e—e—evening,
Beautiful, beautiful Soup!

‘Beautiful Soup! Who cares for fish,
Game, or any other dish?
Who would not give all else for two
Pennyworth only of beautiful Soup?
Pennyworth only of beautiful Soup?
Beau—ootiful Soo—oop!
Beau—ootiful Soo—oop!
Soo—oop of the e—e—evening,
Beautiful, beauti—FUL SOUP!’

Original vintage illustration for Alice in Wonderland - Beautiful Soup

‘Chorus again!’ cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of ‘The trial’s beginning!’ was heard in the distance.

‘Come on!’ cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song.

‘What trial is it?’ Alice panted as she ran; but the Gryphon only answered ‘Come on!’ and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:—

‘Soo—oop of the e—e—evening,
Beautiful, beautiful Soup!’

CHAPTER XI. Who Stole the Tarts?

The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them—all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other.

In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them—’I wish they’d get the trial done,’ she thought, ‘and hand round the refreshments!’ But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time.

Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. ‘That’s the judge,’ she said to herself, ‘because of his great wig.’
The judge, by the way, was the King; and as he wore his crown over the wig, he did not look at all comfortable, and it was certainly not becoming.

‘And that’s the jury-box,’ thought Alice, ‘and those twelve creatures,’ (she was obliged to say ‘creatures,’ you see, because some of them were animals, and some were birds,) ‘I suppose they are the jurors.’

She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, ‘jury-men’ would have done just as well.

The twelve jurors were all writing very busily on slates.

‘What are they doing?’ Alice whispered to the Gryphon. ‘They can’t have anything to put down yet, before the trial’s begun.’

‘They’re putting down their names,’ the Gryphon whispered in reply, ‘for fear they should forget them before the end of the trial.’

‘Stupid things!’ Alice began in a loud, indignant voice, but she stopped hastily, for the White Rabbit cried out, ‘Silence in the court!’ and the King put on his spectacles and looked anxiously round, to make out who was talking.

Alice could see, as well as if she were looking over their shoulders, that all the jurors were writing down ‘stupid things!’ on their slates, and she could even make out that one of them didn’t know how to spell ‘stupid,’ and that he had to ask his neighbour to tell him. ‘A nice muddle their slates’ll be in before the trial’s over!’ thought Alice.

One of the jurors had a pencil that squeaked. This of course, Alice could not stand, and she went round the court and got behind him, and very soon found an opportunity of taking it away. She did it so quickly that the poor little juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate.

‘Herald, read the accusation!’ said the King.

On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:—

‘The Queen of Hearts, she made some tarts,
All on a summer day:
The Knave of Hearts, he stole those tarts,
And took them quite away!’

Original children's illustration by John Tenniel of White Rabbit and trumpet and scroll from Alice in Wonderland

‘Consider your verdict,’ the King said to the jury.

‘Not yet, not yet!’ the Rabbit hastily interrupted. ‘There’s a great deal to come before that!’

‘Call the first witness,’ said the King; and the White Rabbit blew three blasts on the trumpet, and called out, ‘First witness!’

The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other.

Original children's illustration by John Tenniel of Mad Hatter and buttered bread and cup of tea from Alice in Wonderland

‘I beg pardon, your Majesty,’ he began, ‘for bringing these in: but I hadn’t quite finished my tea when I was sent for.’

‘You ought to have finished,’ said the King. ‘When did you begin?’

The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. ‘Fourteenth of March, I think it was,’ he said.

‘Fifteenth,’ said the March Hare.

‘Sixteenth,’ added the Dormouse.

‘Write that down,’ the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence.

‘Take off your hat,’ the King said to the Hatter.

‘It isn’t mine,’ said the Hatter.

‘Stolen!’ the King exclaimed, turning to the jury, who instantly made a memorandum of the fact.

‘I keep them to sell,’ the Hatter added as an explanation; ‘I’ve none of my own. I’m a hatter.’

Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted.

‘Give your evidence,’ said the King; ‘and don’t be nervous, or I’ll have you executed on the spot.’

This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter.

Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her.

‘I wish you wouldn’t squeeze so.’ said the Dormouse, who was sitting next to her. ‘I can hardly breathe.’

‘I can’t help it,’ said Alice very meekly: ‘I’m growing.’

‘You’ve no right to grow here,’ said the Dormouse.

‘Don’t talk nonsense,’ said Alice more boldly: ‘you know you’re growing too.’

‘Yes, but I grow at a reasonable pace,’ said the Dormouse: ‘not in that ridiculous fashion.’ And he got up very sulkily and crossed over to the other side of the court.

All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, ‘Bring me the list of the singers in the last concert!’ on which the wretched Hatter trembled so, that he shook both his shoes off.

‘Give your evidence,’ the King repeated angrily, ‘or I’ll have you executed, whether you’re nervous or not.’

‘I’m a poor man, your Majesty,’ the Hatter began, in a trembling voice, ‘—and I hadn’t begun my tea—not above a week or so—and what with the bread-and-butter getting so thin—and the twinkling of the tea—’

Original children's illustration by John Tenniel of Mad Hatter and buttered bread from Alice in Wonderland

‘The twinkling of the what?’ said the King.

‘It began with the tea,’ the Hatter replied.

‘Of course twinkling begins with a T!’ said the King sharply. ‘Do you take me for a dunce? Go on!’

‘I’m a poor man,’ the Hatter went on, ‘and most things twinkled after that—only the March Hare said—’

‘I didn’t!’ the March Hare interrupted in a great hurry.

‘You did!’ said the Hatter.

‘I deny it!’ said the March Hare.

‘He denies it,’ said the King: ‘leave out that part.’

‘Well, at any rate, the Dormouse said—’ the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep.

‘After that,’ continued the Hatter, ‘I cut some more bread-and-butter—’

‘But what did the Dormouse say?’ one of the jury asked.

‘That I can’t remember,’ said the Hatter.

‘You must remember,’ remarked the King, ‘or I’ll have you executed.’

The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. ‘I’m a poor man, your Majesty,’ he began.

‘You’re a very poor speaker,’ said the King.

Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.)

‘I’m glad I’ve seen that done,’ thought Alice. ‘I’ve so often read in the newspapers, at the end of trials, “There was some attempts at applause, which was immediately suppressed by the officers of the court,” and I never understood what it meant till now.’

Original children's illustration of Who Stole the Tarts from Alice in Wonderland

‘If that’s all you know about it, you may stand down,’ continued the King.

‘I can’t go no lower,’ said the Hatter: ‘I’m on the floor, as it is.’

‘Then you may sit down,’ the King replied.

Here the other guinea-pig cheered, and was suppressed.

‘Come, that finished the guinea-pigs!’ thought Alice. ‘Now we shall get on better.’

‘I’d rather finish my tea,’ said the Hatter, with an anxious look at the Queen, who was reading the list of singers.

‘You may go,’ said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on.

‘—and just take his head off outside,’ the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door.

‘Call the next witness!’ said the King.

Original children's illustration by John Tenniel of Queen and King of Hearts from Alice in Wonderland

The next witness was the Duchess’s cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once.

‘Give your evidence,’ said the King.

‘Shan’t,’ said the cook.

The King looked anxiously at the White Rabbit, who said in a low voice, ‘Your Majesty must cross-examine this witness.’

‘Well, if I must, I must,’ the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, ‘What are tarts made of?’

‘Pepper, mostly,’ said the cook.

‘Treacle,’ said a sleepy voice behind her.

‘Collar that Dormouse,’ the Queen shrieked out. ‘Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!’

For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared.

‘Never mind!’ said the King, with an air of great relief. ‘Call the next witness.’ And he added in an undertone to the Queen, ‘Really, my dear, you must cross-examine the next witness. It quite makes my forehead ache!’

Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, ‘—for they haven’t got much evidence yet,’ she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name ‘Alice!’

CHAPTER XII. Alice’s Evidence

‘Here!’ cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before.

Original children's illustration by John Tenniel of Alice and cards from Alice in Wonderland

‘Oh, I beg your pardon!’ she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die.

‘The trial cannot proceed,’ said the King in a very grave voice, ‘until all the jurymen are back in their proper places—all,’ he repeated with great emphasis, looking hard at Alice as he said do.

Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; ‘not that it signifies much,’ she said to herself; ‘I should think it would be quite as much use in the trial one way up as the other.’

As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court.

‘What do you know about this business?’ the King said to Alice.

‘Nothing,’ said Alice.

‘Nothing whatever?’ persisted the King.

‘Nothing whatever,’ said Alice.

‘That’s very important,’ the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted:

‘Unimportant, your Majesty means, of course,’ he said in a very respectful tone, but frowning and making faces at him as he spoke.

‘Unimportant, of course, I meant,’ the King hastily said, and went on to himself in an undertone ‘important—unimportant—unimportant—important—’ as if he were trying which word sounded best.

Some of the jury wrote it down ‘important,’ and some ‘unimportant.’ Alice could see this, as she was near enough to look over their slates; ‘but it doesn’t matter a bit,’ she thought to herself.

At this moment the King, who had been for some time busily writing in his note-book, cackled out ‘Silence!’ and read out from his book, ‘Rule Forty-two. All persons more than a mile high to leave the court.’

Everybody looked at Alice.

‘I’m not a mile high,’ said Alice.

‘You are,’ said the King.

‘Nearly two miles high,’ added the Queen.

‘Well, I shan’t go, at any rate,’ said Alice: ‘besides, that’s not a regular rule: you invented it just now.’

‘It’s the oldest rule in the book,’ said the King.

‘Then it ought to be Number One,’ said Alice.

The King turned pale, and shut his note-book hastily. ‘Consider your verdict,’ he said to the jury, in a low, trembling voice.

‘There’s more evidence to come yet, please your Majesty,’ said the White Rabbit, jumping up in a great hurry; ‘this paper has just been picked up.’

‘What’s in it?’ said the Queen.

‘I haven’t opened it yet,’ said the White Rabbit, ‘but it seems to be a letter, written by the prisoner to—to somebody.’

‘It must have been that,’ said the King, ‘unless it was written to nobody, which isn’t usual, you know.’

‘Who is it directed to?’ said one of the jurymen.

‘It isn’t directed at all,’ said the White Rabbit; ‘in fact, there’s nothing written on the outside.’ He unfolded the paper as he spoke, and added ‘It isn’t a letter, after all: it’s a set of verses.’

‘Are they in the prisoner’s handwriting?’ asked another of the jurymen.

‘No, they’re not,’ said the White Rabbit, ‘and that’s the queerest thing about it.’ (The jury all looked puzzled.)

‘He must have imitated somebody else’s hand,’ said the King. (The jury all brightened up again.)

‘Please your Majesty,’ said the Knave, ‘I didn’t write it, and they can’t prove I did: there’s no name signed at the end.’

‘If you didn’t sign it,’ said the King, ‘that only makes the matter worse. You must have meant some mischief, or else you’d have signed your name like an honest man.’

There was a general clapping of hands at this: it was the first really clever thing the King had said that day.

‘That proves his guilt,’ said the Queen.

‘It proves nothing of the sort!’ said Alice. ‘Why, you don’t even know what they’re about!’

‘Read them,’ said the King.

The White Rabbit put on his spectacles. ‘Where shall I begin, please your Majesty?’ he asked.

‘Begin at the beginning,’ the King said gravely, ‘and go on till you come to the end: then stop.’

These were the verses the White Rabbit read:—

‘They told me you had been to her,
And mentioned me to him:
She gave me a good character,
But said I could not swim.

He sent them word I had not gone
(We know it to be true):
If she should push the matter on,
What would become of you?

I gave her one, they gave him two,
You gave us three or more;
They all returned from him to you,
Though they were mine before.

If I or she should chance to be
Involved in this affair,
He trusts to you to set them free,
Exactly as we were.

My notion was that you had been
(Before she had this fit)
An obstacle that came between
Him, and ourselves, and it.

Don’t let him know she liked them best,
For this must ever be
A secret, kept from all the rest,
Between yourself and me.’

‘That’s the most important piece of evidence we’ve heard yet,’ said the King, rubbing his hands; ‘so now let the jury—’

‘If any one of them can explain it,’ said Alice, (she had grown so large in the last few minutes that she wasn’t a bit afraid of interrupting him,) ‘I’ll give him sixpence. I don’t believe there’s an atom of meaning in it.’

The jury all wrote down on their slates, ‘She doesn’t believe there’s an atom of meaning in it,’ but none of them attempted to explain the paper.

‘If there’s no meaning in it,’ said the King, ‘that saves a world of trouble, you know, as we needn’t try to find any. And yet I don’t know,’ he went on, spreading out the verses on his knee, and looking at them with one eye; ‘I seem to see some meaning in them, after all. “—said I could not swim—” you can’t swim, can you?’ he added, turning to the Knave.

The Knave shook his head sadly. ‘Do I look like it?’ he said. (Which he certainly did not, being made entirely of cardboard.)

‘All right, so far,’ said the King, and he went on muttering over the verses to himself: ‘”We know it to be true—” that’s the jury, of course—”I gave her one, they gave him two—” why, that must be what he did with the tarts, you know—’

‘But, it goes on “they all returned from him to you,”‘ said Alice.

‘Why, there they are!’ said the King triumphantly, pointing to the tarts on the table. ‘Nothing can be clearer than that. Then again—”before she had this fit—” you never had fits, my dear, I think?’ he said to the Queen.

‘Never!’ said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.)

‘Then the words don’t fit you,’ said the King, looking round the court with a smile. There was a dead silence.

‘It’s a pun!’ the King added in an offended tone, and everybody laughed, ‘Let the jury consider their verdict,’ the King said, for about the twentieth time that day.

‘No, no!’ said the Queen. ‘Sentence first—verdict afterwards.’

‘Stuff and nonsense!’ said Alice loudly. ‘The idea of having the sentence first!’

‘Hold your tongue!’ said the Queen, turning purple.

‘I won’t!’ said Alice.

‘Off with her head!’ the Queen shouted at the top of her voice. Nobody moved.

‘Who cares for you?’ said Alice, (she had grown to her full size by this time.) ‘You’re nothing but a pack of cards!’

Original children's illustration of Pack of Cards from Alice in Wonderland

At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

‘Wake up, Alice dear!’ said her sister; ‘Why, what a long sleep you’ve had!’

‘Oh, I’ve had such a curious dream!’ said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, ‘It was a curious dream, dear, certainly: but now run in to your tea; it’s getting late.’

So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.

But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:—

First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers—she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that would always get into her eyes—and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister’s dream.

The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess’s knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard’s slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle.

So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen’s shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle’s heavy sobs.

Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.

THE END

Original Alice in Wonderland story by Lewis Carroll

Original vintage illustrations by John Tenniel, Gordon Robinson and Arthur Rackham.

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Independent Thinking

1. Alice often discovers that things don’t seem to make sense when she is in Wonderland! Sometimes this happens in life too. Can you think of some ways you could try to make sense and find out what was real if you were in a place like Wonderland?

2. Do you think that the trial over Who Stole the Tarts was a good way to discover who had stolen the tarts? Why or why not?

3. Do you agree with the Cheshire Cat’s statement that “we’re all mad here”? Why or why not?

Empathy

4. Alice often discovers that when she mentions her cat, Dinah, the other animals become offended. Do you think they are right to be offended, even if Alice feels differently?

5. Likewise, Alice stops mentioning Dinah in conversations so as not to offend the other animals. Is this the right thing to do?

Conversation

6. Have you ever had a strange dream like Alice’s? What happened in it?

The post Alice in Wonderland first appeared on Bedtime Stories.

]]>
Hansel and Gretel https://www.storyberries.com/fairy-tales-hansel-and-gretel-by-hamilton-wright-mabie/ Thu, 09 Nov 2017 15:28:30 +0000 https://www.storyberries.com/?p=6720 The classic fairytale about a clever brother and sister, and a gingerbread house...

The post Hansel and Gretel first appeared on Bedtime Stories.

]]>

This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

Near the borders of a large forest dwelt in olden times a poor wood-cutter, who had two children—a boy named Hansel, and his sister, Gretel. They had very little to live upon, and once when there was a dreadful season of scarcity in the land, the poor wood-cutter could not earn sufficient to supply their daily food.

One evening, after the children were gone to bed, the parents sat talking together over their sorrow, and the poor husband sighed, and said to his wife, who was not the mother of his children, but their stepmother, “What will become of us, for I cannot earn enough to support myself and you, much less the children? What shall we do with them, for they must not starve?”

“I know what to do, husband,” she replied. “Early to-morrow morning we will take the children for a walk across the forest and leave them in the thickest part; they will never find the way home again, you may depend, and then we shall only have to work for ourselves.”

“No, wife,” said the man. “That I will never do. How could I have the heart to leave my children all alone in the wood, where the wild beasts would come quickly and devour them?”

“Oh, you fool,” replied the stepmother. “If you refuse to do this, you know we must all four perish with hunger; you may as well go and cut the wood for our coffins.” And after this she let him have no peace till he became quite worn out, and could not sleep for hours, but lay thinking in sorrow about his children.

The two children, who also were too hungry to sleep, heard all that their stepmother had said to their father. Poor little Gretel wept bitter tears as she listened, and said to her brother, “What is going to happen to us, Hansel?”

“Hush, Grethel,” he whispered. “Don’t be so unhappy; I know what to do.”

Then they lay quite still till their parents were asleep.

As soon as it was quiet, Hansel got up, put on his little coat, unfastened the door, and slipped out. The moon shone brightly, and the white pebble stones which lay before the cottage door glistened like new silver money. Hansel stooped and picked up as many of the pebbles as he could stuff in his little coat pockets. He then went back to Gretel and said, “Be comforted, dear little sister, and sleep in peace; heaven will take care of us.” Then he laid himself down again in bed, and slept till the day broke.

As soon as the sun was risen, the stepmother came and woke the two children, and said, “Get up, you lazy bones, and come into the wood with me to gather wood for the fire.” Then she gave each of them a piece of bread, and said, “You must keep that to eat for your dinner, and don’t quarrel over it, for you will get nothing more.”

Gretel took the bread under her charge, for Hansel’s pockets were full of pebbles. Then the stepmother led them a long way into the forest. They had gone but a very short distance when Hansel looked back at the house, and this he did again and again.

At last his stepmother said, “Why do you keep staying behind and looking back so?”

“Oh, mother,” said the boy, “I can see my little white cat sitting on the roof of the house, and I am sure she is crying for me.”

“Nonsense,” she replied. “That is not your cat; it is the morning sun shining on the chimney-pot.”

Hansel had seen no cat, but he stayed behind every time to drop a white pebble from his pocket on the ground as they walked.

As soon as they reached a thick part of the wood, their stepmother said:

“Come, children, gather some wood, and I will make a fire, for it is very cold here.”

Then Hansel and Gretel raised quite a high heap of brushwood and faggots, which soon blazed up into a bright fire, and the woman said to them:

“Sit down here, children, and rest, while I go and find your father, who is cutting wood in the forest; when we have finished our work, we will come again and fetch you.”

Hansel and Gretel seated themselves by the fire, and when noon arrived they each ate the piece of bread which their stepmother had given them for their dinner; and as long as they heard the strokes of the axe they felt safe, for they believed that their father was working near them. But it was not an axe they heard—only a branch which still hung on a withered tree, and was moved up and down by the wind. At last, when they had been sitting there a long time, the children’s eyes became heavy with fatigue, and they fell fast asleep. When they awoke it was dark night, and poor Gretel began to cry, and said, “Oh, how shall we get out of the wood?”

But Hansel comforted her. “Don’t fear,” he said. “Let us wait a little while till the moon rises, and then we shall easily find our way home.”

Very soon the full moon rose, and then Hansel took his little sister by the hand, and the white pebble stones, which glittered like newly-coined money in the moonlight, and which Hansel had dropped as he walked, pointed out the way. They walked all the night through, and did not reach their father’s house till break of day.

They knocked at the door, and when their stepmother opened it, she exclaimed: “You naughty children, why have you been staying so long in the forest? We thought you were never coming back,” But their father was overjoyed to see them, for it grieved him to the heart to think that they had been left alone in the wood.

Not long after this there came another time of scarcity and want in every house, and the children heard their stepmother talking after they were in bed. “The times are as bad as ever,” she said. “We have just half a loaf left, and when that is gone all love will be at an end. The children must go away; we will take them deeper into the forest this time, and they will not be able to find their way home as they did before; it is the only plan to save ourselves from starvation.” But the husband felt heavy at heart, for he thought it was better to share the last morsel with his children.

His wife would listen to nothing he said, but continued to reproach him, and as he had given way to her the first time, he could not refuse to do so now. The children were awake, and heard all the conversation; so, as soon as their parents slept, Hansel got up, intending to go out and gather some more of the bright pebbles to let fall as he walked, that they might point out the way home; but his stepmother had locked the door, and he could not open it. When he went back to his bed he told his little sister not to fret, but to go to sleep in peace, for he was sure they would be taken care of.

Early the next morning the stepmother came and pulled the children out of bed, and, when they were dressed, gave them each a piece of bread for their dinners, smaller than they had had before, and then they started on their way to the wood.

As they walked, Hansel, who had the bread in his pocket, broke off little crumbs, and stopped every now and then to drop one, turning round as if he was looking back at his home.

“Hansel,” said the woman, “What are you stopping for in that way? Come along directly.”

“I saw my pigeon sitting on the roof, and he wants to say good-bye to me,” replied the boy.

“Nonsense,” she said; “that is not your pigeon; it is only the morning sun shining on the chimney-top.”

But Hansel did not look back any more; he only dropped pieces of bread behind him, as they walked through the wood. This time they went on till they reached the thickest and densest part of the forest, where they had never been before in all their lives. Again they gathered faggots and brushwood, of which the stepmother made up a large fire. Then she said,

“Remain here, children, and rest, while I go to help your father, who is cutting wood in the forest; when you feel tired, you can lie down and sleep for a little while, and we will come and fetch you in the evening, when your father has finished his work.”

So the children remained alone till mid-day, and then Gretel shared her piece of bread with Hansel, for he had scattered his own all along the road as they walked. After this they slept for awhile, and the evening drew on; but no one came to fetch the poor children. When they awoke it was quite dark, and poor little Grethel was afraid; but Hansel comforted her, as he had done before, by telling her they need only wait till the moon rose. “You know, little sister,” he said, “That I have thrown breadcrumbs all along the road we came, and they will easily point out the way home.”

But when they went out of the thicket into the moonlight they found no breadcrumbs, for the numerous birds which inhabited the trees of the forest had picked them all up.

Hansel tried to hide his fear when he made this sad discovery, and said to his sister, “Cheer up, Gretel; I dare say we shall find our way home without the crumbs. Let us try.” But this they found impossible. They wandered about the whole night, and the next day from morning till evening; but they could not get out of the wood, and were so hungry that had it not been for a few berries which they picked they must have starved.

At last they were so tired that their poor little legs could carry them no farther; so they laid themselves down under a tree and went to sleep. When they awoke it was the third morning since they had left their father’s house, and they determined to try once more to find their way home; but it was no use, they only went still deeper into the wood, and knew that if no help came they must starve.

About noon, they saw a beautiful snow-white bird sitting on the branch of a tree, and singing so beautifully that they stood still to listen. When he had finished his song, he spread out his wings and flew on before them. The children followed him, till at last they saw at a distance a small house; and the bird flew and perched on the roof.

But how surprised were the boy and girl, when they came nearer, to find that the house was built of gingerbread, and ornamented with sweet cakes and tarts, while the window was formed of barley-sugar.

“Oh!” exclaimed Hansel, “let us stop here and have a splendid feast. I will have a piece from the roof first, Gretel; and you can eat some of the barley-sugar window, it tastes so nice.” Hansel reached up on tiptoe, and breaking off a piece of the gingerbread, he began to eat with all his might, for he was very hungry. Gretel seated herself on the doorstep, and began munching away at the cakes of which it was made. Presently a voice came out of the cottage:

“Munching, crunching, munching,
Who’s eating up my house?”

Then answered the children:

“The wind, the wind,
Only the wind,”

and went on eating as if they never meant to leave off, without a suspicion of wrong. Hansel, who found the cake on the roof taste very good, broke off another large piece, and Gretel had just taken out a whole pane of barley-sugar from the window, and seated herself to eat it, when the door opened, and a strange-looking old woman came out leaning on a stick.

Hansel and Gretel were so frightened that they let fall what they held in their hands. The old woman shook her head at them, and said,

“Ah, you dear children, who has brought you here? Come in, and stay with me for a little while, and there shall no harm happen to you.”

She seized them both by the hands as she spoke, and led them into the house. She gave them for supper plenty to eat and drink—milk and pancakes and sugar, apples and nuts; and when evening came, Hansel and Gretel were shown two beautiful little beds with white curtains, and they lay down in them and thought they were in heaven.

But although the old woman pretended to be friendly, she was a wicked witch, who had her house built of gingerbread on purpose to entrap children. When once they were in her power, she would feed them well till they got fat, and then kill them and cook them for her dinner; and this she called her feast-day. Fortunately the witch had weak eyes, and could not see very well; but she had a very keen scent, as wild animals have, and could easily discover when human beings were near. As Hansel and Gretel had approached her cottage, she laughed to herself maliciously, and said, with a sneer: “I have them now; they shall not escape from me again!”

Early in the morning, before the children were awake, she was up, standing by their beds; and when she saw how beautiful they looked in their sleep, with their round rosy cheeks, she muttered to herself, “What nice tit-bits they will be!” Then she laid hold of Hansel with her rough hand, dragged him out of bed, and led him to a little cage which had a lattice-door, and shut him in; he might scream as much as he would, but it was all useless.

After this she went back to Gretel, and, shaking her roughly till she woke, cried: “Get up, you lazy girl, and draw some water, that I may boil something good for your brother, who is shut up in a cage outside till he gets fat; and then I shall cook him and eat him!” When Gretel heard this she began to cry bitterly; but it was all useless, she was obliged to do as the wicked witch told her.

For poor Hansel’s breakfast the best of everything was cooked; but Gretel had nothing for herself but a crab’s claw. Every morning the old woman would go out to the little cage, and say: “Hansel, stick out your finger, that I may feel if you are fat enough for eating.” But Hansel, who knew how dim her old eyes were, always stuck a bone through the bars of his cage, which she thought was his finger, for she could not see; and when she felt how thin it was, she wondered very much why he did not get fat.

However, as the weeks went on, and Hansel seemed not to get any fatter, she became impatient, and said she could not wait any longer. “Go, Gretel,” she cried to the maiden. “Be quick and draw water; Hansel may be fat or lean, I don’t care, to-morrow morning I mean to kill him, and cook him!”

Oh! how the poor little sister grieved when she was forced to draw the water; and, as the tears rolled down her cheeks, she exclaimed: “It would have been better to be eaten by wild beasts, or to have been starved to death in the woods; then we should have died together!”

“Stop your crying!” cried the old woman. “It is not of the least use, no one will come to help you.”

Early in the morning Gretel was obliged to go out and fill the great pot with water, and hang it over the fire to boil. As soon as this was done, the old woman said, “We will bake some bread first; I have made the oven hot, and the dough is already kneaded.” Then she dragged poor little Gretel up to the oven door, under which the flames were burning fiercely, and said: “Creep in there, and see if it is hot enough yet to bake the bread.” But if Gretel had obeyed her, she would have shut the poor child in and baked her for dinner, instead of boiling Hansel.

Gretel, however, guessed what she wanted to do, and said, “I don’t know how to get in through that narrow door.”

“Stupid goose,” said the old woman. “Why, the oven door is quite large enough for me; just look, I could get in myself.” As she spoke she stepped forward and pretended to put her head in the oven.

A sudden thought gave Gretel unusual strength; she started forward, gave the old woman a push which sent her right into the oven, then she shut the iron door and fastened the bolt.

Oh! how the old witch did howl, it was quite horrible to hear her. But Gretel ran away, and therefore she was left to burn, just as she had left many poor little children to burn. And how quickly Gretel ran to Hansel, opened the door of his cage, and cried, “Hansel, Hansel, we are free; the old witch is dead.” He flew like a bird out of his cage at these words as soon as the door was opened, and the children were so overjoyed that they ran into each other’s arms, and kissed each other with the greatest love.

And now that there was nothing to be afraid of, they went back into the house, and while looking round the old witch’s room, they saw an old oak chest, which they opened, and found it full of pearls and precious stones. “These are better than pebbles,” said Hansel; and he filled his pockets as full as they would hold.

“I will carry some home too,” said Gretel, and she held out her apron, which held quite as much as Hansel’s pockets.

“We will go now,” he said, “and get away as soon as we can from this enchanted forest.”

They had been walking for nearly two hours when they came to a large body of water.

“What shall we do now?” said the boy. “We cannot get across, and there is no bridge of any sort.”

“Oh! here comes a boat,” cried Gretel, but she was mistaken; it was only a white duck which came swimming towards the children. “Perhaps she will help us across if we ask her,” said the child; and she sung, “Little duck, do help poor Hansel and Gretel? There is not a bridge, nor a boat—will you let us sail across on your white back?”

The good-natured duck came near the bank as Gretel spoke, so close indeed that Hansel could seat himself and wanted to take his little sister on his lap, but she said, “No, we shall be too heavy for the kind duck; let her take us over one at a time.”

The good creature did as the children wished; she carried Gretel over first, and then came back for Hansel. And then how happy the children were to find themselves in a part of the wood which they remembered quite well, and as they walked on, the more familiar it became, till at last they caught sight of their father’s house. Then they began to run, and, bursting into the room, threw themselves into their father’s arms.

Poor man, he had not had a moment’s peace since the children had been left alone in the forest; he was full of joy at finding them safe and well again, and now they had nothing to fear, for their wicked stepmother was dead.

But how surprised the poor wood-cutter was when Gretel opened and shook her little apron to see the glittering pearls and precious stones scattered about the room, while Hansel drew handful after handful from his pockets. From this moment all his care and sorrow was at an end, and the father lived in happiness with his children till his death.

Short story for kids edited by Hamilton Wright Mabie, Edward Everett Hale, and William Byron Forbush

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Honesty

1. The children see the gingerbread house and begin eating it, without thinking that perhaps it belongs to someone. Why do you think they did this?

2. When the witch called out to discover who was eating her house, the children replied that it was the birds. Do you think this was honest? What do you think they should have done, on discovering that they were eating somebody’s house?

Co-operation

1. Hansel and Gretel escape the clutches of the witch through co-operation. Can you name some ways in which they co-operated (helped each other) to escape?

2. Who else did they co-operate with, in order to return home?

3. Why do you think co-operation can sometimes work better than doing something alone?

Illustration of child reading book

 

The post Hansel and Gretel first appeared on Bedtime Stories.

]]>
A Apple Pie https://www.storyberries.com/a-apple-pie/ Wed, 18 Oct 2017 15:48:10 +0000 https://www.storyberries.com/?p=6607 A vintage story to learn the alphabet... featuring a delicious apple pie!

The post A Apple Pie first appeared on Bedtime Stories.

]]>
Vintage books Kids Learn To Read A Apple Pie Letter AVintage books Kids Learn To Read B Apple Pie Letter BVintage books Kids Learn To Read C Apple Pie Letter CVintage books Kids Learn To Read D Apple Pie Letter DVintage books Kids Learn To Read E Apple Pie Letter EVintage books Kids Learn To Read F Apple Pie Letter FVintage books Kids Learn To Read G Apple Pie Letter GVintage books Kids Learn To Read H Apple Pie Letter HVintage books Kids Learn To Read Apple Pie Letter I and JVintage books Kids Learn To Read Apple Pie Letter KVintage books Kids Learn To Read Apple Pie Letter LVintage books Kids Learn To Read Apple Pie Letter MVintage books Kids Learn To Read Apple Pie Letter NVintage books Kids Learn To Read Apple Pie Letter OVintage books Kids Learn To Read Apple Pie Letter PVintage books Kids Learn To Read Apple Pie Letter QVintage books Kids Learn To Read Apple Pie Letter RVintage books Kids Learn To Read Apple Pie Letter SVintage books Kids Learn To Read Apple Pie Letter TVintage books Kids Learn To Read Apple Pie Letter UVWXYZ

ORIGINAL PUBLISHER’S NOTE

Kate Greenaway used an early version of the rhyme to illustrate A APPLE PIE which was first published in 1886 and it will be noticed that there is no rhyme for the letter I.

The rhyme of A APPLE PIE is very ancient and reference is made to it as early as 1671 in one of the writings of John Eachard. In these early versions the letters I and J were not differentiated. The letter J as we know it to-day was the curved initial form of the letter I and was always used before a vowel.

STORYBERRIES NOTE

We have added the “I” into the J rhyme in order to help your child not miss this important letter!

Short story for children written and illustrated by Kate Greenaway

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Creativity

1. Can you think of some other things you might do for an apple pie? What letters do they begin with?

The post A Apple Pie first appeared on Bedtime Stories.

]]>
The Frog Who Would A-Wooing Go https://www.storyberries.com/poems-for-kids-the-frog-who-would-a-wooing-go-by-charles-bennett/ Tue, 08 Aug 2017 14:52:01 +0000 https://www.storyberries.com/?p=6492 A Frog is in the mood for having some fun- but it doesn't end well!

The post The Frog Who Would A-Wooing Go first appeared on Bedtime Stories.

]]>
The Frog Who Would A-Wooing Go Cover

A Frog he would a-wooing go,
Whether his mother would let him or no.

The Frog Who Would A-Wooing Go Page 1

Off he set with his opera-hat.
On the road he met with a Rat.

The Frog Who Would A-Wooing Go Page 2

“Pray, Mr. Rat, will you go with me,
Kind Mrs. Mousey for to see?”

The Frog Who Would A-Wooing Go Page 3

They soon arrived at Mousey’s hall.
They gave a loud tap, and they gave a loud call.

“Pray, Mrs. Mouse, are you within?”
“Yes, kind sirs, and sitting to spin.”

The Frog Who Would A-Wooing Go Page 5

“Pray, Mrs. Mouse, now give us some beer,
That Froggy and I may have good cheer.”

The Frog Who Would A-Wooing Go Page 6

“Pray, Mr. Frog, will you give us a song?
Let the subject be something that’s not very long.”

The Frog Who Would A-Wooing Go Page 7

“Indeed, Mrs. Mouse,” replied the Frog,
“A cold has made me as hoarse as a hog.”

The Frog Who Would A-Wooing Go Page 8

“Since you have caught cold, Mr. Frog,” Mousey said,
“I’ll sing you a song that I have just made.”

The Frog Who Would A-Wooing Go Page 9

As they were in glee and merrymaking,
A Cat and her kittens came tumbling in.

The Frog Who Would A-Wooing Go Page 10

The Cat she seized the Rat by the crown,
The kittens they pulled the little Mouse down.

The Frog Who Would A-Wooing Go Page 11

This put Mr. Frog in a terrible fright,
He took up his hat, and he wished them good night.

The Frog Who Would A-Wooing Go Page 12

As Froggy was crossing it over a brook,
A lilywhite Duck came and gobbled him up.

The Frog Who Would A-Wooing Go Page 13

So here is an end of one, two, three—
The Rat, the Mouse, and little Froggy.

The Frog Who Would A-Wooing Go Page 14

 

On the quiet sedgy bank of a stagnant pool, and under the shadow of rank reeds and bulrushes, sat two frogs. They had retired from the shoal, who were disporting themselves in the water, and were earnestly talking. The elder of the two, an old matron, addressing the younger, who, by-the-by, was her son, said,—

“My dear Froggy, you had better stop quietly with me; you do not know what dangers you may encounter, if you leave your secluded home.”

“Croak, croak!” said Froggy.

“Ah, my son!” continued the old lady, “I see that, like most young frogs, you are very obstinate, and will not listen to reason. But why on earth you should wish to go gadding after a poor, hungry little mouse, is more than I can tell—you with your beautiful legs and speckled coat, born to a splendid estate of reeds and water, the heir of nine bulrushes and a water-lily. I thought you were more of a frog.”

“Croak, croak!” said Froggy again.

“Have you thought of the boys who throw stones?”

“Croak!”

“Or the birds with long beaks?”

“Croak!”

“Or the ducks?”

“Croak!”

“If you want to go a-wooing, there are frogs in your own station in life; indeed, with your personal appearance, you might even aspire to an eft or a lizard.”

“Croak!” persisted the sulky little Frog.

“You are no better than a tadpole!” said his mother, getting very angry at last; and no sooner were the words out of her lips, than up jumped Master Froggy in a passion, and taking his opera-hat under his arm, off he went at a rapid pace, singing at the top of his voice, so as to hide his rage,—

“Rowley, powley, gammon and spinach.

‘Heigh O!’ says Anthony Rowley.”

Froggy had not walked very far before he saw, jogging on before him, a brown little fellow in a long-tail coat and Blucher boots, who carried an old cotton umbrella.

“Dear me,” thought the Frog, “that looks like my friend Mr. Rat;” and sure enough so it was.

“How do you do?” asked Master Froggy, when he had overtaken him.

“Pretty well!—How’s your self?—Where are you going?—Fine day!—Squeak!” replied Mr. Rat, in a succession of short, shrill sentences.

“I’m going,” said Froggy, “to see the pretty little Widow Mousey, who lives in that snug cottage yonder. Pray come with me, for I feel rather bashful at going by myself.”

“With all my heart,” replied Mr. Rat; and off they went together.

They soon arrived at the cottage; and the Rat having given a loud knock, while the Frog gave a loud “Croak,” Mrs. Mousey put away her spinning-wheel in a great hurry, and admitted her guests.

“Good morning, Mrs. Mouse,” said the Frog. “We were out walking, and thought we would give you a call.”

“You are very kind, I am sure,” replied Mrs. Mousey. “Pray sit down and rest yourselves; I dare say you are tired.”

“And here—I say—squeak!—Mrs. Mousey—some beer!—We’re thirsty,” said Mr. Rat.

“Croak—let’s enjoy ourselves while we can,” observed the Frog.

“Certainly,” said Mousey. “I’ll draw you some of the last brew.”

So Mousey drew some beer, and they sat down very cosily; and soon were chatting so comfortably, that Master Froggy thought he should soon get rid of his bashfulness, and then should be able to ask pretty Mrs. Mousey to marry him. Presently their little hostess proposed a song, and called upon Froggy to oblige; but, “Really,” he replied, “I must be excused, for the fog last night gave me such a cold that I’m as hoarse as a hog.” He didn’t forget that he had been singing “Rowley, powley,” as he came along, but he was afraid that his voice was not good enough for his company.

“Well,” said Mousey, laughing, “I am sorry for that; but if you won’t sing, I will.”

So she sang a pretty little song she had just composed, and a very charming ditty it was—rather shrill, perhaps, but very well sung indeed. After this, I need hardly tell you that they enjoyed themselves amazingly. Perhaps Mr. Rat drank rather too much beer; but altogether it was a very pleasant little party, and Froggy had so far got over his bashfulness as to squeeze Mrs. Mousey’s paw once or twice rather tenderly.

But while they were thus happily employed, a terrible old cat who lived in the neighbourhood, and went by the name of “Browzer,” was tying on her shawl—calling to her kittens, and saying,

“Come, my children, it is a fine day—let us go for a walk. Make haste, for something tells me we shall find some dinner on our way.”

And sure enough they did; for after looking after little birds, and trying the windows of all the pantries they knew,—

“B-row!” said the Cat, snuffing the air; “do you know—I’m not quite certain—but—yes, really—I smell mouse.”

“Mew!” said the kittens; “we’re so glad.”

“And I think, also, rat.”

“Oh, come along!” said the kittens.

“Don’t make a noise,” whispered the Cat.

Slowly and cautiously they crept on towards Mrs. Mousey’s cottage, till at an unexpected moment, and just as Mrs. Mouse was going to get a fresh mug of beer, in tumbled the Cat and her kittens. Down went the Rat under the Cat’s paw—up in a corner the two kittens got the Mouse.

“M-row-ow, fit-z-z!” and Rat and Mouse were killed.

“Holla!” says the Frog; “this won’t do! Perhaps they’ll be after me in a minute. I must be off home to my mother.” And sure enough off he went (trembling like a leaf), but as rapidly as he could. “Oh, why did I ever leave home?” said this foolish Frog: “I should have been safe enough with my mother. I’ll never leave home again. Never! never! never!”

“Quack, quack!” observed a Duck who had been watching him.

“Oh, my goodness gracious!” said the Frog; “what shall I do now? There’s the very Duck that ate up my uncle who went abroad! Now, if I can’t cross over this brook in a single jump, I shall never get home alive. Here goes!”

But, alas! since it must be told, he could not cross the brook in one jump.

In he fell—splash! Up came the Duck.

“Quack, quack! gobble, gobble, gobble!” and the poor Frog never got home at all.

We are all sorry for his untimely end, and wish that the Duck had not gobbled him up: but we must not forget that if he had been less self-willed and obstinate, if he had only paid attention to what his mother told him, he might have been safe at home—perhaps, in due course, married to an amiable Frog, and the father of a large family of innocent little tadpoles.

VINTAGE POEM AND STORY FOR KIDS WRITTEN AND ILLUSTRATED BY CHARLES H. BENNETT

LET’S CHAT ABOUT THE POEM~ IDEAS FOR TALKING WITH KIDS

Over-Confidence

1. The little Frog said he was going to go out whether his Mother agreed or not. Do you think it would have been a good idea to listen to his Mother? Why or why not?

The post The Frog Who Would A-Wooing Go first appeared on Bedtime Stories.

]]>
The Faithless Parrot https://www.storyberries.com/fairy-tales-the-faithless-parrot-short-stories-for-kids/ Tue, 08 Aug 2017 12:48:02 +0000 https://www.storyberries.com/?p=6478 Fido loves Pussy, but Pussy is infatuated with Paul Parrot. What can Fido do?

The post The Faithless Parrot first appeared on Bedtime Stories.

]]>
The Faithless Parrot Vintage Childrens Story - Cover

There once lived happily together, in a fine house, a tortoise-shell Cat and a pretty white Dog: the Cat’s name was Tittums; the Dog’s, Fido.

In course of time the pretty Dog fell in love with the Cat, and only waited for a good chance to disclose his affections. This came one day, when Tittums had put her paws on the fender, dropped her head a little on one side, half closed her eyes, and seemed thinking of nothing at all.

Then Fido, who lay stretched at full length upon the hearth-rug, looked steadfastly at her, and heaving a gentle whine, said,—

“Oh, Tittums, I’ve fallen in love!”

The Faithless Parrot Vintage Childrens Story - Page 1

“Indeed!” replied the prudent Cat, not wishing to show him how anxious she was.

“Yes, indeed,” continued the little Doggy, rather hurt at her coldness: “It’s you that I’ve fallen in love with. Do you like me, Tittums?”

But Tittums would not answer, even with a single purr-r! and it was only upon her giving him a sly look out of the corner of her left eye that he guessed how much she did like him. However, made bold by even this small token of esteem, he came quietly up, and sat by her side; even going so far, at last, as to take her out for a short walk down the garden-path, where they looked through the railings at the people passing by.

“Well,” said Fido to himself, “I have no doubt but she will love me in time; all the more, as I have great hopes of growing bigger before the spring.”

But one morning, when Tittums came in from a visit she had been paying her mamma, she was followed by a gentleman from the tropics, who, with all impudence, made himself quite at home, pressed Tittums’ paw to his heart, called her “the loveliest of Cats,” asked her to oblige him with a song, which he had been told she could sing very sweetly, and never took the least notice of poor Fido, who was sitting in the corner. To tell the truth, poor Fido was very cross, and began to growl quite savagely; the more so when, to his dismay, he beheld the pleasure with which Tittums heard all this nonsense. He could not think what right the bold stranger had to come there unasked; for all that he had bright red and green feathers, a rakish, broad-brimmed hat, and a gold-headed walking-cane, he was not good-looking, that was very certain.

But Tittums was very much struck by his appearance and bearing; his feathers were so pretty, he spoke so many languages, shrieked so terribly and in such a loud voice, had travelled so much, and was so struck by the beauty of Tittums, that, poor little Cat as she was, she ceased to care a button for faithful Fido, and kept all her sly glances for Mr. Paul Parrot.

“Lovely Tittums,” said Mr. Paul, “you must forget such upstart puppies as Fido. Listen to me—I am a traveller—I speak five languages,—I have a palace made of golden bars, within which is a perch fit for a king,—I have a pension of bread and milk and Barcelona nuts: all of which I will share with you. To-morrow we will go for a trip into the field next to the house. Good-by for the present, my dear Pussy Cat;” and he went away kissing his hand.

Poor Fido howled. Naughty Tittums!

The Faithless Parrot Vintage Childrens Story - Page 2

As day followed day, Miss Puss neglected her little Dog more and more. She walked out with Mr. Paul Parrot, she sang to him, looked kindly at him, and, in fact, only seemed happy when he was by. Poor Fido was true to his first love, although almost brought to despair; he got very thin indeed, and his fine bushy coat, which he had kept nice and clean, became ragged and dirty.

Indeed, Mr. Parrot carried all before him; he was so grand, so loving, and so clever, that Fido from being deserted became despised.

The Faithless Parrot Vintage Childrens Story - Page 3

One evening, just after dark, as he was roaming about, feeling very sad, and thinking that, perhaps, it would be better to run away, he all at once found himself in the next garden, and while he was looking round him, he heard voices.

“Lovely Mrs. Daw,” said one of the voices which he seemed to recognise, “I am a traveller—I speak five languages—I have a palace made of golden bars, within which is a perch fit for a king,—I have a pension of bread and milk and nuts; all of which I will share with you. To-morrow we will fly for an excursion on to the great oak-tree in Farmer Hodges’ field.”

The Faithless Parrot Vintage Childrens Story - Page 4

 

“Dear me!” thought Fido, “this must be Mr. Parrot.” And, sure enough, so it was,—Mr. Parrot, indeed, and making the warmest of love to old Mrs. Daw, the widow of Miser Jack Daw, who, during a long life, and by means of stealing and saving, had laid by a large fortune, which he had left Mrs. Daw to enjoy.

The old widow seemed very much pleased at the warmth of Mr. Paul’s love, and no doubt thought that every word he said was true; leering round at him with her old eyes, and wishing that she had put on a clean muslin cap, as it might have made her look even younger than she thought she did.

As for Fido, he almost jumped for joy; he ran home as soon as ever he could.

“Oh, Tittums!” said he, heedless of her scornful looks, “what do you think I have found out? There is that rascal of a Paul Parrot, who pretends so much love for you, courting Widow Daw at this very moment; and if you come at once you may see it with your own eyes.”

“Nonsense!” replied Tittums: “I do not believe it.”

“Well,” said the Dog, “to convince you, if you will only come to the other side of the wall you shall see that what I have said is quite true.”

But Pussy, trusting in the honour of Mr. Paul, would not believe a word, and it was only after a great deal of persuasion that she was induced to jump over the wall and listen.

The Faithless Parrot Vintage Childrens Story - Page 5

Mr. Paul and Mrs. Daw were still courting, and the Parrot was trying, by coaxing the old lady, to find out how much she was worth, and where all her treasures were hid. Indeed Mrs. Daw was just on the point of telling him her secret, when Tittums, unable to contain herself, rushed at Mr. Paul and scratched his face.

“Oh, you bad Parrot!” she said; “did you not promise to marry me, and take me to your golden palace?”

“Golden palace!” screamed Mrs. Daw: “why, you wicked bird, that’s what you promised me. Stay, ma’am, what did he say besides?—did he promise you any bread and milk, or any Barcelona nuts?”

“Yes, he did—he did—he did,” continued the Cat, scratching and clawing the false, faithless Parrot as she spoke.

“Well,” said Pussy, now fairly exhausted, “I hope you are satisfied: if ever you come near our house again, I’ll scratch out every feather you have on your back;” and so she left him, taking Fido with her, who, in spite of his general good nature and the Parrot’s rage, could not resist giving him two or three sharp bites.

The Faithless Parrot Vintage Childrens Story - Page 6

As soon as Mrs. Daw was left alone with Paul, she began to upbraid him with his falseness,—“You vulgar, stuck-up, ugly, awkward deceiver! you have neither honesty enough to live by, nor wings enough to fly with.” Whereupon she jumped at him and gave him such a plucking as spoilt his good looks.

Never after this was the Parrot able to hold up his head. Every one scorned him; even his golden palace turned out to be a brass cage; and for his misdeeds a chain was fastened round his leg. He was confined to a wooden perch, which, out of pure spite, he was always pecking.

Old Widow Daw kept her secret, and remained unmarried.

Tittums could not help admiring the constancy of Fido; and when in the spring he had grown bigger, and was promoted to a sweet red and black collar, Pussy found that she loved him very much indeed, and made up her mind never more to forsake him.

The Faithless Parrot Vintage Childrens Story - Page 7

Are you seeking more stories about love to read to your child? Read our review of the Ten Best Children’s Picture Books About Love

Short story for children written by Charles H. Bennett

Designed and narrated by Charles H. Bennett

Header illustration by Charles H. Bennett

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Honesty

1. Why do you think Pussy and Mrs Daw were so upset when they discovered that Paul Parrot had been telling them both the same stories?

2. Why do you think Paul Parrot told Pussy and Mrs Daw that he had a cage of gold bars, when it was only brass?

Love

1. Fido hopes that Pussy will love him with the passing of time. Do you think this happens with love? Does it always grow over time? Why or why not?

The post The Faithless Parrot first appeared on Bedtime Stories.

]]>
Johnny Townmouse https://www.storyberries.com/johnny-townmouse-beatrix-potter/ Thu, 01 Dec 2016 11:24:52 +0000 https://www.storyberries.com/?p=5326 Timmy Willie lives in the country. Johnny Town-mouse lives in the city. Which do you think is better?

The post Johnny Townmouse first appeared on Bedtime Stories.

]]>
Johnny Town-mouse was born in a cupboard. Timmy Willie was born in a garden. Timmy Willie was a little country mouse who went to town by mistake in a hamper. The gardener sent vegetables to town once a week by carrier; he packed them in a big hamper.

Bedtime stories Beatrix Potter Johnny Townmouse page 1

The gardener left the hamper by the garden gate, so that the carrier could pick it up when he passed. Timmy Willie crept in through a hole in the wicker-work, and after eating some peas—Timmy Willie fell fast asleep.

Bedtime stories Beatrix Potter Johnny Townmouse page 2
He awoke in a fright, while the hamper was being lifted into the carrier’s cart. Then there was a jolting, and a clattering of horse’s feet; other packages were thrown in; for miles and miles—jolt—jolt—jolt! and Timmy Willie trembled amongst the jumbled up vegetables.

Bedtime stories Beatrix Potter Johnny Townmouse page 3

At last the cart stopped at a house, where the hamper was taken out, carried in, and set down. The cook gave the carrier sixpence; the back door banged, and the cart rumbled away. But there was no quiet; there seemed to be hundreds of carts passing. Dogs barked; boys whistled in the street; the cook laughed, the parlour maid ran up and down-stairs; and a canary sang like a steam engine.

Bedtime stories Beatrix Potter Johnny Townmouse page 4

Timmy Willie, who had lived all his life in a garden, was almost frightened to death. Presently the cook opened the hamper and began to unpack the vegetables. Out sprang the terrified Timmy Willie.

Bedtime stories Beatrix Potter Johnny Townmouse page 5

Up jumped the cook on a chair, exclaiming “A mouse! a mouse! Call the cat! Fetch me the poker, Sarah!” Timmy Willie did not wait for Sarah with the poker; he rushed along the skirting board till he came to a little hole, and in he popped.

Bedtime stories Beatrix Potter Johnny Townmouse page 6
He dropped half a foot, and crashed into the middle of a mouse dinner party, breaking three glasses.—”Who in the world is this?” inquired Johnny Town-mouse. But after the first exclamation of surprise he instantly recovered his manners.

Bedtime stories Beatrix Potter Johnny Townmouse page 7

With the utmost politeness he introduced Timmy Willie to nine other mice, all with long tails and white neckties. Timmy Willie’s own tail was insignificant. Johnny Town-mouse and his friends noticed it; but they were too well bred to make personal remarks; only one of them asked Timmy Willie if he had ever been in a trap?

Bedtime stories Beatrix Potter Johnny Townmouse page 8
The dinner was of eight courses; not much of anything, but truly elegant. All the dishes were unknown to Timmy Willie, who would have been a little afraid of tasting them; only he was very hungry, and very anxious to behave with company manners. The continual noise upstairs made him so nervous, that he dropped a plate. “Never mind, they don’t belong to us,” said Johnny.

Bedtime stories Beatrix Potter Johnny Townmouse page 9

“Why don’t those youngsters come back with the dessert?” It should be explained that two young mice, who were waiting on the others, went skirmishing upstairs to the kitchen between courses. Several times they had come tumbling in, squeaking and laughing; Timmy Willie learnt with horror that they were being chased by the cat. His appetite failed, he felt faint. “Try some jelly?” said Johnny Town-mouse.

Bedtime stories Beatrix Potter Johnny Townmouse page 10

“No? Would you rather go to bed? I will show you a most comfortable sofa pillow.”

The sofa pillow had a hole in it. Johnny Town-mouse quite honestly recommended it as the best bed, kept exclusively for visitors. But the sofa smelt of cat. Timmy Willie preferred to spend a miserable night under the fender.

Bedtime stories Beatrix Potter Johnny Townmouse page 11

It was just the same next day. An excellent breakfast was provided—for mice accustomed to eat bacon; but Timmy Willie had been reared on roots and salad. Johnny Town-mouse and his friends racketted about under the floors, and came boldly out all over the house in the evening. One particularly loud crash had been caused by Sarah tumbling downstairs with the tea-tray; there were crumbs and sugar and smears of jam to be collected, in spite of the cat.

Bedtime stories Beatrix Potter Johnny Townmouse page 12Timmy Willie longed to be at home in his peaceful nest in a sunny bank. The food disagreed with him; the noise prevented him from sleeping. In a few days he grew so thin that Johnny Town-mouse noticed it, and questioned him. He listened to Timmy Willie’s story and inquired about the garden. “It sounds rather a dull place? What do you do when it rains?”

Bedtime stories Beatrix Potter Johnny Townmouse page 13

“When it rains, I sit in my little sandy burrow and shell corn and seeds from my Autumn store. I peep out at the throstles and blackbirds on the lawn, and my friend Cock Robin. And when the sun comes out again, you should see my garden and the flowers—roses and pinks and pansies—no noise except the birds and bees, and the lambs in the meadows.”

Bedtime stories Beatrix Potter Johnny Townmouse page 14

“There goes that cat again!” exclaimed Johnny Town-mouse. When they had taken refuge in the coal-cellar he resumed the conversation; “I confess I am a little disappointed; we have endeavoured to entertain you, Timothy William.”

“Oh yes, yes, you have been most kind; but I do feel so ill,” said Timmy Willie.

Bedtime stories Beatrix Potter Johnny Townmouse page 15

 

“It may be that your teeth and digestion are unaccustomed to our food; perhaps it might be wiser for you to return in the hamper.”

“Oh? Oh!” cried Timmy Willie.

“Why of course for the matter of that we could have sent you back last week,” said Johnny rather huffily—”did you not know that the hamper goes back empty on Saturdays?”

Bedtime stories Beatrix Potter Johnny Townmouse page 16
So Timmy Willie said good-bye to his new friends, and hid in the hamper with a crumb of cake and a withered cabbage leaf; and after much jolting, he was set down safely in his own garden.

Bedtime stories Beatrix Potter Johnny Townmouse page 17

 

Sometimes on Saturdays he went to look at the hamper lying by the gate, but he knew better than to get in again. And nobody got out, though Johnny Town-mouse had half promised a visit.

Bedtime stories Beatrix Potter Johnny Townmouse page 18

The winter passed; the sun came out again; Timmy Willie sat by his burrow warming his little fur coat and sniffing the smell of violets and spring grass. He had nearly forgotten his visit to town. When up the sandy path all spick and span with a brown leather bag came Johnny Town-mouse!

Bedtime stories Beatrix Potter Johnny Townmouse page 19

Timmy Willie received him with open arms. “You have come at the best of all the year, we will have herb pudding and sit in the sun.”

“H’m’m! it is a little damp,” said Johnny Town-mouse, who was carrying his tail under his arm, out of the mud.

Bedtime stories Beatrix Potter Johnny Townmouse page 20

“What is that fearful noise?” he started violently.

“That?” said Timmy Willie, “that is only a cow; I will beg a little milk, they are quite harmless, unless they happen to lie down upon you. How are all our friends?”

Bedtime stories Beatrix Potter Johnny Townmouse page 21

Johnny’s account was rather middling. He explained why he was paying his visit so early in the season; the family had gone to the sea-side for Easter; the cook was doing spring cleaning, on board wages, with particular instructions to clear out the mice. There were four kittens, and the cat had killed the canary.

Bedtime stories Beatrix Potter Johnny Townmouse page 22

“They say we did it; but I know better,” said Johnny Town-mouse. “Whatever is that fearful racket?”

“That is only the lawn-mower; I will fetch some of the grass clippings presently to make your bed. I am sure you had better settle in the country, Johnny.”

Bedtime stories Beatrix Potter Johnny Townmouse page 23

“H’m’m—we shall see by Tuesday week; the hamper is stopped while they are at the sea-side.”

“I am sure you will never want to live in town again,” said Timmy Willie.

Bedtime stories Beatrix Potter Johnny Townmouse page 24

But he did. He went back in the very next hamper of vegetables; he said it was too quiet!!

Bedtime stories Beatrix Potter Johnny Townmouse page 25
One place suits one person, another place suits another person. For my part I prefer to live in the country, like Timmy Willie.Bedtime stories Beatrix Potter Johnny Townmouse page 26

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Gratitude

1. Do you live in the town, or the country? What are some of the nicest things about where you live?

Empathy

1. Imagine someone who lives in a place very different to you. For example, if you live in the city, imagine a child who lives in the country. If you live in the country, imagine a child who lives in the city. What do you think would be good things about living in that place very different to where you live?

 

Short story for children written by Beatrix Potter

Vintage Children’s Book Illustrations by Beatrix Potter

The post Johnny Townmouse first appeared on Bedtime Stories.

]]>
You Are Old, Father William https://www.storyberries.com/poems-for-kids-you-are-old-father-william-by-lewis-carroll/ Fri, 14 Oct 2016 02:12:05 +0000 https://www.storyberries.com/?p=4974 An old man talks about the things he did in his youth, and how it made him into the old man he is today.

The post You Are Old, Father William first appeared on Bedtime Stories.

]]>
“You are old, Father William,” the young man said,
“And your hair has become very white;
And yet you incessantly stand on your head—
Do you think, at your age, it is right?”

“In my youth,” Father William replied to his son,
“I feared it might injure the brain;
But now that I’m perfectly sure I have none,
Why, I do it again and again.”

“You are old,” said the youth, “as I mentioned before,
And have grown most uncommonly fat;
Yet you turned a back-somersault in at the door—
Pray, what is the reason of that?”

“In my youth,” said the sage, as he shook his gray locks,
“I kept all my limbs very supple
By the use of this ointment—one shilling the box—
Allow me to sell you a couple.”

“You are old,” said the youth, “and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak:
Pray, how did you manage to do it?”

“In my youth,” said his father, “I took to the law,
And argued each case with my wife;
And the muscular strength which it gave to my jaw
Has lasted the rest of my life.”

“You are old,” said the youth; “one would hardly suppose
That your eye was as steady as ever;
Yet you balanced an eel on the end of your nose—
What made you so awfully clever?”

“I have answered three questions, and that is enough,”
Said his father, “don’t give yourself airs!
Do you think I can listen all day to such stuff?
Be off, or I’ll kick you down-stairs!”

 

LET’S CHAT ABOUT THE POEM ~ IDEAS FOR TALKING WITH KIDS

Creativity

1. Can you imagine what life will be like when you’re old?

2. What do you think you will say about yourself when you’re old?

POEMS FOR KIDS WRITTEN BY LEWIS CARROLL

The post You Are Old, Father William first appeared on Bedtime Stories.

]]>
The Jabberwocky https://www.storyberries.com/poems-for-kids-the-jabberwocky-by-lewis-carroll/ Fri, 25 Sep 2015 04:17:57 +0000 https://www.storyberries.com/?p=3527 Enjoy onomatopoeia with this famous poem by Lewis Carroll about a whiffling monster.

The post The Jabberwocky first appeared on Bedtime Stories.

]]>
’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand;
Long time the manxome foe he sought—
So rested he by the Tumtum tree
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

POEMS FOR KIDS BY LEWIS CARROLL

LET’S CHAT ABOUT THE POEM ~ IDEAS FOR TALKING WITH KIDS

Creativity

1. The Jabberwocky is a poem that uses made-up words that sound like the thing they are describing. Can you make up a word to describe the Jabberwocky?

The post The Jabberwocky first appeared on Bedtime Stories.

]]>
Two Little Kittens https://www.storyberries.com/poems-for-kids-two-little-kittens/ Thu, 10 Sep 2015 13:07:58 +0000 https://www.storyberries.com/?p=3326 Two kittens learn it's better to get along than to fight!

The post Two Little Kittens first appeared on Bedtime Stories.

]]>
 

Two little kittens,
One stormy night,
Began to quarrel,
And then to fight.

One had a mouse
And the other had none;
And that was the way
The quarrel begun.

“I’ll have that mouse,”
Said the bigger cat.
“You’ll have that mouse?
We’ll see about that!”

“I will have that mouse,”
Said the tortoise-shell;
And, spitting and scratching,
On her sister she fell.

I’ve told you before
‘Twas a stormy night,
When these two kittens
Began to fight.

The old woman took
The sweeping broom,
And swept them both
Right out of the room.

The ground was covered
With frost and snow,
They had lost the mouse,
And had nowhere to go.

So they lay and shivered
Beside the door,
Till the old woman finished
Sweeping the floor.

And then they crept in
As quiet as mice,
All wet with snow
And as cold as ice.

They found it much better
That stormy night,
To lie by the fire,
Than to quarrel and fight.

POEM FOR KIDS BY Anonymous

Header illustration by budogosh

LET’S CHAT ABOUT THE POEM ~ IDEAS FOR TALKING WITH KIDS

Peace

1. This poem is a good example of how when we fight with others, we often also harm ourselves. Can you think of other ways that fighting with others can lead to our situation being worse?

2. Can you think of some reasons why the kittens might have been fighting in the first place? How else could they have expressed their feelings?

The post Two Little Kittens first appeared on Bedtime Stories.

]]>