Hans Christian Andersen Fairy Tales – Bedtime Stories https://www.storyberries.com Bedtime Stories, Fairy Tales, Short Stories for Kids and Poems for Kids Sat, 03 Feb 2024 07:12:07 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.3 https://www.storyberries.com/wp-content/uploads/2016/06/cropped-Mini-Square-500-Logo-32x32.png Hans Christian Andersen Fairy Tales – Bedtime Stories https://www.storyberries.com 32 32 The Butterfly https://www.storyberries.com/fairy-tales-the-butterfly-by-hans-christian-andersen/ Tue, 04 Jun 2019 23:00:26 +0000 https://www.storyberries.com/?p=15116 A butterfly takes his time in deciding which flower he should marry.

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

There was once a butterfly who wished for a bride, and, as may be supposed, he wanted to choose a very pretty one from among the flowers. He glanced, with a very critical eye, at all the flower-beds, and found that the flowers were seated quietly and demurely on their stalks, just as maidens should sit before they are engaged; but there was a great number of them, and it appeared as if his search would become very wearisome. The butterfly did not like to take too much trouble, so he flew off on a visit to the daisies. The French call this flower “Marguerite,” and they say that the little daisy can prophesy. Lovers pluck off the leaves, and as they pluck each leaf, they ask a question about their lovers; thus: “Does he or she love me?—Ardently? Distractedly? Very much? A little? Not at all?” and so on. Every one speaks these words in his own language. The butterfly came also to Marguerite to inquire, but he did not pluck off her leaves; he pressed a kiss on each of them, for he thought there was always more to be done by kindness.

“Darling Marguerite daisy,” he said to her, “you are the wisest woman of all the flowers. Pray tell me which of the flowers I shall choose for my wife. Which will be my bride? When I know, I will fly directly to her, and propose.”

But Marguerite did not answer him; she was offended that he should call her a woman when she was only a girl; and there is a great difference. He asked her a second time, and then a third; but she remained dumb, and answered not a word. Then he would wait no longer, but flew away, to commence his wooing at once. It was in the early spring, when the crocus and the snowdrop were in full bloom.

“They are very pretty,” thought the butterfly; “charming little lasses; but they are rather formal.”

Then, as the young lads often do, he looked out for the elder girls. He next flew to the anemones; these were rather sour to his taste. The violet, a little too sentimental. The lime-blossoms, too small, and besides, there was such a large family of them. The apple-blossoms, though they looked like roses, bloomed to-day, but might fall off to-morrow, with the first wind that blew; and he thought that a marriage with one of them might last too short a time. The pea-blossom pleased him most of all; she was white and red, graceful and slender, and belonged to those domestic maidens who have a pretty appearance, and can yet be useful in the kitchen. He was just about to make her an offer, when, close by the maiden, he saw a pod, with a withered flower hanging at the end.

“Who is that?” he asked.

“That is my sister,” replied the pea-blossom.

“Oh, indeed; and you will be like her some day,” said he; and he flew away directly, for he felt quite shocked.

A honeysuckle hung forth from the hedge, in full bloom; but there were so many girls like her, with long faces and sallow complexions. No; he did not like her. But which one did he like?

Spring went by, and summer drew towards its close; autumn came; but he had not decided. The flowers now appeared in their most gorgeous robes, but all in vain; they had not the fresh, fragrant air of youth. For the heart asks for fragrance, even when it is no longer young; and there is very little of that to be found in the dahlias or the dry chrysanthemums; therefore the butterfly turned to the mint on the ground. You know, this plant has no blossom; but it is sweetness all over,—full of fragrance from head to foot, with the scent of a flower in every leaf.

“I will take her,” said the butterfly; and he made her an offer. But the mint stood silent and stiff, as she listened to him. At last she said,—

“Friendship, if you please; nothing more. I am old, and you are old, but we may live for each other just the same; as to marrying—no; don’t let us appear ridiculous at our age.”

And so it happened that the butterfly got no wife at all. He had been too long choosing, which is always a bad plan. And the butterfly became what is called an old bachelor.

It was late in the autumn, with rainy and cloudy weather. The cold wind blew over the bowed backs of the willows, so that they creaked again. It was not the weather for flying about in summer clothes; but fortunately the butterfly was not out in it. He had got a shelter by chance. It was in a room heated by a stove, and as warm as summer. He could exist here, he said, well enough.

“But it is not enough merely to exist,” said he, “I need freedom, sunshine, and a little flower for a companion.”

Then he flew against the window-pane, and was seen and admired by those in the room, who caught him, and stuck him on a pin, in a box of curiosities. They could not do more for him.

“Now I am perched on a stalk, like the flowers,” said the butterfly. “It is not very pleasant, certainly; I should imagine it is something like being married; for here I am stuck fast.” And with this thought he consoled himself a little.

“That seems very poor consolation,” said one of the plants in the room, that grew in a pot.

“Ah,” thought the butterfly, “one can’t very well trust these plants in pots; they have too much to do with mankind.”

Fairy Tale by Hans Christian Andersen

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Decisions, Independent Thinking

1. The butterfly takes a long time deciding which flower he should take as his wife. Do you think he was right to take his time in making this kind of decision? Why or why not?

2. If you were the butterfly, how would you have chosen a flower for a wife?

Illustration of child reading book

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Grandmother https://www.storyberries.com/fairy-tales-grandmother-by-hans-christian-andersen/ Wed, 30 Jan 2019 22:00:59 +0000 https://www.storyberries.com/?p=13463 A beautiful story of a much loved Grandmother who dies, by Hans Christian Andersen.

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

Grandmother is very old, her face is wrinkled, and her hair is quite white; but her eyes are like two stars, and they have a mild, gentle expression in them when they look at you, which does you good. She wears a dress of heavy, rich silk, with large flowers worked on it; and it rustles when she moves.

And then she can tell the most wonderful stories. Grandmother knows a great deal, for she was alive before father and mother—that’s quite certain. She has a hymn-book with large silver clasps, in which she often reads; and in the book, between the leaves, lies a rose, quite flat and dry; it is not so pretty as the roses which are standing in the glass, and yet she smiles at it most pleasantly, and tears even come into her eyes.

“I wonder why grandmother looks at the withered flower in the old book that way? Do you know?” Why, when grandmother’s tears fall upon the rose, and she is looking at it, the rose revives, and fills the room with its fragrance; the walls vanish as in a mist, and all around her is the glorious green wood, where in summer the sunlight streams through thick foliage; and grandmother, why she is young again, a charming maiden, fresh as a rose, with round, rosy cheeks, fair, bright ringlets, and a figure pretty and graceful; but the eyes, those mild, saintly eyes, are the same,—they have been left to grandmother. At her side sits a young man, tall and strong; he gives her a rose and she smiles. Grandmother cannot smile like that now. Yes, she is smiling at the memory of that day, and many thoughts and recollections of the past; but the handsome young man is gone, and the rose has withered in the old book, and grandmother is sitting there, again an old woman, looking down upon the withered rose in the book.

Grandmother is dead now. She had been sitting in her arm-chair, telling us a long, beautiful tale; and when it was finished, she said she was tired, and leaned her head back to sleep awhile. We could hear her gentle breathing as she slept; gradually it became quieter and calmer, and on her countenance beamed happiness and peace. It was as if lighted up with a ray of sunshine. She smiled once more, and then people said she was dead. She was laid in a black coffin, looking mild and beautiful in the white folds of the shrouded linen, though her eyes were closed; but every wrinkle had vanished, her hair looked white and silvery, and around her mouth lingered a sweet smile. We did not feel at all afraid to look at her, who had been such a dear, good grandmother. The hymn-book, in which the rose still lay, was placed under her head, for so she had wished it; and then they buried grandmother.

On the grave, close by the churchyard wall, they planted a rose-tree; it was soon full of roses, and the nightingale sat among the flowers, and sang over the grave. From the organ in the church sounded the music and the words of the beautiful psalms, which were written in the old book under the head of the one who had died.

The moon shone down upon the grave, but the dead were not there; every child could go safely, even at night, and pluck a rose from the tree by the churchyard wall. The dead know more than we do who are living. They know what a terror would come upon us if such a strange thing were to happen, as the appearance of a dead person among us. They are better off than we are; the dead return no more. The earth has been heaped on the coffin, and it is earth only that lies within it. The leaves of the hymn-book are dust; and the rose, with all its recollections, has crumbled to dust also. But over the grave fresh roses bloom, the nightingale sings, and the organ sounds and there still lives a remembrance of old grandmother, with the loving, gentle eyes that always looked young. Eyes can never die. Ours will once again behold dear grandmother, young and beautiful as when, for the first time, she kissed the fresh, red rose, that is now dust in the grave.

FAIRY TALES WRITTEN BY HANS CHRISTIAN ANDERSEN

LET’S CHAT ABOUT THE STORIES ~ IDEAS FOR TALKING WITH KIDS

Dying and Loss

1. The grandmother is described as telling wonderful stories and as a dear and good grandmother before she died. What do you think the story helps us understand about dying and loss?

2. The story mentions how the grandmother was buried and what happened to her after her death, such as that every child could go and visit her grave safely and place a rose on the wall for her. What other things can we do to keep celebrating those we love who have died?

Illustration of child reading book

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The Snow Man https://www.storyberries.com/fairy-tales-the-snow-man-by-hans-christian-andersen/ Wed, 16 Jan 2019 23:48:46 +0000 https://www.storyberries.com/?p=13434 A snow man falls in love with a hot stove...

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

It is so delightfully cold,” said the Snow Man, “that it makes my whole body crackle. This is just the kind of wind to blow life into one. How that great red thing up there is staring at me!” He meant the sun, who was just setting. “It shall not make me wink. I shall manage to keep the pieces.”

He had two triangular pieces of tile in his head, instead of eyes; his mouth was made of an old broken rake, and was, of course, furnished with teeth. He had been brought into existence amidst the joyous shouts of boys, the jingling of sleigh-bells, and the slashing of whips. The sun went down, and the full moon rose, large, round, and clear, shining in the deep blue.

“There it comes again, from the other side,” said the Snow Man, who supposed the sun was showing himself once more. “Ah, I have cured him of staring, though; now he may hang up there, and shine, that I may see myself. If I only knew how to manage to move away from this place,—I should so like to move. If I could, I would slide along yonder on the ice, as I have seen the boys do; but I don’t understand how; I don’t even know how to run.”

“Away, away,” barked the old yard-dog. He was quite hoarse, and could not pronounce “Bow wow” properly. He had once been an indoor dog, and lay by the fire, and he had been hoarse ever since. “The sun will make you run some day. I saw him, last winter, make your predecessor run, and his predecessor before him. Away, away, they all have to go.”

“I don’t understand you, comrade,” said the Snow Man. “Is that thing up yonder to teach me to run? I saw it running itself a little while ago, and now it has come creeping up from the other side.”

“You know nothing at all,” replied the yard-dog; “but then, you’ve only lately been patched up. What you see yonder is the moon, and the one before it was the sun. It will come again to-morrow, and most likely teach you to run down into the ditch by the well; for I think the weather is going to change. I can feel such pricks and stabs in my left leg; I am sure there is going to be a change.”

“I don’t understand him,” said the Snow Man to himself; “but I have a feeling that he is talking of something very disagreeable. The one who stared so just now, and whom he calls the sun, is not my friend; I can feel that too.”

“Away, away,” barked the yard-dog, and then he turned round three times, and crept into his kennel to sleep.

There was really a change in the weather. Towards morning, a thick fog covered the whole country round, and a keen wind arose, so that the cold seemed to freeze one’s bones; but when the sun rose, the sight was splendid. Trees and bushes were covered with hoar frost, and looked like a forest of white coral; while on every twig glittered frozen dew-drops. The many delicate forms concealed in summer by luxuriant foliage, were now clearly defined, and looked like glittering lace-work.

From every twig glistened a white radiance. The birch, waving in the wind, looked full of life, like trees in summer; and its appearance was wondrously beautiful. And where the sun shone, how everything glittered and sparkled, as if diamond dust had been strewn about; while the snowy carpet of the earth appeared as if covered with diamonds, from which countless lights gleamed, whiter than even the snow itself.

“This is really beautiful,” said a young girl, who had come into the garden with a young man; and they both stood still near the Snow Man, and contemplated the glittering scene. “Summer cannot show a more beautiful sight,” she exclaimed, while her eyes sparkled.

“And we can’t have such a fellow as this in the summer time,” replied the young man, pointing to the Snow Man; “he is capital.”

The girl laughed, and nodded at the Snow Man, and then tripped away over the snow with her friend. The snow creaked and crackled beneath her feet, as if she had been treading on starch.

“Who are these two?” asked the Snow Man of the yard-dog. “You have been here longer than I have; do you know them?”

“Of course I know them,” replied the yard-dog; “she has stroked my back many times, and he has given me a bone of meat. I never bite those two.”

“But what are they?” asked the Snow Man.

“They are lovers,” he replied; “they will go and live in the same kennel by-and-by, and gnaw at the same bone. Away, away!”

“Are they the same kind of beings as you and I?” asked the Snow Man.

“Well, they belong to the same master,” retorted the yard-dog. “Certainly people who were only born yesterday know very little. I can see that in you. I have age and experience. I know every one here in the house, and I know there was once a time when I did not lie out here in the cold, fastened to a chain. Away, away!”

“The cold is delightful,” said the Snow Man; “but do tell me tell me; only you must not clank your chain so; for it jars all through me when you do that.”

“Away, away!” barked the yard-dog; “I’ll tell you; they said I was a pretty little fellow once; then I used to lie in a velvet-covered chair, up at the master’s house, and sit in the mistress’s lap. They used to kiss my nose, and wipe my paws with an embroidered handkerchief, and I was called ’Ami, dear Ami, sweet Ami.’ But after a while I grew too big for them, and they sent me away to the housekeeper’s room; so I came to live on the lower story. You can look into the room from where you stand, and see where I was master once; for I was indeed master to the housekeeper. It was certainly a smaller room than those up stairs; but I was more comfortable; for I was not being continually taken hold of and pulled about by the children as I had been. I received quite as good food, or even better. I had my own cushion, and there was a stove—it is the finest thing in the world at this season of the year. I used to go under the stove, and lie down quite beneath it. Ah, I still dream of that stove. Away, away!”

“Does a stove look beautiful?” asked the Snow Man, “is it at all like me?”

“It is just the reverse of you,” said the dog; “it’s as black as a crow, and has a long neck and a brass knob; it eats firewood, so that fire spurts out of its mouth. We should keep on one side, or under it, to be comfortable. You can see it through the window, from where you stand.”

Then the Snow Man looked, and saw a bright polished thing with a brazen knob, and fire gleaming from the lower part of it. The Snow Man felt quite a strange sensation come over him; it was very odd, he knew not what it meant, and he could not account for it. But there are people who are not men of snow, who understand what it is.

“And why did you leave her?” asked the Snow Man, for it seemed to him that the stove must be of the female sex. “How could you give up such a comfortable place?”

“I was obliged,” replied the yard-dog. “They turned me out of doors, and chained me up here. I had bitten the youngest of my master’s sons in the leg, because he kicked away the bone I was gnawing. ’Bone for bone,’ I thought; but they were so angry, and from that time I have been fastened with a chain, and lost my bone. Don’t you hear how hoarse I am. Away, away! I can’t talk any more like other dogs. Away, away, that is the end of it all.”

But the Snow Man was no longer listening. He was looking into the housekeeper’s room on the lower storey; where the stove stood on its four iron legs, looking about the same size as the Snow Man himself. “What a strange crackling I feel within me,” he said. “Shall I ever get in there? It is an innocent wish, and innocent wishes are sure to be fulfilled. I must go in there and lean against her, even if I have to break the window.”

“You must never go in there,” said the yard-dog, “for if you approach the stove, you’ll melt away, away.”

“I might as well go,” said the Snow Man, “for I think I am breaking up as it is.”

During the whole day the Snow Man stood looking in through the window, and in the twilight hour the room became still more inviting, for from the stove came a gentle glow, not like the sun or the moon; no, only the bright light which gleams from a stove when it has been well fed. When the door of the stove was opened, the flames darted out of its mouth; this is customary with all stoves. The light of the flames fell directly on the face and breast of the Snow Man with a ruddy gleam.

“I can endure it no longer,” said he; “how beautiful it looks when it stretches out its tongue.”

The night was long, but did not appear so to the Snow Man, who stood there enjoying his own reflections, and crackling with the cold. In the morning, the window-panes of the housekeeper’s room were covered with ice. They were the most beautiful ice-flowers any Snow Man could desire, but they concealed the stove. These window-panes would not thaw, and he could see nothing of the stove, which he pictured to himself, as if it had been a lovely human being. The snow crackled and the wind whistled around him; it was just the kind of frosty weather a Snow Man might thoroughly enjoy. But he did not enjoy it; how, indeed, could he enjoy anything when he was “stove sick?”

“That is terrible disease for a Snow Man,” said the yard-dog; “I have suffered from it myself, but I got over it. Away, away,” he barked and then he added, “the weather is going to change.”

And the weather did change; it began to thaw. As the warmth increased, the Snow Man decreased. He said nothing and made no complaint, which is a sure sign. One morning he broke, and sunk down altogether; and, behold, where he had stood, something like a broomstick remained sticking up in the ground. It was the pole round which the boys had built him up.

“Ah, now I understand why he had such a great longing for the stove,” said the yard-dog. “Why, there’s the shovel that is used for cleaning out the stove, fastened to the pole.” The Snow Man had a stove scraper in his body; that was what moved him so. “But it’s all over now. Away, away.”

And soon the winter passed.

“Away, away,” barked the hoarse yard-dog.

But the girls in the house sang,

“Come from your fragrant home, green thyme;
Stretch your soft branches, willow-tree;
The months are bringing the sweet spring-time,
When the lark in the sky sings joyfully.
Come gentle sun, while the cuckoo sings,
And I’ll mock his note in my wanderings.”

And nobody thought any more of the Snow Man.

FAIRY TALES WRITTEN BY HANS CHRISTIAN ANDERSEN

LET’S CHAT ABOUT THE STORIES ~ IDEAS FOR TALKING WITH KIDS

Love

1. The snowman in this story falls in love with a hot stove, even though it will melt him. What do you think this story wants to tell us about love?

2. The dog believes the snowman loved the stove because he was made of part of a stove shovel. Do you think we can only love things that share something with ourselves? Why or why not?

Illustration of child reading book

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The Pea Blossom https://www.storyberries.com/fairy-tales-the-pea-blossom-by-hans-christian-andersen/ Thu, 29 Nov 2018 10:14:00 +0000 https://www.storyberries.com/?p=12688 Five peas in a shell discover their destinies...

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

There were once five peas in one shell, they were green, the shell was green, and so they believed that the whole world must be green also, which was a very natural conclusion. The shell grew, and the peas grew, they accommodated themselves to their position, and sat all in a row. The sun shone without and warmed the shell, and the rain made it clear and transparent; it was mild and agreeable in broad daylight, and dark at night, as it generally is; and the peas as they sat there grew bigger and bigger, and more thoughtful as they mused, for they felt there must be something else for them to do.

“Are we to sit here forever?” asked one; “shall we not become hard by sitting so long? It seems to me there must be something outside, and I feel sure of it.”

And as weeks passed by, the peas became yellow, and the shell became yellow.

“All the world is turning yellow, I suppose,” said they,—and perhaps they were right.

Suddenly they felt a pull at the shell; it was torn off, and held in human hands, then slipped into the pocket of a jacket in company with other full pods.

“Now we shall soon be opened,” said one,—just what they all wanted.

“I should like to know which of us will travel furthest,” said the smallest of the five; “we shall soon see now.”

“What is to happen will happen,” said the largest pea.

“Crack” went the shell as it burst, and the five peas rolled out into the bright sunshine. There they lay in a child’s hand. A little boy was holding them tightly, and said they were fine peas for his pea-shooter. And immediately he put one in and shot it out.

“Now I am flying out into the wide world,” said he; “catch me if you can;” and he was gone in a moment.

“I,” said the second, “intend to fly straight to the sun, that is a shell that lets itself be seen, and it will suit me exactly;” and away he went.

“We will go to sleep wherever we find ourselves,” said the two next, “we shall still be rolling onwards;” and they did certainly fall on the floor, and roll about before they got into the pea-shooter; but they were put in for all that. “We shall go farther than the others,” said they.

“What is to happen will happen,” exclaimed the last, as he was shot out of the pea-shooter; and as he spoke he flew up against an old board under a garret-window, and fell into a little crevice, which was almost filled up with moss and soft earth. The moss closed itself round him, and there he lay, a captive indeed, but not unnoticed by God.

“What is to happen will happen,” said he to himself.

Within the little garret lived a poor woman, who went out to clean stoves, chop wood into small pieces and perform such-like hard work, for she was strong and industrious. Yet she remained always poor, and at home in the garret lay her only daughter, not quite grown up, and very delicate and weak. For a whole year she had kept her bed, and it seemed as if she could neither live nor die.

“She is going to her little sister,” said the woman; “I had but the two children, and it was not an easy thing to support both of them; but the good God helped me in my work, and took one of them to Himself and provided for her. Now I would gladly keep the other that was left to me, but I suppose they are not to be separated, and my sick girl will very soon go to her sister above.” But the sick girl still remained where she was, quietly and patiently she lay all the day long, while her mother was away from home at her work.

Spring came, and one morning early the sun shone brightly through the little window, and threw its rays over the floor of the room. Just as the mother was going to her work, the sick girl fixed her gaze on the lowest pane of the window—“Mother,” she exclaimed, “what can that little green thing be that peeps in at the window? It is moving in the wind.”

The mother stepped to the window and half opened it. “Oh!” she said, “there is actually a little pea which has taken root and is putting out its green leaves. How could it have got into this crack? Well now, here is a little garden for you to amuse yourself with.”

So the bed of the sick girl was drawn nearer to the window, that she might see the budding plant; and the mother went out to her work.

“Mother, I believe I shall get well,” said the sick child in the evening, “the sun has shone in here so brightly and warmly to-day, and the little pea is thriving so well: I shall get on better, too, and go out into the warm sunshine again.”

“God grant it!” said the mother, but she did not believe it would be so. But she propped up with the little stick the green plant which had given her child such pleasant hopes of life, so that it might not be broken by the winds; she tied the piece of string to the window-sill and to the upper part of the frame, so that the pea-tendrils might twine round it when it shot up. And it did shoot up, indeed it might almost be seen to grow from day to day.

“Now really here is a flower coming,” said the old woman one morning, and now at last she began to encourage the hope that her sick daughter might really recover. She remembered that for some time the child had spoken more cheerfully, and during the last few days had raised herself in bed in the morning to look with sparkling eyes at her little garden which contained only a single pea-plant. A week after, the invalid sat up for the first time a whole hour, feeling quite happy by the open window in the warm sunshine, while outside grew the little plant, and on it a pink pea-blossom in full bloom. The little maiden bent down and gently kissed the delicate leaves. This day was to her like a festival.

“Nature has planted that pea, and made it grow and flourish, to bring joy to you and hope to me, my blessed child,” said the happy mother, and she smiled at the flower, as if it had been an angel.

But what became of the other peas? Why the one who flew out into the wide world, and said, “Catch me if you can,” fell into a gutter on the roof of a house, and ended his travels in the crop of a pigeon. The two lazy ones were carried quite as far, for they also were eaten by pigeons, so they were at least of some use; but the fourth, who wanted to reach the sun, fell into a sink and lay there in the dirty water for days and weeks, till he had swelled to a great size.

“I am getting beautifully fat,” said the pea, “I expect I shall burst at last; no pea could do more that that, I think; I am the most remarkable of all the five which were in the shell.” And the sink confirmed the opinion.

But the young maiden stood at the open garret window, with sparkling eyes and the rosy hue of health on her cheeks, she folded her thin hands over the pea-blossom, and was thankful.

Fairy tale written by Hans Christian Andersen.

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Happiness, Optimism

1. The little pea blossom growing in the window sill helped the sick young girl get better. How do you think a flower can make sick people feel better?

2. The old woman also thinks that the flower is a symbol of hope. Why do you think she says this? What kind of things is she hoping for?

Illustration of child reading book

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The Little Elder Tree Mother https://www.storyberries.com/fairy-tales-the-little-elder-tree-mother-by-hans-christian-andersen/ Wed, 21 Nov 2018 08:42:39 +0000 https://www.storyberries.com/?p=12536 A sick boy goes on a magical adventure of the imagination...

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

Once upon a time there was a little boy who had taken cold. He had gone out and got his feet wet; though nobody could imagine how it had happened, for it was quite dry weather. So his mother undressed him, put him to bed, and had the tea-pot brought in, to make him a good cup of Elderflower tea.

Just at that moment the merry old man came in who lived up a-top of the house all alone; for he had neither wife nor children—but he liked children very much, and knew so many fairy tales, that it was quite delightful.

“Now drink your tea,” said the boy’s mother; “then, perhaps, you may hear a fairy tale.”

“If I had but something new to tell,” said the old man. “But how did the child get his feet wet?”

“That is the very thing that nobody can make out,” said his mother.

“Am I to hear a fairy tale?” asked the little boy.

“Yes, if you can tell me exactly—for I must know that first—how deep the gutter is in the little street opposite, that you pass through in going to school.”

“Just up to the middle of my boot,” said the child; “but then I must go into the deep hole.”

“Ah, ah! That’s where the wet feet came from,” said the old man. “I ought now to tell you a story; but I don’t know any more.”

“You can make one in a moment,” said the little boy. “My mother says that all you look at can be turned into a fairy tale: and that you can find a story in everything.”

“Yes, but such tales and stories are good for nothing. The right sort come of themselves; they tap at my forehead and say, ‘Here we are.’”

“Won’t there be a tap soon?” asked the little boy. And his mother laughed, put some Elder-flowers in the tea-pot, and poured boiling water upon them.

“Do tell me something! Pray do!”

“Yes, if a fairy tale would come of its own accord; but they are proud and haughty, and come only when they choose. Stop!” said he, all on a sudden. “I have it! Pay attention! There is one in the tea-pot!”

And the little boy looked at the tea-pot. The cover rose more and more; and the Elder-flowers came forth so fresh and white, and shot up long branches. Out of the spout even did they spread themselves on all sides, and grew larger and larger; it was a splendid Elderbush, a whole tree; and it reached into the very bed, and pushed the curtains aside. How it bloomed! And what an odour!

In the middle of the bush sat a friendly-looking old woman in a most strange dress. It was quite green, like the leaves of the elder, and was trimmed with large white Elder-flowers; so that at first one could not tell whether it was a stuff, or a natural green and real flowers.

“What’s that woman’s name?” asked the little boy.

“The Greeks and Romans,” said the old man, “called her a Dryad; but that we do not understand. The people who live in Copenhagen have a much better name for her; they call her ‘old Granny’—and she it is to whom you are to pay attention. Now listen, and look at the beautiful Elderbush.

“Just such another large blooming Elder Tree stands near Copenhagen. It grew there in the corner of a little miserable court-yard; and under it sat, of an afternoon, in the most splendid sunshine, two old people; an old, old seaman, and his old, old wife. They had great-grand-children, and were soon to celebrate the fiftieth anniversary of their marriage; but they could not exactly recollect the date: and old Granny sat in the tree, and looked as pleased as now.

“‘I know the date,’ said she; but those below did not hear her, for they were talking about old times.

“’Yes, can’t you remember when we were very little,’ said the old seaman, ‘and ran and played about? It was the very same court-yard where we now are, and we stuck slips in the ground, and made a garden.’

“’I remember it well,’ said the old woman; ‘I remember it quite well. We watered the slips, and one of them was an Elderbush. It took root, put forth green shoots, and grew up to be the large tree under which we old folks are now sitting.’

“’To be sure,’ said he. ‘And there in the corner stood a waterpail, where I used to swim my boats.’

“’True; but first we went to school to learn somewhat,’ said she; ‘and then we were confirmed. We both cried; but in the afternoon we went up the Round Tower, and looked down on Copenhagen, and far, far away over the water; then we went to Friedericksberg, where the King and the Queen were sailing about in their splendid barges.’

“’But I had a different sort of sailing to that, later; and that, too, for many a year; a long way off, on great voyages.’

“’Yes, many a time have I wept for your sake,’ said she. ‘I thought you were dead and gone, and lying down in the deep waters. Many a night have I got up to see if the wind had not changed: and changed it had, sure enough; but you never came. I remember so well one day, when the rain was pouring down in torrents, the scavengers were before the house where I was in service, and I had come up with the dust, and remained standing at the door—it was dreadful weather—when just as I was there, the postman came and gave me a letter. It was from you! What a tour that letter had made! I opened it instantly and read: I laughed and wept. I was so happy. In it I read that you were in warm lands where the coffee-tree grows. What a blessed land that must be! You related so much, and I saw it all the while the rain was pouring down, and I standing there with the dust-box. At the same moment came someone who embraced me.’

“’Yes; but you gave him a good box on his ear that made it tingle!’

“’But I did not know it was you. You arrived as soon as your letter, and you were so handsome—that you still are—and had a long yellow silk handkerchief round your neck, and a bran new hat on; oh, you were so dashing! Good heavens! What weather it was, and what a state the street was in!’

“’And then we married,’ said he. ‘Don’t you remember? And then we had our first little boy, and then Mary, and Nicholas, and Peter, and Christian.’

“’Yes, and how they all grew up to be honest people, and were beloved by everybody.’

“’And their children also have children,’ said the old sailor; ‘yes, those are our grand-children, full of strength and vigor. It was, methinks about this season that we had our wedding.’

“’Yes, this very day is the fiftieth anniversary of the marriage,’ said old Granny, sticking her head between the two old people; who thought it was their neighbor who nodded to them. They looked at each other and held one another by the hand.

Soon after came their children, and their grand-children; for they knew well enough that it was the day of the fiftieth anniversary, and had come with their gratulations that very morning; but the old people had forgotten it, although they were able to remember all that had happened many years ago.

And the Elderbush sent forth a strong odour in the sun, that was just about to set, and shone right in the old people’s faces. They both looked so rosy-cheeked; and the youngest of the grandchildren danced around them, and called out quite delighted, that there was to be something very splendid that evening—they were all to have hot potatoes. And old Nanny nodded in the bush, and shouted ‘hurrah!’ with the rest.”

“But that is no fairy tale,” said the little boy, who was listening to the story.

“The thing is, you must understand it,” said the narrator; “let us ask old Nanny.”

“That was no fairy tale, ’tis true,” said old Nanny; “but now it’s coming. The most wonderful fairy tales grow out of that which is reality; were that not the case, you know, my magnificent Elderbush could not have grown out of the tea-pot.”

And then she took the little boy out of bed, laid him on her bosom, and the branches of the Elder Tree, full of flowers, closed around her. They sat in an aerial dwelling, and it flew with them through the air. Oh, it was wondrous beautiful! Old Nanny had grown all of a sudden a young and pretty maiden; but her robe was still the same green stuff with white flowers, which she had worn before. On her bosom she had a real Elderflower, and in her yellow waving hair a wreath of the flowers; her eyes were so large and blue that it was a pleasure to look at them; she kissed the boy, and now they were of the same age and felt alike.

Hand in hand they went out of the bower, and they were standing in the beautiful garden of their home. Near the green lawn papa’s walking-stick was tied, and for the little ones it seemed to be endowed with life; for as soon as they got astride it, the round polished knob was turned into a magnificent neighing head, a long black mane fluttered in the breeze, and four slender yet strong legs shot out. The animal was strong and handsome, and away they went at full gallop round the lawn.

“Huzza! Now we are riding miles off,” said the boy. “We are riding away to the castle where we were last year!”

And on they rode round the grass-plot; and the little maiden, who, we know, was no one else but old Nanny, kept on crying out, “Now we are in the country! Don’t you see the farm-house yonder? And there is an Elder Tree standing beside it; and the cock is scraping away the earth for the hens, look, how he struts! And now we are close to the church. It lies high upon the hill, between the large oak-trees, one of which is half decayed. And now we are by the smithy, where the fire is blazing, and where the half-naked men are banging with their hammers till the sparks fly about. Away! away! To the beautiful country-seat!”

And all that the little maiden, who sat behind on the stick, spoke of, flew by in reality. The boy saw it all, and yet they were only going round the grass-plot. Then they played in a side avenue, and marked out a little garden on the earth; and they took Elder-blossoms from their hair, planted them, and they grew just like those the old people planted when they were children, as related before. They went hand in hand, as the old people had done when they were children; but not to the Round Tower, or to Friedericksberg; no, the little damsel wound her arms round the boy, and then they flew far away through all Denmark. And spring came, and summer; and then it was autumn, and then winter; and a thousand pictures were reflected in the eye and in the heart of the boy; and the little girl always sang to him, “This you will never forget.” And during their whole flight the Elder Tree smelt so sweet and odorous; he remarked the roses and the fresh beeches, but the Elder Tree had a more wondrous fragrance, for its flowers hung on the breast of the little maiden; and there, too, did he often lay his head during the flight.

“It is lovely here in spring!” said the young maiden. And they stood in a beech-wood that had just put on its first green, where the woodroof at their feet sent forth its fragrance, and the pale-red anemony looked so pretty among the verdure. “Oh, would it were always spring in the sweetly-smelling Danish beech-forests!”

“It is lovely here in summer!” said she. And she flew past old castles of by-gone days of chivalry, where the red walls and the embattled gables were mirrored in the canal, where the swans were swimming, and peered up into the old cool avenues. In the fields the corn was waving like the sea; in the ditches red and yellow flowers were growing; while wild-drone flowers, and blooming convolvuluses were creeping in the hedges; and towards evening the moon rose round and large, and the haycocks in the meadows smelt so sweetly. “This one never forgets!”

“It is lovely here in autumn!” said the little maiden. And suddenly the atmosphere grew as blue again as before; the forest grew red, and green, and yellow-colored. The dogs came leaping along, and whole flocks of wild-fowl flew over the cairn, where blackberry-bushes were hanging round the old stones. The sea was dark blue, covered with ships full of white sails; and in the barn old women, maidens, and children were sitting picking hops into a large cask; the young sang songs, but the old told fairy tales of mountain-sprites and soothsayers. Nothing could be more charming.

“It is delightful here in winter!” said the little maiden. And all the trees were covered with hoar-frost; they looked like white corals; the snow crackled under foot, as if one had new boots on; and one falling star after the other was seen in the sky. The Christmas-tree was lighted in the room; presents were there, and good-humor reigned. In the country the violin sounded in the room of the peasant; the newly-baked cakes were attacked; even the poorest child said, “It is really delightful here in winter!”

Yes, it was delightful; and the little maiden showed the boy everything; and the Elder Tree still was fragrant, and the red flag, with the white cross, was still waving: the flag under which the old seaman in the New Booths had sailed. And the boy grew up to be a lad, and was to go forth in the wide world-far, far away to warm lands, where the coffee-tree grows; but at his departure the little maiden took an Elder-blossom from her bosom, and gave it him to keep; and it was placed between the leaves of his Prayer-Book; and when in foreign lands he opened the book, it was always at the place where the keepsake-flower lay; and the more he looked at it, the fresher it became; he felt as it were, the fragrance of the Danish groves; and from among the leaves of the flowers he could distinctly see the little maiden, peeping forth with her bright blue eyes—and then she whispered, “It is delightful here in Spring, Summer, Autumn, and Winter”; and a hundred visions glided before his mind.

Thus passed many years, and he was now an old man, and sat with his old wife under the blooming tree. They held each other by the hand, as the old grand-father and grand-mother yonder in Copenhagen did, and they talked exactly like them of old times, and of the fiftieth anniversary of their wedding.

The little maiden, with the blue eyes, and with Elder-blossoms in her hair, sat in the tree, nodded to both of them, and said, “To-day is the fiftieth anniversary!”

And then she took two flowers out of her hair, and kissed them. First, they shone like silver, then like gold; and when they laid them on the heads of the old people, each flower became a golden crown. So there they both sat, like a king and a queen, under the fragrant tree, that looked exactly like an elder: the old man told his wife the story of “Old Nanny,” as it had been told him when a boy. And it seemed to both of them it contained much that resembled their own history; and those parts that were like it pleased them best.

“Thus it is,” said the little maiden in the tree, “some call me ‘Old Nanny,’ others a ‘Dryad,’ but, in reality, my name is ‘Remembrance’; ’tis I who sit in the tree that grows and grows! I can remember; I can tell things! Let me see if you have my flower still?”

And the old man opened his Prayer-Book. There lay the Elder-blossom, as fresh as if it had been placed there but a short time before; and Remembrance nodded, and the old people, decked with crowns of gold, sat in the flush of the evening sun. They closed their eyes, and—and—! Yes, that’s the end of the story!

The little boy lay in his bed; he did not know if he had dreamed or not, or if he had been listening while someone told him the story. The tea-pot was standing on the table, but no Elder Tree was growing out of it! And the old man, who had been talking, was just on the point of going out at the door, and he did go.

“How splendid that was!” said the little boy. “Mother, I have been to warm countries.”

“So I should think,” said his mother. “When one has drunk two good cupfuls of Elder-flower tea, ’tis likely enough one goes into warm climates”; and she tucked him up nicely, least he should take cold. “You have had a good sleep while I have been sitting here, and arguing with him whether it was a story or a fairy tale.”

“And where is old Nanny?” asked the little boy.

“In the tea-pot,” said his mother; “and there she may remain.”

Fairy tale written by Hans Christian Andersen.

Let’s Chat About The Stories ~ Ideas for Talking With Kids

Creativity

1. This story says “the most wonderful fairy tales grow out of that which is reality.” Do you think this is true? Why or why not?

Illustration of child reading book

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The Swineherd https://www.storyberries.com/fairy-tales-the-swineherd-by-hans-christian-andersen/ Wed, 14 Nov 2018 22:57:14 +0000 https://www.storyberries.com/?p=12532 A Prince offers a Princess gifts that she refuses.

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

There was once a poor Prince, who had a kingdom. His kingdom was very small, but still quite large enough to marry upon; and he wished to marry.

It was certainly rather cool of him to say to the Emperor’s daughter, “Will you have me?” But so he did; for his name was renowned far and wide; and there were a hundred princesses who would have answered, “Yes!” and “Thank you kindly.” We shall see what this princess said.

Listen!

It happened that where the Prince’s father lay buried, there grew a rose tree—a most beautiful rose tree, which blossomed only once in every five years, and even then bore only one flower, but that was a rose! It smelt so sweet that all cares and sorrows were forgotten by him who inhaled its fragrance.

And furthermore, the Prince had a nightingale, who could sing in such a manner that it seemed as though all sweet melodies dwelt in her little throat. So the Princess was to have the rose, and the nightingale; and they were accordingly put into large silver caskets, and sent to her.

The Emperor had them brought into a large hall, where the Princess was playing at “Visiting,” with the ladies of the court; and when she saw the caskets with the presents, she clapped her hands for joy.

“Ah, if it were but a little pussy-cat!” said she; but the rose tree, with its beautiful rose came to view.

“Oh, how prettily it is made!” said all the court ladies.

“It is more than pretty,” said the Emperor, “it is charming!”

But the Princess touched it, and was almost ready to cry.

“Fie, papa!” said she. “It didn’t cost anything. It is boring and natural!”

“Let us see what is in the other casket, before we get into a bad humor,” said the Emperor. So the nightingale came forth and sang so delightfully that at first no one could say anything ill-humored of her.

“Superbe! Charmant!” exclaimed the ladies; for they all used to chatter French, each one worse than her neighbor.

“How much the bird reminds me of the musical box that belonged to our blessed Empress,” said an old knight. “Oh yes! These are the same tones, the same execution.”

“Yes! yes!” said the Emperor, and he wept like a child at the remembrance.

“I will still hope that it is not a real bird,” said the Princess.

“Yes, it is a real bird,” said those who had brought it.

“Well then let the bird fly,” said the Princess. “Again, it is natural and it cost him nothing.”

And she positively refused to see the Prince.

However, he was not to be discouraged; he daubed his face over with mud; pulled his cap over his ears, and knocked at the door.

“Good day to my lord, the Emperor!” said he. “Can I have employment at the palace?”

“Why, yes,” said the Emperor. “I want some one to take care of the pigs, for we have a great many of them.”

So the Prince was appointed “Imperial Swineherd.” He had a dirty little room close by the pigsty; and there he sat the whole day, and worked. By the evening he had made a pretty little kitchen-pot. Little bells were hung all round it; and when the pot was boiling, these bells tinkled in the most charming manner, and played the old melody,

“Ah! dear Augustine!
All is gone, gone, gone!”

But what was still more curious, whoever held his finger in the smoke of the kitchen-pot, immediately smelt all the dishes that were cooking on every hearth in the city—this, you see, was something quite different from the rose.

Now the Princess happened to walk that way; and when she heard the tune, she stood quite still, and seemed pleased; for she could play “Dear Augustine”; it was the only piece she knew; and she played it with one finger.

“Why there is my piece,” said the Princess. “That swineherd must certainly have been well educated! Go in and ask him the price of the instrument.”

So one of the court-ladies must run in; however, she drew on wooden slippers first.

“What will you take for the kitchen-pot?” said the lady.

“I will have ten kisses from the Princess,” said the swineherd.

“Yes, indeed!” said the lady.

“I cannot sell it for less,” rejoined the swineherd.

“He is an impudent fellow!” said the Princess, and she walked on; but when she had gone a little way, the bells tinkled so prettily

“Ah! dear Augustine!
All is gone, gone, gone!”

“Stay,” said the Princess. “Ask him if he will have ten kisses from the ladies of my court.”

“No, thank you!” said the swineherd. “Ten kisses from the Princess, or I keep the kitchen-pot myself.”

“That must not be, either!” said the Princess. “But do you all stand before me that no one may see us.”

And the court-ladies placed themselves in front of her, and spread out their dresses—the swineherd got ten kisses, and the Princess—the kitchen-pot.

That was delightful! The pot was boiling the whole evening, and the whole of the following day. They knew perfectly well what was cooking at every fire throughout the city, from the chamberlain’s to the cobbler’s; the court-ladies danced and clapped their hands.

“We know who has soup, and who has pancakes for dinner to-day, who has cutlets, and who has eggs. How interesting!”

“Yes, but keep my secret, for I am an Emperor’s daughter.”

The swineherd—that is to say—the Prince, for no one knew that he was other than an ill-favored swineherd, let not a day pass without working at something; he at last constructed a rattle, which, when it was swung round, played all the waltzes and jig tunes, which have ever been heard since the creation of the world.

“Ah, that is superbe!” said the Princess when she passed by. “I have never heard prettier compositions! Go in and ask him the price of the instrument; but mind, he shall have no more kisses!”

“He will have a hundred kisses from the Princess!” said the lady who had been to ask.

“I think he is not in his right senses!” said the Princess, and walked on, but when she had gone a little way, she stopped again. “One must encourage art,” said she, “I am the Emperor’s daughter. Tell him he shall, as on yesterday, have ten kisses from me, and may take the rest from the ladies of the court.”

“Oh—but we should not like that at all!” said they.

“What are you muttering?” asked the Princess. “If I can kiss him, surely you can. Remember that you owe everything to me.” So the ladies were obliged to go to him again.

“A hundred kisses from the Princess,” said he, “or else let everyone keep his own!”

“Stand round!” said she; and all the ladies stood round her whilst the kissing was going on.

“What can be the reason for such a crowd close by the pigsty?” said the Emperor, who happened just then to step out on the balcony; he rubbed his eyes, and put on his spectacles. “They are the ladies of the court; I must go down and see what they are about!” So he pulled up his slippers at the heel, for he had trodden them down.

As soon as he had got into the court-yard, he moved very softly, and the ladies were so much engrossed with counting the kisses, that all might go on fairly, that they did not perceive the Emperor. He rose on his tiptoes.

“What is all this?” said he, when he saw what was going on, and he boxed the Princess’s ears with his slipper, just as the swineherd was taking the eighty-sixth kiss.

“March out!” said the Emperor, for he was very angry; and both Princess and swineherd were thrust out of the city.

The Princess now stood and wept, the swineherd scolded, and the rain poured down.

“Alas! Unhappy creature that I am!” said the Princess. “If I had but married the handsome young Prince! Ah! how unfortunate I am!”

And the swineherd went behind a tree, washed the mud from his face, threw off his dirty clothes, and stepped forth in his princely robes; he looked so noble that the Princess could not help bowing before him.

“You would not have an honorable Prince! You didn’t prize the rose and the nightingale, but you were ready to kiss the swineherd for the sake of a trumpery plaything!” he admonished her. “You are rightly served.”

He then went back to his own little kingdom, and shut the door of his palace in her face. Now she might well sing,

“Ah! dear Augustine!
All is gone, gone, gone!”

Fairy Tale bedtime story by Hans Christian Andersen

LET’S CHAT ABOUT THE STORIES ~ IDEAS FOR TALKING WITH KIDS

Pride, Gratitude

1. The Princess will not take any gifts from the Prince that are natural; that is, that he did not buy. Do you think this is the purpose of gifts? Should gifts cost money to have value?

2. Do you think the Prince ought to have left the Princess alone in the forest? Why or why not? Do you think the Princess’s punishment was matched to her wrong actions?

Independent Thinking, Conversation

1. What would you have done if you were the Prince, and the Princess had rejected your gifts?

Illustration of child reading book

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The Nightingale https://www.storyberries.com/fairy-tales-the-nightingale-by-hans-christian-andersen/ Tue, 06 Mar 2018 02:19:38 +0000 https://www.storyberries.com/?p=8400 A Chinese Emperor coves a nightingale - but then discovers a more beautiful one made of gold.

The post The Nightingale first appeared on Bedtime Stories.

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

The story I am going to tell you happened in China a great many years ago, so it is well to hear it now before it is forgotten.

The Chinese emperor’s palace was the most beautiful in the world. It was built entirely of porcelain, and very costly, but so delicate and brittle that whoever touched it was obliged to be careful. In the garden could be seen the most singular flowers, with pretty silver bells tied to them, which tinkled so that every one who passed could not help noticing the flowers. Indeed, everything in the emperor’s garden was remarkable, and it extended so far that the gardener himself did not know where it ended.

Those who travelled beyond its limits knew that there was a noble forest, with lofty trees, sloping down to the deep blue sea, and the great ships sailed under the shadow of its branches. In one of these trees lived a nightingale, who sang so beautifully that even the poor fishermen, who had so many other things to do, would stop and listen.

Sometimes, when they went at night to spread their nets, they would hear her sing, and say, “Oh, is not that beautiful?” But when they returned to their fishing, they forgot the bird until the next night. Then they would hear it again, and exclaim “Oh, how beautiful is the nightingale’s song!”

Travellers from every country in the world came to the city of the emperor, which they admired very much, as well as the palace and gardens; but when they heard the nightingale, they all declared it to be the best of all. And the travellers, on their return home, related what they had seen; and learned men wrote books, containing descriptions of the town, the palace, and the gardens; but they did not forget the nightingale, which was really the greatest wonder. And those who could write poetry composed beautiful verses about the nightingale, who lived in a forest near the deep sea. The books travelled all over the world, and some of them came into the hands of the emperor; and he sat in his golden chair, and, as he read, he nodded his approval every moment, for it pleased him to find such a beautiful description of his city, his palace, and his gardens.

But when he came to the words, “the nightingale is the most beautiful of all,” he exclaimed,

“What is this? I know nothing of any nightingale. Is there such a bird in my empire? and even in my garden? I have never heard of it. Something, it appears, may be learnt from books.”

Then he called one of his lords-in-waiting, who was so high-bred, that when any in an inferior rank to himself spoke to him, or asked him a question, he would answer, “Pooh,” which means nothing.

“There is a very wonderful bird mentioned here, called a nightingale,” said the emperor; “they say it is the best thing in my large kingdom. Why have I not been told of it?”

“I have never heard the name,” replied the cavalier; “she has not been presented at court.”

“It is my pleasure that she shall appear this evening.” said the emperor; “the whole world knows what I possess better than I do myself.”

“I have never heard of her,” said the cavalier; “yet I will endeavor to find her.”

But where was the nightingale to be found? The nobleman went up stairs and down, through halls and passages; yet none of those whom he met had heard of the bird. So he returned to the emperor, and said that it must be a fable, invented by those who had written the book.

“Your imperial majesty,” said he, “cannot believe everything contained in books; sometimes they are only fiction, or what is called the black art.”

“But the book in which I have read this account,” said the emperor, “was sent to me by the great and mighty emperor of Japan, and therefore it cannot contain a falsehood. I will hear the nightingale, she must be here this evening; she has my highest favor; and if she does not come, the whole court shall be trampled upon after supper is ended.”

“Tsing-pe!” cried the lord-in-waiting, and again he ran up and down stairs, through all the halls and corridors; and half the court ran with him, for they did not like the idea of being trampled upon. There was a great inquiry about this wonderful nightingale, whom all the world knew, but who was unknown to the court.

At last they met with a poor little girl in the kitchen, who said,

“Oh, yes, I know the nightingale quite well; indeed, she can sing. Every evening I have permission to take home to my poor sick mother the scraps from the table; she lives down by the sea-shore, and as I come back I feel tired, and I sit down in the wood to rest, and listen to the nightingale’s song. Then the tears come into my eyes, and it is just as if my mother kissed me.”

“Little maiden,” said the lord-in-waiting, “I will obtain for you constant employment in the kitchen, and you shall have permission to see the emperor dine, if you will lead us to the nightingale; for she is invited for this evening to the palace.”

So she went into the wood where the nightingale sang, and half the court followed her. As they went along, a cow began lowing.

“Oh,” said a young courtier, “now we have found her; what wonderful power for such a small creature; I have certainly heard it before.”

“No, that is only a cow lowing,” said the little girl; “we are a long way from the place yet.”

Then some frogs began to croak in the marsh.

“Beautiful,” said the young courtier again. “Now I hear it, tinkling like little church bells.”

“No, those are frogs,” said the little maiden; “but I think we shall soon hear her now…” and presently the nightingale began to sing.

“Hark, hark! there she is,” said the girl, “and there she sits,” she added, pointing to a little gray bird who was perched on a bough.

“Is it possible?” said the lord-in-waiting, “I never imagined it would be a little, plain, simple thing like that. She has certainly changed color at seeing so many grand people around her.”

“Little nightingale,” cried the girl, raising her voice, “our most gracious emperor wishes you to sing before him.”

“With the greatest pleasure,” said the nightingale, and began to sing most delightfully.

“It sounds like tiny glass bells,” said the lord-in-waiting, “and see how her little throat works. It is surprising that we have never heard this before; she will be a great success at court.”

“Shall I sing once more before the emperor?” asked the nightingale, who thought he was present.

“My excellent little nightingale,” said the courtier, “I have the great pleasure of inviting you to a court festival this evening, where you will gain imperial favor by your charming song.”

“My song sounds best in the green wood,” said the bird; but still she came willingly when she heard the emperor’s wish.

The palace was elegantly decorated for the occasion. The walls and floors of porcelain glittered in the light of a thousand lamps. Beautiful flowers, round which little bells were tied, stood in the corridors: what with the running to and fro and the draught, these bells tinkled so loudly that no one could speak to be heard. In the centre of the great hall, a golden perch had been fixed for the nightingale to sit on.

The whole court was present, and the little kitchen-maid had received permission to stand by the door. She was not installed as a real court cook. All were in full dress, and every eye was turned to the little gray bird when the emperor nodded to her to begin.

The nightingale sang so sweetly that the tears came into the emperor’s eyes, and then rolled down his cheeks, as her song became still more touching and went to every one’s heart. The emperor was so delighted that he declared the nightingale should have his gold slipper to wear round her neck, but she declined the honor with thanks: she had been sufficiently rewarded already.

“I have seen tears in an emperor’s eyes,” she said, “that is my richest reward. An emperor’s tears have wonderful power, and are quite sufficient honor for me;” and then she sang again more enchantingly than ever.

“That singing is a lovely gift;” said the ladies of the court to each other; and then they took water in their mouths to make them utter the gurgling sounds of the nightingale when they spoke to any one, so that they might fancy themselves nightingales. And the footmen and chambermaids also expressed their satisfaction, which is saying a great deal, for they are very difficult to please.

In fact the nightingale’s visit was most successful. She was now to remain at court, to have her own cage, with liberty to go out twice a day, and once during the night. Twelve servants were appointed to attend her on these occasions, who each held her by a silken string fastened to her leg. There was certainly not much pleasure in this kind of flying.

The whole city spoke of the wonderful bird, and when two people met, one said “nightin,” and the other said “gale,” and they understood what was meant, for nothing else was talked of. Eleven peddlers’ children were named after her, but not of them could sing a note.

One day the emperor received a large packet on which was written “The Nightingale.” “Here is no doubt a new book about our celebrated bird,” said the emperor. But instead of a book, it was a work of art contained in a casket, an artificial nightingale made to look like a living one, and covered all over with diamonds, rubies, and sapphires. As soon as the artificial bird was wound up, it could sing like the real one, and could move its tail up and down, which sparkled with silver and gold. Round its neck hung a piece of ribbon, on which was written “The Emperor of China’s nightingale is poor compared with that of the Emperor of Japan’s.”

“This is very beautiful,” exclaimed all who saw it, and he who had brought the artificial bird received the title of “Imperial nightingale-bringer-in-chief.”

“Now they must sing together,” said the court, “and what a duet it will be.” But they did not get on well, for the real nightingale sang in its own natural way, but the artificial bird sang only waltzes.

“That is not a fault,” said the music-master, “it is quite perfect to my taste,” so then it had to sing alone, and was as successful as the real bird; besides, it was so much prettier to look at, for it sparkled like bracelets and breast-pins.

Three and thirty times did it sing the same tunes without being tired; the people would gladly have heard it again, but the emperor said the living nightingale ought to sing something. But where was she? No one had noticed her when she flew out at the open window, back to her own green woods.

“What strange conduct,” said the emperor, when her flight had been discovered; and all the courtiers blamed her, and said she was a very ungrateful creature.

“But we have the best bird after all,” said one, and then they would have the bird sing again, although it was the thirty-fourth time they had listened to the same piece, and even then they had not learnt it, for it was rather difficult.

But the music-master praised the bird in the highest degree, and even asserted that it was better than a real nightingale, not only in its dress and the beautiful diamonds, but also in its musical power.

“For you must perceive, my chief lord and emperor, that with a real nightingale we can never tell what is going to be sung, but with this bird everything is settled. It can be opened and explained, so that people may understand how the waltzes are formed, and why one note follows upon another.”

“This is exactly what we think,” they all replied, and then the music-master received permission to exhibit the bird to the people on the following Sunday, and the emperor commanded that they should be present to hear it sing.

When they heard it they were like people intoxicated; however it must have been with drinking tea, which is quite a Chinese custom. They all said “Oh!” and held up their forefingers and nodded, but a poor fisherman, who had heard the real nightingale, said,

“It sounds prettily enough, and the melodies are all alike; yet there seems something wanting, I cannot exactly tell what.”

And after this the real nightingale was banished from the empire, and the artificial bird placed on a silk cushion close to the emperor’s bed. The presents of gold and precious stones which had been received with it were round the bird, and it was now advanced to the title of “Little Imperial Toilet Singer,” and to the rank of No. 1 on the left hand; for the emperor considered the left side, on which the heart lies, as the most noble, and the heart of an emperor is in the same place as that of other people.

The music-master wrote a work, in twenty-five volumes, about the artificial bird, which was very learned and very long, and full of the most difficult Chinese words; yet all the people said they had read it, and understood it, for fear of being thought stupid and having their bodies trampled upon.

So a year passed, and the emperor, the court, and all the other Chinese knew every little turn in the artificial bird’s song; and for that same reason it pleased them better. They could sing with the bird, which they often did. The street-boys sang, “Zi-zi-zi, cluck, cluck, cluck,” and the emperor himself could sing it also. It was really most amusing.

One evening, when the artificial bird was singing its best, and the emperor lay in bed listening to it, something inside the bird sounded “whizz.” Then a spring cracked. “Whir-r-r-r” went all the wheels, running round, and then the music stopped. The emperor immediately sprang out of bed, and called for his physician; but what could he do?

Then they sent for a watchmaker; and, after a great deal of talking and examination, the bird was put into something like order; but he said that it must be used very carefully, as the barrels were worn, and it would be impossible to put in new ones without injuring the music.

Now there was great sorrow, as the bird could only be allowed to play once a year; and even that was dangerous for the works inside it. Then the music-master made a little speech, full of hard words, and declared that the bird was as good as ever; and, of course no one contradicted him.

Five years passed, and then a real grief came upon the land. The Chinese really were fond of their emperor, and he now lay so ill that he was not expected to live. Already a new emperor had been chosen and the people who stood in the street asked the lord-in-waiting how the old emperor was; but he only said, “Pooh!” and shook his head.

Cold and pale lay the emperor in his royal bed; the whole court thought he was dead, and every one ran away to pay homage to his successor. The chamberlains went out to have a talk on the matter, and the ladies’-maids invited company to take coffee. Cloth had been laid down on the halls and passages, so that not a footstep should be heard, and all was silent and still. But the emperor was not yet dead, although he lay white and stiff on his gorgeous bed, with the long velvet curtains and heavy gold tassels.

A window stood open, and the moon shone in upon the emperor and the artificial bird. The poor emperor, finding he could scarcely breathe with a strange weight on his chest, opened his eyes, and saw Death sitting there. He had put on the emperor’s golden crown, and held in one hand his sword of state, and in the other his beautiful banner. All around the bed and peeping through the long velvet curtains, were a number of strange heads, some very ugly, and others lovely and gentle-looking. These were the emperor’s good and bad deeds, which stared him in the face now Death sat at his heart.

“Do you remember this?” “Do you recollect that?” they asked one after another, thus bringing to his remembrance circumstances that made the perspiration stand on his brow.

“I know nothing about it,” said the emperor. “Music! music!” he cried; “the large Chinese drum! that I may not hear what they say.” But they still went on, and Death nodded like a Chinaman to all they said.

“Music! music!” shouted the emperor. “You little precious golden bird, sing, pray sing! I have given you gold and costly presents; I have even hung my golden slipper round your neck. Sing! sing!”

But the bird remained silent. There was no one to wind it up, and therefore it could not sing a note.

Death continued to stare at the emperor with his cold, hollow eyes, and the room was fearfully still. Suddenly there came through the open window the sound of sweet music. Outside, on the bough of a tree, sat the living nightingale. She had heard of the emperor’s illness, and was therefore come to sing to him of hope and trust. And as she sung, the shadows grew paler and paler; the blood in the emperor’s veins flowed more rapidly, and gave life to his weak limbs; and even Death himself listened, and said, “Go on, little nightingale, go on.”

“Then will you give me the beautiful golden sword and that rich banner? And will you give me the emperor’s crown?” said the bird.

So Death gave up each of these treasures for a song; and the nightingale continued her singing. She sung of the quiet churchyard, where the white roses grow, where the elder-tree wafts its perfume on the breeze, and the fresh, sweet grass is moistened by the mourners’ tears. Then Death longed to go and see his garden, and floated out through the window in the form of a cold, white mist.

“Thanks, thanks, you heavenly little bird. I know you well. I banished you from my kingdom once, and yet you have charmed away the evil faces from my bed, and banished Death from my heart, with your sweet song. How can I reward you?”

“You have already rewarded me,” said the nightingale. “I shall never forget that I drew tears from your eyes the first time I sang to you. These are the jewels that rejoice a singer’s heart. But now sleep, and grow strong and well again. I will sing to you again.”

And as she sung, the emperor fell into a sweet sleep; and how mild and refreshing that slumber was! When he awoke, strengthened and restored, the sun shone brightly through the window; but not one of his servants had returned—they all believed he was dead; only the nightingale still sat beside him, and sang.

“You must always remain with me,” said the emperor. “You shall sing only when it pleases you; and I will break the artificial bird into a thousand pieces.”

“No; do not do that,” replied the nightingale; “the bird did very well as long as it could. Keep it here still. I cannot live in the palace, and build my nest; but let me come when I like. I will sit on a bough outside your window, in the evening, and sing to you, so that you may be happy, and have thoughts full of joy. I will sing to you of those who are happy, and those who suffer; of the good and the evil, who are hidden around you. The little singing bird flies far from you and your court to the home of the fisherman and the peasant’s cot. I love your heart better than your crown; and yet something holy lingers round that also. I will come, I will sing to you; but you must promise me one thing.”

“Everything,” said the emperor, who, having dressed himself in his imperial robes, stood with the hand that held the heavy golden sword pressed to his heart.

“I only ask one thing,” she replied; “let no one know that you have a little bird who tells you everything. It will be best to conceal it.” So saying, the nightingale flew away.

The servants now came in to look after the dead emperor; when, lo! there he stood, and, to their astonishment, said, “Good morning.”

FAIRYTALE WRITTEN BY HANS CHRISTIAN ANDERSEN

LET’S CHAT ABOUT THE STORIES ~ IDEAS FOR TALKING WITH KIDS

Beauty

1. All the court falls in love with the gold-and-jewel-encrusted nightingale because they believe it is more beautiful than the real living Nightingale. How about you? What do you think was the most beautiful of the two? Why?

Independence

1. The Nightingale returns to help the Emperor avoid death by singing him beautiful songs. But the little bird does not want to live in the palace. What compromise does the Nightingale find, between her own desires and those of the Emperor?

2. Do you think the Nightingale was right to want to stay in her own forest? Why or why not?

Illustration of child reading book

 

The post The Nightingale first appeared on Bedtime Stories.

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The Wild Swans https://www.storyberries.com/fairy-tales-the-wild-swans-by-hans-christian-andersen/ Wed, 28 Feb 2018 02:04:39 +0000 https://www.storyberries.com/?p=8393 A sister loses her twelve brothers, who are turned into swans. Will she risk her own life to save them?

The post The Wild Swans first appeared on Bedtime Stories.

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

Far away in the land to which the swallows fly when it is winter, dwelt a king who had eleven sons, and one daughter, named Eliza. The eleven brothers were princes, and each went to school with a star on his breast, and a sword by his side. They wrote with diamond pencils on gold slates, and learnt their lessons so quickly and read so easily that every one might know they were princes. Their sister Eliza sat on a little stool of plate-glass, and had a book full of pictures, which had cost as much as half a kingdom. Oh, these children were indeed happy, but it was not to remain so always.

Their father, who was king of the country, married a very wicked queen, who did not love the poor children at all. They knew this from the very first day after the wedding. In the palace there were great festivities, and the children played at receiving company; but instead of having, as usual, all the cakes and apples that were left, she gave them some sand in a tea-cup, and told them to pretend it was cake. The week after, she sent little Eliza into the country to a peasant and his wife, and then she told the king so many untrue things about the young princes, that he gave himself no more trouble respecting them.

“Go out into the world and get your own living,” said the queen. “Fly like great birds, who have no voice.” But she could not make them ugly as she wished, for they were turned into eleven beautiful wild swans. Then, with a strange cry, they flew through the windows of the palace, over the park, to the forest beyond. It was early morning when they passed the peasant’s cottage, where their sister Eliza lay asleep in her room. They hovered over the roof, twisted their long necks and flapped their wings, but no one heard them or saw them, so they were at last obliged to fly away, high up in the clouds; and over the wide world they flew till they came to a thick, dark wood, which stretched far away to the seashore.

Poor little Eliza was alone in her room playing with a green leaf, for she had no other playthings, and she pierced a hole through the leaf, and looked through it at the sun, and it was as if she saw her brothers’ clear eyes, and when the warm sun shone on her cheeks, she thought of all the kisses they had given her.

One day passed just like another; sometimes the winds rustled through the leaves of the rose-bush, and would whisper to the roses, “Who can be more beautiful than you!” But the roses would shake their heads, and say, “Eliza is.” And when the old woman sat at the cottage door on Sunday, and read her hymn-book, the wind would flutter the leaves, and say to the book, “Who can be more pious than you?” and then the hymn-book would answer “Eliza.” And the roses and the hymn-book told the real truth.

At fifteen she returned home, but when the queen saw how beautiful she was, she became full of spite and hatred towards her. Willingly would she have turned her into a swan, like her brothers, but she did not dare to do so yet, because the king wished to see his daughter. Early one morning the queen went into the bath-room; it was built of marble, and had soft cushions, trimmed with the most beautiful tapestry.

She took three toads with her, and kissed them, and said to one,

“When Eliza comes to the bath, seat yourself upon her head, that she may become as stupid as you are.”

Then she said to another,

“Place yourself on her forehead, that she may become as ugly as you are, and that her father may not know her.”

“Rest on her heart,” she whispered to the third, “then she will have evil inclinations, and suffer in consequence.”

So she put the toads into the clear water, and they turned green immediately. She next called Eliza, and helped her to undress and get into the bath. As Eliza dipped her head under the water, one of the toads sat on her hair, a second on her forehead, and a third on her breast, but she did not seem to notice them, and when she rose out of the water, there were three red poppies floating upon it. Had not the creatures been venomous or been kissed by the witch, they would have been changed into red roses. At all events they became flowers, because they had rested on Eliza’s head, and on her heart. She was too good and too innocent for witchcraft to have any power over her. When the wicked queen saw this, she rubbed the girl’s face with walnut-juice, then she tangled her beautiful hair and smeared it with disgusting ointment, till it was quite impossible to recognize the beautiful Eliza.

When her father saw her, he was much shocked, and declared she was not his daughter. No one but the watch-dog and the swallows knew her; and they were only poor animals, and could say nothing. Then poor Eliza wept, and thought of her eleven brothers, who were all away. Sorrowfully, she stole away from the palace, and walked, the whole day, over fields and moors, till she came to the great forest. She knew not in what direction to go; but she was so unhappy, and longed so for her brothers, who had been, like herself, driven out into the world, that she was determined to seek them.

She had been but a short time in the wood when night came on, and she quite lost the path; so she laid herself down on the soft moss, offered up her evening prayer, and leaned her head against the stump of a tree. All nature was still, and the soft, mild air fanned her forehead. The light of hundreds of glow-worms shone amidst the grass and the moss, like green fire; and if she touched a twig with her hand, ever so lightly, the brilliant insects fell down around her, like shooting-stars.

All night long she dreamt of her brothers. She and they were children again, playing together. She saw them writing with their diamond pencils on golden slates, while she looked at the beautiful picture-book which had cost half a kingdom. They were not writing lines and letters, as they used to do; but descriptions of the noble deeds they had performed, and of all they had discovered and seen. In the picture-book, too, everything was living. The birds sang, and the people came out of the book, and spoke to Eliza and her brothers; but, as the leaves turned over, they darted back again to their places, that all might be in order.

When she awoke, the sun was high in the heavens; yet she could not see him, for the lofty trees spread their branches thickly over her head; but his beams were glancing through the leaves here and there, like a golden mist. There was a sweet fragrance from the fresh green verdure, and the birds almost perched upon her shoulders. She heard water rippling from a number of springs, all flowing in a lake with golden sands. Bushes grew thickly round the lake, and at one spot an opening had been made by a deer, through which Eliza went down to the water. The lake was so clear that, had not the wind rustled the branches of the trees and the bushes, so that they moved, they would have appeared as if painted in the depths of the lake; for every leaf was reflected in the water, whether it stood in the shade or the sunshine. As soon as Eliza saw her own face, she was quite terrified at finding it so dirty; but when she wetted her little hand, and rubbed her eyes and forehead, her clean skin gleamed forth once more; and, after she had undressed, and dipped herself in the fresh water, a more beautiful king’s daughter could not be found in the wide world.

As soon as she had dressed herself again, and braided her long hair, she went to the bubbling spring, and drank some water out of the hollow of her hand. Then she wandered far into the forest, not knowing whither she went. She thought of her brothers, and felt sure that God would not forsake her. It is God who makes the wild apples grow in the wood, to satisfy the hungry, and He now led her to one of these trees, which was so loaded with fruit, that the boughs bent beneath the weight. Here she held her noonday repast, placed props under the boughs, and then went into the gloomiest depths of the forest.

Now in the forest, it was so still that she could hear the sound of her own footsteps, as well as the rustling of every withered leaf which she crushed under her feet. Not a bird was to be seen, not a sunbeam could penetrate through the large, dark boughs of the trees. Their lofty trunks stood so close together, that, when she looked before her, it seemed as if she were enclosed within trellis-work. Such solitude she had never known before. The night was very dark. Not a single glow-worm glittered in the moss.

Sorrowfully she laid herself down to sleep; and, after a while, it seemed to her as if the branches of the trees parted over her head, and that the mild eyes of angels looked down upon her from heaven. When she awoke in the morning, she knew not whether she had dreamt this, or if it had really been so. Then she continued her wandering; but she had not gone many steps forward, when she met an old woman with berries in her basket, and she gave her a few to eat. Then Eliza asked her if she had not seen eleven princes riding through the forest.

“No,” replied the old woman, “But I saw yesterday eleven swans, with gold crowns on their heads, swimming on the river close by.”

Then she led Eliza a little distance farther to a sloping bank, and at the foot of it wound a little river. The trees on its banks stretched their long leafy branches across the water towards each other, and where the growth prevented them from meeting naturally, the roots had torn themselves away from the ground, so that the branches might mingle their foliage as they hung over the water.

Eliza bade the old woman farewell, and walked by the flowing river, till she reached the shore of the open sea. And there, before the young maiden’s eyes, lay the glorious ocean, but not a sail appeared on its surface, not even a boat could be seen. How was she to go farther?

She noticed how the countless pebbles on the sea-shore had been smoothed and rounded by the action of the water. Glass, iron, stones, everything that lay there mingled together, had taken its shape from the same power, and felt as smooth, or even smoother than her own delicate hand.

“The water rolls on without weariness,” she said, “till all that is hard becomes smooth; so will I be unwearied in my task. Thanks for your lessons, bright rolling waves; my heart tells me you will lead me to my dear brothers.”

On the foam-covered sea-weeds, lay eleven white swan feathers, which she gathered up and placed together. Drops of water lay upon them; whether they were dew-drops or tears no one could say. Lonely as it was on the sea-shore, she did not observe it, for the ever-moving sea showed more changes in a few hours than the most varying lake could produce during a whole year. If a black heavy cloud arose, it was as if the sea said, “I can look dark and angry too;” and then the wind blew, and the waves turned to white foam as they rolled. When the wind slept, and the clouds glowed with the red sunlight, then the sea looked like a rose leaf. But however quietly its white glassy surface rested, there was still a motion on the shore, as its waves rose and fell like the breast of a sleeping child.

When the sun was about to set, Eliza saw eleven white swans with golden crowns on their heads, flying towards the land, one behind the other, like a long white ribbon. Then Eliza went down the slope from the shore, and hid herself behind the bushes. The swans alighted quite close to her and flapped their great white wings. As soon as the sun had disappeared under the water, the feathers of the swans fell off, and eleven beautiful princes, Eliza’s brothers, stood near her. She uttered a loud cry, for, although they were very much changed, she knew them immediately. She sprang into their arms, and called them each by name. Then, how happy the princes were at meeting their little sister again, for they recognized her, although she had grown so tall and beautiful. They laughed, and they wept, and very soon understood how wickedly their mother had acted to them all.

“We brothers,” said the eldest, “fly about as wild swans, so long as the sun is in the sky; but as soon as it sinks behind the hills, we recover our human shape. Therefore must we always be near a resting place for our feet before sunset; for if we should be flying towards the clouds at the time we recovered our natural shape as men, we should sink deep into the sea. We do not dwell here, but in a land just as fair, that lies beyond the ocean, which we have to cross for a long distance; there is no island in our passage upon which we could pass, the night; nothing but a little rock rising out of the sea, upon which we can scarcely stand with safety, even closely crowded together. If the sea is rough, the foam dashes over us, yet we thank God even for this rock; we have passed whole nights upon it, or we should never have reached our beloved fatherland, for our flight across the sea occupies two of the longest days in the year. We have permission to visit out home once in every year, and to remain eleven days, during which we fly across the forest to look once more at the palace where our father dwells, and where we were born, and at the church, where our mother lies buried. Here it seems as if the very trees and bushes were related to us. The wild horses leap over the plains as we have seen them in our childhood. The charcoal burners sing the old songs, to which we have danced as children. This is our fatherland, to which we are drawn by loving ties; and here we have found you, our dear little sister. Two days longer we can remain here, and then must we fly away to a beautiful land which is not our home; and how can we take you with us? We have neither ship nor boat.”

“How can I break this spell?” said their sister. And then she talked about it nearly the whole night, only slumbering for a few hours.

Eliza was awakened by the rustling of the swans’ wings as they soared above. Her brothers were again changed to swans, and they flew in circles wider and wider, till they were far away; but one of them, the youngest swan, remained behind, and laid his head in his sister’s lap, while she stroked his wings; and they remained together the whole day.

Towards evening, the rest came back, and as the sun went down they resumed their natural forms.

“To-morrow,” said one, “we shall fly away, not to return again till a whole year has passed. But we cannot leave you here. Have you courage to go with us? My arm is strong enough to carry you through the wood; and will not all our wings be strong enough to fly with you over the sea?”

“Yes, take me with you,” said Eliza.

Then they spent the whole night in weaving a net with the pliant willow and rushes. It was very large and strong. Eliza laid herself down on the net, and when the sun rose, and her brothers again became wild swans, they took up the net with their beaks, and flew up to the clouds with their dear sister, who still slept. The sunbeams fell on her face, therefore one of the swans soared over her head, so that his broad wings might shade her.

They were far from the land when Eliza woke. She thought she must still be dreaming, it seemed so strange to her to feel herself being carried so high in the air over the sea. By her side lay a branch full of beautiful ripe berries, and a bundle of sweet roots; the youngest of her brothers had gathered them for her, and placed them by her side. She smiled her thanks to him; she knew it was the same who had hovered over her to shade her with his wings.

They were now so high, that a large ship beneath them looked like a white sea-gull skimming the waves. A great cloud floating behind them appeared like a vast mountain, and upon it Eliza saw her own shadow and those of the eleven swans, looking gigantic in size. Altogether it formed a more beautiful picture than she had ever seen; but as the sun rose higher, and the clouds were left behind, the shadowy picture vanished away.

Onward the whole day they flew through the air like a winged arrow, yet more slowly than usual, for they had their sister to carry. The weather seemed inclined to be stormy, and Eliza watched the sinking sun with great anxiety, for the little rock in the ocean was not yet in sight. It appeared to her as if the swans were making great efforts with their wings.

Alas! she was the cause of their not advancing more quickly. When the sun set, they would change to men, fall into the sea and be drowned.

Then she offered a prayer from her inmost heart, but still no appearance of the rock. Dark clouds came nearer, the gusts of wind told of a coming storm, while from a thick, heavy mass of clouds the lightning burst forth flash after flash. The sun had reached the edge of the sea, when the swans darted down so swiftly, that Eliza’s head trembled; she believed they were falling, but they again soared onward.

Presently she caught sight of the rock just below them, and by this time the sun was half hidden by the waves. The rock did not appear larger than a seal’s head thrust out of the water. They sunk so rapidly, that at the moment their feet touched the rock, it shone only like a star, and at last disappeared like the last spark in a piece of burnt paper.

Then she saw her brothers standing closely round her with their arms linked together. There was but just room enough for them, and not the smallest space to spare. The sea dashed against the rock, and covered them with spray. The heavens were lighted up with continual flashes, and peal after peal of thunder rolled. But the sister and brothers sat holding each other’s hands, and singing hymns, from which they gained hope and courage.

In the early dawn the air became calm and still, and at sunrise the swans flew away from the rock with Eliza. The sea was still rough, and from their high position in the air, the white foam on the dark green waves looked like millions of swans swimming on the water.

As the sun rose higher, Eliza saw before her, floating on the air, a range of mountains, with shining masses of ice on their summits. In the centre, rose a castle apparently a mile long, with rows of columns, rising one above another, while, around it, palm-trees waved and flowers bloomed as large as mill wheels. She asked if this was the land to which they were hastening. The swans shook their heads, for what she beheld were the beautiful ever-changing cloud palaces of the “Fata Morgana,” into which no mortal can enter.

Eliza was still gazing at the scene, when mountains, forests, and castles melted away, and twenty stately churches rose in their stead, with high towers and pointed gothic windows. Eliza even fancied she could hear the tones of the organ, but it was the music of the murmuring sea which she heard. As they drew nearer to the churches, they also changed into a fleet of ships, which seemed to be sailing beneath her; but as she looked again, she found it was only a sea mist gliding over the ocean.

So there continued to pass before her eyes a constant change of scene, till at last she saw the real land to which they were bound, with its blue mountains, its cedar forests, and its cities and palaces.

Long before the sun went down, she sat on a rock, in front of a large cave, on the floor of which the over-grown yet delicate green creeping plants looked like an embroidered carpet.

“Now we shall expect to hear what you dream of to-night,” said the youngest brother, as he showed his sister her bedroom.

“Heaven grant that I may dream how to save you,” she replied. And this thought took such hold upon her mind that she prayed earnestly to God for help, and even in her sleep she continued to pray.

Then it appeared to her as if she were flying high in the air, towards the cloudy palace of the “Fata Morgana,” and a fairy came out to meet her, radiant and beautiful in appearance, and yet very much like the old woman who had given her berries in the wood, and who had told her of the swans with golden crowns on their heads.

“Your brothers can be released,” said she, “if you have only courage and perseverance. True, water is softer than your own delicate hands, and yet it polishes stones into shapes; it feels no pain as your fingers would feel, it has no soul, and cannot suffer such agony and torment as you will have to endure. Do you see the stinging nettle which I hold in my hand? Quantities of the same sort grow round the cave in which you sleep, but none will be of any use to you unless they grow upon the graves in a churchyard. These you must gather even while they burn blisters on your hands. Break them to pieces with your hands and feet, and they will become flax, from which you must spin and weave eleven coats with long sleeves; if these are then thrown over the eleven swans, the spell will be broken. But remember, that from the moment you commence your task until it is finished, even should it occupy years of your life, you must not speak. The first word you utter will pierce through the hearts of your brothers like a deadly dagger. Their lives hang upon your tongue. Remember all I have told you.” And as she finished speaking, she touched her hand lightly with the nettle, and a pain, as of burning fire, awoke Eliza.

It was broad daylight, and close by where she had been sleeping lay a nettle like the one she had seen in her dream. She fell on her knees and offered her thanks to God. Then she went forth from the cave to begin her work with her delicate hands. She groped in amongst the ugly nettles, which burnt great blisters on her hands and arms, but she determined to bear it gladly if she could only release her dear brothers. So she bruised the nettles with her bare feet and spun the flax.

At sunset her brothers returned and were very much frightened when they found her dumb. They believed it to be some new sorcery of their wicked step-mother. But when they saw her hands they understood what she was doing on their behalf, and the youngest brother wept, and where his tears fell the pain ceased, and the burning blisters vanished.

She kept to her work all night, for she could not rest till she had released her dear brothers. During the whole of the following day, while her brothers were absent, she sat in solitude, but never before had the time flown so quickly. One coat was already finished and she had begun the second, when she heard the huntsman’s horn, and was struck with fear.

The sound came nearer and nearer, she heard the dogs barking, and fled with terror into the cave. She hastily bound together the nettles she had gathered into a bundle and sat upon them. Immediately a great dog came bounding towards her out of the ravine, and then another and another; they barked loudly, ran back, and then came again. In a very few minutes all the huntsmen stood before the cave, and the handsomest of them was the king of the country. He advanced towards her, for he had never seen a more beautiful maiden.

“How did you come here, my sweet child?” he asked. But Eliza shook her head. She dared not speak, at the cost of her brothers’ lives. And she hid her hands under her apron, so that the king might not see how she must be suffering.

“Come with me,” he said; “here you cannot remain. If you are as good as you are beautiful, I will dress you in silk and velvet, I will place a golden crown upon your head, and you shall dwell, and rule, and make your home in my richest castle.”

And then he lifted her on his horse. She wept and wrung her hands, but the king said,

“I wish only for your happiness. A time will come when you will thank me for this.”

And then he galloped away over the mountains, holding her before him on this horse, and the hunters followed behind them. As the sun went down, they approached a fair royal city, with churches, and cupolas. On arriving at the castle the king led her into marble halls, where large fountains played, and where the walls and the ceilings were covered with rich paintings. But she had no eyes for all these glorious sights, she could only mourn and weep.

Patiently she allowed the women to array her in royal robes, to weave pearls in her hair, and draw soft gloves over her blistered fingers. As she stood before them in all her rich dress, she looked so dazzlingly beautiful that the court bowed low in her presence. Then the king declared his intention of making her his bride, but the archbishop shook his head, and whispered that the fair young maiden was only a witch who had blinded the king’s eyes and bewitched his heart.

But the king would not listen to this; he ordered the music to sound, the daintiest dishes to be served, and the loveliest maidens to dance. Afterwards he led her through fragrant gardens and lofty halls, but not a smile appeared on her lips or sparkled in her eyes. She looked the very picture of grief.

Then the king opened the door of a little chamber in which she was to sleep; it was adorned with rich green tapestry, and resembled the cave in which he had found her. On the floor lay the bundle of flax which she had spun from the nettles, and under the ceiling hung the coat she had made. These things had been brought away from the cave as curiosities by one of the huntsmen.

“Here you can dream yourself back again in the old home in the cave,” said the king; “here is the work with which you employed yourself. It will amuse you now in the midst of all this splendor to think of that time.”

When Eliza saw all these things which lay so near her heart, a smile played around her mouth, and the crimson blood rushed to her cheeks. She thought of her brothers, and their release made her so joyful that she kissed the king’s hand. Then he pressed her to his heart.

Very soon the joyous church bells announced the marriage feast, and that the beautiful dumb girl out of the wood was to be made the queen of the country. Then the archbishop whispered wicked words in the king’s ear, but they did not sink into his heart. The marriage was still to take place, and the archbishop himself had to place the crown on the bride’s head; in his wicked spite, he pressed the narrow circlet so tightly on her forehead that it caused her pain. But a heavier weight encircled her heart—sorrow for her brothers. She felt not bodily pain. Her mouth was closed; a single word would cost the lives of her brothers. But she loved the kind, handsome king, who did everything to make her happy more and more each day; she loved him with all her heart, and her eyes beamed with the love she dared not speak.

Oh! if she had only been able to confide in him and tell him of her grief. But dumb she must remain till her task was finished. Therefore at night she crept away into her little chamber, which had been decked out to look like the cave, and quickly wove one coat after another.

But when she began the seventh she found she had no more flax. She knew that the nettles she wanted to use grew in the churchyard, and that she must pluck them herself. How should she get out there?

“Oh, what is the pain in my fingers to the torment which my heart endures?” said she. “I must venture, I shall not be denied help from heaven.”

Then with a trembling heart, as if she were about to perform a wicked deed, she crept into the garden in the broad moonlight, and passed through the narrow walks and the deserted streets, till she reached the churchyard. Then she saw on one of the broad tombstones a group of ghouls. These hideous creatures took off their rags, as if they intended to bathe, and then clawing open the fresh graves with their long, skinny fingers, pulled out the dead bodies and ate the flesh!

Eliza had to pass close by them, and they fixed their wicked glances upon her, but she prayed silently, gathered the burning nettles, and carried them home with her to the castle. One person only had seen her, and that was the archbishop—he was awake while everybody was asleep.

Now he thought his opinion was evidently correct. All was not right with the queen. She was a witch, and had bewitched the king and all the people. Secretly he told the king what he had seen and what he feared, and as the hard words came from his tongue, the carved images of the saints shook their heads as if they would say, “It is not so. Eliza is innocent.”

But the archbishop interpreted it in another way; he believed that they witnessed against her, and were shaking their heads at her wickedness. Two large tears rolled down the king’s cheeks, and he went home with doubt in his heart, and at night he pretended to sleep, but there came no real sleep to his eyes, for he saw Eliza get up every night and disappear in her own chamber.

From day to day his brow became darker, and Eliza saw it and did not understand the reason, but it alarmed her and made her heart tremble for her brothers. Her hot tears glittered like pearls on the regal velvet and diamonds, while all who saw her were wishing they could be queens. In the mean time she had almost finished her task; only one coat of mail was wanting, but she had no flax left, and not a single nettle.

Once more only, and for the last time, must she venture to the churchyard and pluck a few handfuls. She thought with terror of the solitary walk, and of the horrible ghouls, but her will was firm, as well as her trust in Providence. Eliza went, and the king and the archbishop followed her. They saw her vanish through the wicket gate into the churchyard, and when they came nearer they saw the ghouls sitting on the tombstone, as Eliza had seen them, and the king turned away his head, for he thought she was with them—she whose head had rested on his breast that very evening.

“The people must condemn her,” said he, and she was very quickly condemned by every one to suffer death by fire.

Away from the gorgeous regal halls was she led to a dark, dreary cell, where the wind whistled through the iron bars. Instead of the velvet and silk dresses, they gave her the coats of mail which she had woven to cover her, and the bundle of nettles for a pillow; but nothing they could give her would have pleased her more. She continued her task with joy, and prayed for help, while the street-boys sang jeering songs about her, and not a soul comforted her with a kind word.

Towards evening, she heard at the grating the flutter of a swan’s wing, it was her youngest brother—he had found his sister, and she sobbed for joy, although she knew that very likely this would be the last night she would have to live. But still she could hope, for her task was almost finished, and her brothers were come.

Then the archbishop arrived, to be with her during her last hours, as he had promised the king. But she shook her head, and begged him, by looks and gestures, not to stay; for in this night she knew she must finish her task, otherwise all her pain and tears and sleepless nights would have been suffered in vain. The archbishop withdrew, uttering bitter words against her; but poor Eliza knew that she was innocent, and diligently continued her work.

The little mice ran about the floor, they dragged the nettles to her feet, to help as well as they could; and the thrush sat outside the grating of the window, and sang to her the whole night long, as sweetly as possible, to keep up her spirits.

It was still twilight, and at least an hour before sunrise, when the eleven brothers stood at the castle gate, and demanded to be brought before the king. They were told it could not be, it was yet almost night, and as the king slept they dared not disturb him. They threatened, they entreated. Then the guard appeared, and even the king himself, inquiring what all the noise meant. At this moment the sun rose. The eleven brothers were seen no more, but eleven wild swans flew away over the castle.

And now all the people came streaming forth from the gates of the city, to see the witch burnt. An old horse drew the cart on which she sat. They had dressed her in a garment of coarse sackcloth. Her lovely hair hung loose on her shoulders, her cheeks were deadly pale, her lips moved silently, while her fingers still worked at the green flax. Even on the way to death, she would not give up her task. The ten coats of mail lay at her feet, she was working hard at the eleventh, while the mob jeered her and said, “See the witch, how she mutters! She has no hymn-book in her hand. She sits there with her ugly sorcery. Let us tear it in a thousand pieces.”

And then they pressed towards her, and would have destroyed the coats of mail, but at the same moment eleven wild swans flew over her, and alighted on the cart. Then they flapped their large wings, and the crowd drew on one side in alarm.

“It is a sign from heaven that she is innocent,” whispered many of them; but they ventured not to say it aloud.

As the executioner seized her by the hand, to lift her out of the cart, she hastily threw the eleven coats of mail over the swans, and they immediately became eleven handsome princes; but the youngest had a swan’s wing, instead of an arm; for she had not been able to finish the last sleeve of the coat.

“Now I may speak,” she exclaimed. “I am innocent.”

Then the people, who saw what happened, bowed to her, as before a saint; but she sank lifeless in her brothers’ arms, overcome with suspense, anguish, and pain.

“Yes, she is innocent,” said the eldest brother; and then he related all that had taken place; and while he spoke there rose in the air a fragrance as from millions of roses. Every piece of faggot in the pile had taken root, and threw out branches, and appeared a thick hedge, large and high, covered with roses; while above all bloomed a white and shining flower, that glittered like a star.

This flower the king plucked, and placed in Eliza’s bosom, when she awoke from her swoon, with peace and happiness in her heart. And all the church bells rang of themselves, and the birds came in great troops. And a marriage procession returned to the castle, such as no king had ever before seen.

Are you seeking more stories about love to read to your child? Read our review of the Ten Best Children’s Picture Books About Love

SHORT STORY FOR CHILDREN WRITTEN BY HANS CHRISTIAN ANDERSEN

LET’S CHAT ABOUT THE STORIES ~ IDEAS FOR TALKING WITH KIDS

Love, Family

1. Eliza and her brothers love each other very much. How are some of the ways that they show this in the story?

2. Both Eliza and her brothers risk their lives to ensure the happiness of their siblings. Why do you think they do this?

Illustration of child reading book

 

The post The Wild Swans first appeared on Bedtime Stories.

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The Little Mermaid https://www.storyberries.com/fairy-tales-the-little-mermaid-by-hans-christian-andersen/ Tue, 20 Feb 2018 23:53:53 +0000 https://www.storyberries.com/?p=8389 The classic Hans Christian Andersen tale of a Little Mermaid, and what she will do for love.

The post The Little Mermaid first appeared on Bedtime Stories.

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This is a vintage fairy tale, and may contain violence. We would encourage parents to read beforehand  if your child is sensitive to such themes.

Fairy Tales Symbol

Far out in the ocean, where the water is as blue as the prettiest cornflower and as clear as crystal, it is very, very deep; so deep, indeed, that no cable could sound it, and many church steeples, piled one upon another, would not reach from the ground beneath to the surface of the water above. There dwell the Sea King and his subjects.

We must not imagine that there is nothing at the bottom of the sea but bare yellow sand. No, indeed, for on this sand grow the strangest flowers and plants, the leaves and stems of which are so pliant that the slightest agitation of the water causes them to stir as if they had life. Fishes, both large and small, glide between the branches as birds fly among the trees here upon land.

In the deepest spot of all stands the castle of the Sea King. Its walls are built of coral, and the long Gothic windows are of the clearest amber. The roof is formed of shells that open and close as the water flows over them. Their appearance is very beautiful, for in each lies a glittering pearl which would be fit for the diadem of a queen.

The Sea King had been a widower for many years, and his aged mother kept house for him. She was a very sensible woman, but exceedingly proud of her high birth, and on that account wore twelve oysters on her tail, while others of high rank were only allowed to wear six.

She was, however, deserving of very great praise, especially for her care of the little sea princesses, her six granddaughters. They were beautiful children, but the youngest was the prettiest of them all. Her skin was as clear and delicate as a rose leaf, and her eyes as blue as the deepest sea; but, like all the others, she had no feet and her body ended in a fish’s tail.

All day long they played in the great halls of the castle or among the living flowers that grew out of the walls. The large amber windows were open, and the fish swam in, just as the swallows fly into our houses when we open the windows; only the fishes swam up to the princesses, ate out of their hands, and allowed themselves to be stroked.

Outside the castle there was a beautiful garden, in which grew bright-red and dark-blue flowers, and blossoms like flames of fire; the fruit glittered like gold, and the leaves and stems waved to and fro continually. The earth itself was the finest sand, but blue as the flame of burning sulphur. Over everything lay a peculiar blue radiance, as if the blue sky were everywhere, above and below, instead of the dark depths of the sea. In calm weather the sun could be seen, looking like a reddish-purple flower with light streaming from the calyx.

Each of the young princesses had a little plot of ground in the garden, where she might dig and plant as she pleased. One arranged her flower bed in the form of a whale; another preferred to make hers like the figure of a little mermaid; while the youngest child made hers round, like the sun, and in it grew flowers as red as his rays at sunset.

She was a strange child, quiet and thoughtful. While her sisters showed delight at the wonderful things which they obtained from the wrecks of vessels, she cared only for her pretty flowers, red like the sun, and a beautiful marble statue. It was the representation of a handsome boy, carved out of pure white stone, which had fallen to the bottom of the sea from a wreck.

She planted by the statue a rose-colored weeping willow. It grew rapidly and soon hung its fresh branches over the statue, almost down to the blue sands. The shadows had the color of violet and waved to and fro like the branches, so that it seemed as if the crown of the tree and the root were at play, trying to kiss each other.

Nothing gave her so much pleasure as to hear about the world above the sea. She made her old grandmother tell her all she knew of the ships and of the towns, the people and the animals. To her it seemed most wonderful and beautiful to hear that the flowers of the land had fragrance, while those below the sea had none; that the trees of the forest were green; and that the fishes among the trees could sing so sweetly that it was a pleasure to listen to them. Her grandmother called the birds fishes, or the little mermaid would not have understood what was meant, for she had never seen birds.

“When you have reached your fifteenth year,” said the grandmother, “you will have permission to rise up out of the sea and sit on the rocks in the moonlight, while the great ships go sailing by. Then you will see both forests and towns.”

In the following year, one of the sisters would be fifteen, but as each was a year younger than the other, the youngest would have to wait five years before her turn came to rise up from the bottom of the ocean to see the earth as we do. However, each promised to tell the others what she saw on her first visit and what she thought was most beautiful. Their grandmother could not tell them enough—there were so many things about which they wanted to know.

None of them longed so much for her turn to come as the youngest—she who had the longest time to wait and who was so quiet and thoughtful. Many nights she stood by the open window, looking up through the dark blue water and watching the fish as they splashed about with their fins and tails. She could see the moon and stars shining faintly, but through the water they looked larger than they do to our eyes. When something like a black cloud passed between her and them, she knew that it was either a whale swimming over her head, or a ship full of human beings who never imagined that a pretty little mermaid was standing beneath them, holding out her white hands towards the keel of their ship.

At length the eldest was fifteen and was allowed to rise to the surface of the ocean.

When she returned she had hundreds of things to talk about. But the finest thing, she said, was to lie on a sand bank in the quiet moonlit sea, near the shore, gazing at the lights of the near-by town, that twinkled like hundreds of stars, and listening to the sounds of music, the noise of carriages, the voices of human beings, and the merry pealing of the bells in the church steeples. Because she could not go near all these wonderful things, she longed for them all the more.

Oh, how eagerly did the youngest sister listen to all these descriptions! And afterwards, when she stood at the open window looking up through the dark-blue water, she thought of the great city, with all its bustle and noise, and even fancied she could hear the sound of the church bells down in the depths of the sea.

In another year the second sister received permission to rise to the surface of the water and to swim about where she pleased. She rose just as the sun was setting, and this, she said, was the most beautiful sight of all. The whole sky looked like gold, and violet and rose-colored clouds, which she could not describe, drifted across it. And more swiftly than the clouds, flew a large flock of wild swans toward the setting sun, like a long white veil across the sea. She also swam towards the sun, but it sank into the waves, and the rosy tints faded from the clouds and from the sea.

The third sister’s turn followed, and she was the boldest of them all, for she swam up a broad river that emptied into the sea. On the banks she saw green hills covered with beautiful vines, and palaces and castles peeping out from amid the proud trees of the forest. She heard birds singing and felt the rays of the sun so strongly that she was obliged often to dive under the water to cool her burning face. In a narrow creek she found a large group of little human children, almost naked, sporting about in the water. She wanted to play with them, but they fled in a great fright; and then a little black animal—it was a dog, but she did not know it, for she had never seen one before—came to the water and barked at her so furiously that she became frightened and rushed back to the open sea. But she said she should never forget the beautiful forest, the green hills, and the pretty children who could swim in the water although they had no tails.

The fourth sister was more timid. She remained in the midst of the sea, but said it was quite as beautiful there as nearer the land. She could see many miles around her, and the sky above looked like a bell of glass. She had seen the ships, but at such a great distance that they looked like sea gulls. The dolphins sported in the waves, and the great whales spouted water from their nostrils till it seemed as if a hundred fountains were playing in every direction.

The fifth sister’s birthday occurred in the winter, so when her turn came she saw what the others had not seen the first time they went up. The sea looked quite green, and large icebergs were floating about, each like a pearl, she said, but larger and loftier than the churches built by men. They were of the most singular shapes and glittered like diamonds. She had seated herself on one of the largest and let the wind play with her long hair. She noticed that all the ships sailed past very rapidly, steering as far away as they could, as if they were afraid of the iceberg. Towards evening, as the sun went down, dark clouds covered the sky, the thunder rolled, and the flashes of lightning glowed red on the icebergs as they were tossed about by the heaving sea. On all the ships the sails were reefed with fear and trembling, while she sat on the floating iceberg, calmly watching the lightning as it darted its forked flashes into the sea.

Each of the sisters, when first she had permission to rise to the surface, was delighted with the new and beautiful sights. Now that they were grown-up girls and could go when they pleased, they had become quite indifferent about it. They soon wished themselves back again, and after a month had passed they said it was much more beautiful down below and pleasanter to be at home.

Yet often, in the evening hours, the five sisters would twine their arms about each other and rise to the surface together. Their voices were more charming than that of any human being, and before the approach of a storm, when they feared that a ship might be lost, they swam before the vessel, singing enchanting songs of the delights to be found in the depths of the sea and begging the voyagers not to fear if they sank to the bottom. But the sailors could not understand the song and thought it was the sighing of the storm. These things were never beautiful to them, for if the ship sank, the men were drowned and their dead bodies alone reached the palace of the Sea King.

When the sisters rose, arm in arm, through the water, their youngest sister would stand quite alone, looking after them, ready to cry—only, since mermaids have no tears, she suffered more acutely.

“Oh, were I but fifteen years old!” said she. “I know that I shall love the world up there, and all the people who live in it.”

At last she reached her fifteenth year.

“Well, now you are grown up,” said the old dowager, her grandmother. “Come, and let me adorn you like your sisters.” And she placed in her hair a wreath of white lilies, of which every flower leaf was half a pearl. Then the old lady ordered eight great oysters to attach themselves to the tail of the princess to show her high rank.

“But they hurt me so,” said the little mermaid.

“Yes, I know; pride must suffer pain,” replied the old lady.

Oh, how gladly she would have shaken off all this grandeur and laid aside the heavy wreath! The red flowers in her own garden would have suited her much better. But she could not change herself, so she said farewell and rose as lightly as a bubble to the surface of the water.

The sun had just set when she raised her head above the waves. The clouds were tinted with crimson and gold, and through the glimmering twilight beamed the evening star in all its beauty. The sea was calm, and the air mild and fresh. A large ship with three masts lay becalmed on the water; only one sail was set, for not a breeze stirred, and the sailors sat idle on deck or amidst the rigging. There was music and song on board, and as darkness came on, a hundred colored lanterns were lighted, as if the flags of all nations waved in the air.

The little mermaid swam close to the cabin windows, and now and then, as the waves lifted her up, she could look in through glass window-panes and see a number of gayly dressed people.

Among them, and the most beautiful of all, was a young prince with large, black eyes. He was sixteen years of age, and his birthday was being celebrated with great display. The sailors were dancing on deck, and when the prince came out of the cabin, more than a hundred rockets rose in the air, making it as bright as day. The little mermaid was so startled that she dived under water, and when she again stretched out her head, it looked as if all the stars of heaven were falling around her.

She had never seen such fireworks before. Great suns spurted fire about, splendid fireflies flew into the blue air, and everything was reflected in the clear, calm sea beneath. The ship itself was so brightly illuminated that all the people, and even the smallest rope, could be distinctly seen. How handsome the young prince looked, as he pressed the hands of all his guests and smiled at them, while the music resounded through the clear night air!

It was very late, yet the little mermaid could not take her eyes from the ship or from the beautiful prince. The colored lanterns had been extinguished, no more rockets rose in the air, and the cannon had ceased firing; but the sea became restless, and a moaning, grumbling sound could be heard beneath the waves. Still the little mermaid remained by the cabin window, rocking up and down on the water, so that she could look within. After a while the sails were quickly set, and the ship went on her way. But soon the waves rose higher, heavy clouds darkened the sky, and lightning appeared in the distance. A dreadful storm was approaching. Once more the sails were furled, and the great ship pursued her flying course over the raging sea. The waves rose mountain high, as if they would overtop the mast, but the ship dived like a swan between them, then rose again on their lofty, foaming crests. To the little mermaid this was pleasant sport; but not so to the sailors. At length the ship groaned and creaked; the thick planks gave way under the lashing of the sea, as the waves broke over the deck; the mainmast snapped asunder like a reed, and as the ship lay over on her side, the water rushed in.

The little mermaid now perceived that the crew were in danger; even she was obliged to be careful, to avoid the beams and planks of the wreck which lay scattered on the water. At one moment it was pitch dark so that she could not see a single object, but when a flash of lightning came it revealed the whole scene; she could see every one who had been on board except the prince. When the ship parted, she had seen him sink into the deep waves, and she was glad, for she thought he would now be with her. Then she remembered that human beings could not live in the water, so that when he got down to her father’s palace he would certainly be quite dead.

No, he must not die! So she swam about among the beams and planks which strewed the surface of the sea, forgetting that they could crush her to pieces. Diving deep under the dark waters, rising and falling with the waves, she at length managed to reach the young prince, who was fast losing the power to swim in that stormy sea. His limbs were failing him, his beautiful eyes were closed, and he would have died had not the little mermaid come to his assistance. She held his head above the water and let the waves carry them where they would.

In the morning the storm had ceased, but of the ship not a single fragment could be seen. The sun came up red and shining out of the water, and its beams brought back the hue of health to the prince’s cheeks, but his eyes remained closed. The mermaid kissed his high, smooth forehead and stroked back his wet hair. He seemed to her like the marble statue in her little garden, so she kissed him again and wished that he might live.

Presently they came in sight of land, and she saw lofty blue mountains on which the white snow rested as if a flock of swans were lying upon them. Beautiful green forests were near the shore, and close by stood a large building, whether a church or a convent she could not tell. Orange and citron trees grew in the garden, and before the door stood lofty palms. The sea here formed a little bay, in which the water lay quiet and still, but very deep. She swam with the handsome prince to the beach, which was covered with fine white sand, and there she laid him in the warm sunshine, taking care to raise his head higher than his body. Then bells sounded in the large white building, and some young girls came into the garden. The little mermaid swam out farther from the shore and hid herself among some high rocks that rose out of the water. Covering her head and neck with the foam of the sea, she watched there to see what would become of the poor prince.

It was not long before she saw a young girl approach the spot where the prince lay. She seemed frightened at first, but only for a moment; then she brought a number of people, and the mermaid saw that the prince came to life again and smiled upon those who stood about him. But to her he sent no smile; he knew not that she had saved him. This made her very sorrowful, and when he was led away into the great building, she dived down into the water and returned to her father’s castle.

She had always been silent and thoughtful, and now she was more so than ever. Her sisters asked her what she had seen during her first visit to the surface of the water, but she could tell them nothing. Many an evening and morning did she rise to the place where she had left the prince. She saw the fruits in the garden ripen and watched them gathered; she watched the snow on the mountain tops melt away; but never did she see the prince, and therefore she always returned home more sorrowful than before.

It was her only comfort to sit in her own little garden and fling her arm around the beautiful marble statue, which was like the prince. She gave up tending her flowers, and they grew in wild confusion over the paths, twining their long leaves and stems round the branches of the trees so that the whole place became dark and gloomy.

At length she could bear it no longer and told one of her sisters all about it. Then the others heard the secret, and very soon it became known to several mermaids, one of whom had an intimate friend who happened to know about the prince. She had also seen the festival on board ship, and she told them where the prince came from and where his palace stood.

“Come, little sister,” said the other princesses. Then they entwined their arms and rose together to the surface of the water, near the spot where they knew the prince’s palace stood. It was built of bright-yellow, shining stone and had long flights of marble steps, one of which reached quite down to the sea. Splendid gilded cupolas rose over the roof, and between the pillars that surrounded the whole building stood lifelike statues of marble. Through the clear crystal of the lofty windows could be seen noble rooms, with costly silk curtains and hangings of tapestry and walls covered with beautiful paintings. In the center of the largest salon a fountain threw its sparkling jets high up into the glass cupola of the ceiling, through which the sun shone in upon the water and upon the beautiful plants that grew in the basin of the fountain.

Now that the little mermaid knew where the prince lived, she spent many an evening and many a night on the water near the palace. She would swim much nearer the shore than any of the others had ventured, and once she went up the narrow channel under the marble balcony, which threw a broad shadow on the water. Here she sat and watched the young prince, who thought himself alone in the bright moonlight.

She often saw him evenings, sailing in a beautiful boat on which music sounded and flags waved. She peeped out from among the green rushes, and if the wind caught her long silvery-white veil, those who saw it believed it to be a swan, spreading out its wings.

Many a night, too, when the fishermen set their nets by the light of their torches, she heard them relate many good things about the young prince. And this made her glad that she had saved his life when he was tossed about half dead on the waves. She remembered how his head had rested on her bosom and how heartily she had kissed him, but he knew nothing of all this and could not even dream of her.

She grew more and more to like human beings and wished more and more to be able to wander about with those whose world seemed to be so much larger than her own. They could fly over the sea in ships and mount the high hills which were far above the clouds; and the lands they possessed, their woods and their fields, stretched far away beyond the reach of her sight. There was so much that she wished to know! but her sisters were unable to answer all her questions. She then went to her old grandmother, who knew all about the upper world, which she rightly called “the lands above the sea.”

“If human beings are not drowned,” asked the little mermaid, “can they live forever? Do they never die, as we do here in the sea?”

“Yes,” replied the old lady, “they must also die, and their term of life is even shorter than ours. We sometimes live for three hundred years, but when we cease to exist here, we become only foam on the surface of the water and have not even a grave among those we love. We have not immortal souls, we shall never live again; like the green seaweed when once it has been cut off, we can never flourish more. Human beings, on the contrary, have souls which live forever, even after the body has been turned to dust. They rise up through the clear, pure air, beyond the glittering stars. As we rise out of the water and behold all the land of the earth, so do they rise to unknown and glorious regions which we shall never see.”

“Why have not we immortal souls?” asked the little mermaid, mournfully. “I would gladly give all the hundreds of years that I have to live, to be a human being only for one day and to have the hope of knowing the happiness of that glorious world above the stars.”

“You must not think that,” said the old woman. “We believe that we are much happier and much better off than human beings.”

“So I shall die,” said the little mermaid, “and as the foam of the sea I shall be driven about, never again to hear the music of the waves or to see the pretty flowers or the red sun? Is there anything I can do to win an immortal soul?”

“No,” said the old woman; “unless a man should love you so much that you were more to him than his father or his mother, and if all his thoughts and all his love were fixed upon you, and the priest placed his right hand in yours, and he promised to be true to you here and hereafter—then his soul would glide into your body, and you would obtain a share in the future happiness of mankind. He would give to you a soul and retain his own as well; but this can never happen. Your fish’s tail, which among us is considered so beautiful, on earth is thought to be quite ugly. They do not know any better, and they think it necessary, in order to be handsome, to have two stout props, which they call legs.”

Then the little mermaid sighed and looked sorrowfully at her fish’s tail. “Let us be happy,” said the old lady, “and dart and spring about during the three hundred years that we have to live, which is really quite long enough. After that we can rest ourselves all the better. This evening we are going to have a court ball.”

It was one of those splendid sights which we can never see on earth. The walls and the ceiling of the large ballroom were of thick but transparent crystal. Many hundreds of colossal shells,—some of a deep red, others of a grass green,—with blue fire in them, stood in rows on each side. These lighted up the whole salon, and shone through the walls so that the sea was also illuminated. Innumerable fishes, great and small, swam past the crystal walls; on some of them the scales glowed with a purple brilliance, and on others shone like silver and gold. Through the halls flowed a broad stream, and in it danced the mermen and the mermaids to the music of their own sweet singing.

No one on earth has such lovely voices as they, but the little mermaid sang more sweetly than all. The whole court applauded her with hands and tails, and for a moment her heart felt quite gay, for she knew she had the sweetest voice either on earth or in the sea. But soon she thought again of the world above her; she could not forget the charming prince, nor her sorrow that she had not an immortal soul like his. She crept away silently out of her father’s palace, and while everything within was gladness and song, she sat in her own little garden, sorrowful and alone. Then she heard the bugle sounding through the water and thought: “He is certainly sailing above, he in whom my wishes center and in whose hands I should like to place the happiness of my life. I will venture all for him and to win an immortal soul. While my sisters are dancing in my father’s palace I will go to the sea witch, of whom I have always been so much afraid; she can give me counsel and help.”

Then the little mermaid went out from her garden and took the road to the foaming whirlpools, behind which the sorceress lived. She had never been that way before. Neither flowers nor grass grew there; nothing but bare, gray, sandy ground stretched out to the whirlpool, where the water, like foaming mill wheels, seized everything that came within its reach and cast it into the fathomless deep. Through the midst of these crushing whirlpools the little mermaid was obliged to pass before she could reach the dominions of the sea witch. Then, for a long distance, the road lay across a stretch of warm, bubbling mire, called by the witch her turf moor.

Beyond this was the witch’s house, which stood in the center of a strange forest, where all the trees and flowers were polypi, half animals and half plants. They looked like serpents with a hundred heads, growing out of the ground. The branches were long, slimy arms, with fingers like flexible worms, moving limb after limb from the root to the top. All that could be reached in the sea they seized upon and held fast, so that it never escaped from their clutches.

The little mermaid was so alarmed at what she saw that she stood still and her heart beat with fear. She came very near turning back, but she thought of the prince and of the human soul for which she longed, and her courage returned. She fastened her long, flowing hair round her head, so that the polypi should not lay hold of it. She crossed her hands on her bosom, and then darted forward as a fish shoots through the water, between the supple arms and fingers of the ugly polypi, which were stretched out on each side of her. She saw that they all held in their grasp something they had seized with their numerous little arms, which were as strong as iron bands. Tightly grasped in their clinging arms were white skeletons of human beings who had perished at sea and had sunk down into the deep waters; skeletons of land animals; and oars, rudders, and chests, of ships. There was even a little mermaid whom they had caught and strangled, and this seemed the most shocking of all to the little princess.

She now came to a space of marshy ground in the wood, where large, fat water snakes were rolling in the mire and showing their ugly, drab-colored bodies. In the midst of this spot stood a house, built of the bones of shipwrecked human beings. There sat the sea witch, allowing a toad to eat from her mouth just as people sometimes feed a canary with pieces of sugar. She called the ugly water snakes her little chickens and allowed them to crawl all over her bosom.

“I know what you want,” said the sea witch. “It is very stupid of you, but you shall have your way, though it will bring you to sorrow, my pretty princess. You want to get rid of your fish’s tail and to have two supports instead, like human beings on earth, so that the young prince may fall in love with you and so that you may have an immortal soul.” And then the witch laughed so loud and so disgustingly that the toad and the snakes fell to the ground and lay there wriggling.

“You are but just in time,” said the witch, “for after sunrise to-morrow I should not be able to help you till the end of another year. I will prepare a draft for you, with which you must swim to land to-morrow before sunrise; seat yourself there and drink it. Your tail will then disappear, and shrink up into what men call legs.

“You will feel great pain, as if a sword were passing through you. But all who see you will say that you are the prettiest little human being they ever saw. You will still have the same floating gracefulness of movement, and no dancer will ever tread so lightly. Every step you take, however, will be as if you were treading upon sharp knives and as if the blood must flow. If you will bear all this, I will help you.”

“Yes, I will,” said the little princess in a trembling voice, as she thought of the prince and the immortal soul.

“But think again,” said the witch, “for when once your shape has become like a human being, you can no more be a mermaid. You will never return through the water to your sisters or to your father’s palace again. And if you do not win the love of the prince, so that he is willing to forget his father and mother for your sake and to love you with his whole soul and allow the priest to join your hands that you may be man and wife, then you will never have an immortal soul. The first morning after he marries another, your heart will break and you will become foam on the crest of the waves.”

“I will do it,” said the little mermaid, and she became pale as death.

“But I must be paid, also,” said the witch, “and it is not a trifle that I ask. You have the sweetest voice of any who dwell here in the depths of the sea, and you believe that you will be able to charm the prince with it. But this voice you must give to me. The best thing you possess will I have as the price of my costly draft, which must be mixed with my own blood so that it may be as sharp as a two-edged sword.”

“But if you take away my voice,” said the little mermaid, “what is left for me?”

“Your beautiful form, your graceful walk, and your expressive eyes. Surely with these you can enchain a man’s heart. Well, have you lost your courage? Put out your little tongue, that I may cut it off as my payment; then you shall have the powerful draft.”

“It shall be,” said the little mermaid.

Then the witch placed her caldron on the fire, to prepare the magic draft.

“Cleanliness is a good thing,” said she, scouring the vessel with snakes which she had tied together in a large knot. Then she pricked herself in the breast and let the black blood drop into the caldron. The steam that rose twisted itself into such horrible shapes that no one could look at them without fear. Every moment the witch threw a new ingredient into the vessel, and when it began to boil, the sound was like the weeping of a crocodile. When at last the magic draft was ready, it looked like the clearest water.

“There it is for you,” said the witch. Then she cut off the mermaid’s tongue, so that she would never again speak or sing. “If the polypi should seize you as you return through the wood,” said the witch, “throw over them a few drops of the potion, and their fingers will be torn into a thousand pieces.” But the little mermaid had no occasion to do this, for the polypi sprang back in terror when they caught sight of the glittering draft, which shone in her hand like a twinkling star.

So she passed quickly through the wood and the marsh and between the rushing whirlpools. She saw that in her father’s palace the torches in the ballroom were extinguished and that all within were asleep. But she did not venture to go in to them, for now that she was dumb and going to leave them forever she felt as if her heart would break. She stole into the garden, took a flower from the flower bed of each of her sisters, kissed her hand towards the palace a thousand times, and then rose up through the dark-blue waters.

The sun had not risen when she came in sight of the prince’s palace and approached the beautiful marble steps, but the moon shone clear and bright. Then the little mermaid drank the magic draft, and it seemed as if a two-edged sword went through her delicate body. She fell into a swoon and lay like one dead. When the sun rose and shone over the sea, she recovered and felt a sharp pain, but before her stood the handsome young prince.

He fixed his coal-black eyes upon her so earnestly that she cast down her own and then became aware that her fish’s tail was gone and that she had as pretty a pair of white legs and tiny feet as any little maiden could have. But she had no clothes, so she wrapped herself in her long, thick hair. The prince asked her who she was and whence she came. She looked at him mildly and sorrowfully with her deep blue eyes, but could not speak. He took her by the hand and led her to the palace.

Every step she took was as the witch had said it would be; she felt as if she were treading upon the points of needles or sharp knives. She bore it willingly, however, and moved at the prince’s side as lightly as a bubble, so that he and all who saw her wondered at her graceful, swaying movements. She was very soon arrayed in costly robes of silk and muslin and was the most beautiful creature in the palace; but she was dumb and could neither speak nor sing.

Beautiful female servants, dressed in silk and gold, stepped forward and sang before the prince and his royal parents. One sang better than all the others, and the prince clapped his hands and smiled at her. This was a great sorrow to the little mermaid, for she knew how much more sweetly she herself once could sing, and she thought, “Oh, if he could only know that I have given away my voice forever, to be with him!”

The servants next performed some pretty fairy-like dances, to the sound of beautiful music. Then the little mermaid raised her lovely white arms, stood on the tips of her toes, glided over the floor, and danced as no one yet had been able to dance. At each moment her beauty was more revealed, and her expressive eyes appealed more directly to the heart than the songs of the slaves. Every one was enchanted, especially the prince, who called her his little foundling. She danced again quite readily, to please him, though each time her foot touched the floor it seemed as if she trod on sharp knives.

The prince said she should remain with him always, and she was given permission to sleep at his door, on a velvet cushion. He had a page’s dress made for her, that she might accompany him on horseback. They rode together through the sweet-scented woods, where the green boughs touched their shoulders, and the little birds sang among the fresh leaves. She climbed with him to the tops of high mountains, and although her tender feet bled so that even her steps were marked, she only smiled, and followed him till they could see the clouds beneath them like a flock of birds flying to distant lands. While at the prince’s palace, and when all the household were asleep, she would go and sit on the broad marble steps, for it eased her burning feet to bathe them in the cold sea water. It was then that she thought of all those below in the deep.

Once during the night her sisters came up arm in arm, singing sorrowfully as they floated on the water. She beckoned to them, and they recognized her and told her how she had grieved them; after that, they came to the same place every night. Once she saw in the distance her old grandmother, who had not been to the surface of the sea for many years, and the old Sea King, her father, with his crown on his head. They stretched out their hands towards her, but did not venture so near the land as her sisters had.

As the days passed she loved the prince more dearly, and he loved her as one would love a little child. The thought never came to him to make her his wife. Yet unless he married her, she could not receive an immortal soul, and on the morning after his marriage with another, she would dissolve into the foam of the sea.

“Do you not love me the best of them all?” the eyes of the little mermaid seemed to say when he took her in his arms and kissed her fair forehead.

“Yes, you are dear to me,” said the prince, “for you have the best heart and you are the most devoted to me. You are like a young maiden whom I once saw, but whom I shall never meet again. I was in a ship that was wrecked, and the waves cast me ashore near a holy temple where several young maidens performed the service. The youngest of them found me on the shore and saved my life. I saw her but twice, and she is the only one in the world whom I could love. But you are like her, and you have almost driven her image from my mind. She belongs to the holy temple, and good fortune has sent you to me in her stead. We will never part.

“Ah, he knows not that it was I who saved his life,” thought the little mermaid. “I carried him over the sea to the wood where the temple stands; I sat beneath the foam and watched till the human beings came to help him. I saw the pretty maiden that he loves better than he loves me.” The mermaid sighed deeply, but she could not weep. “He says the maiden belongs to the holy temple, therefore she will never return to the world—they will meet no more. I am by his side and see him every day. I will take care of him, and love him, and give up my life for his sake.”

Very soon it was said that the prince was to marry and that the beautiful daughter of a neighboring king would be his wife, for a fine ship was being fitted out. Although the prince gave out that he intended merely to pay a visit to the king, it was generally supposed that he went to court the princess. A great company were to go with him. The little mermaid smiled and shook her head. She knew the prince’s thoughts better than any of the others.

“I must travel,” he had said to her; “I must see this beautiful princess. My parents desire it, but they will not oblige me to bring her home as my bride. I cannot love her, because she is not like the beautiful maiden in the temple, whom you resemble. If I were forced to choose a bride, I would choose you, my dumb foundling, with those expressive eyes.” Then he kissed her rosy mouth, played with her long, waving hair, and laid his head on her heart, while she dreamed of human happiness and an immortal soul.

“You are not afraid of the sea, are you?” he said, as they stood on the deck of the noble ship which was to carry them to the country of the neighboring king. Then he told her of storm and of calm, of strange fishes in the deep beneath them, and of what the divers had seen there. She smiled at his descriptions, for she knew better than any one what wonders were at the bottom of the sea.

In the moonlight night, when all on board were asleep except the man at the helm, she sat on deck, gazing down through the clear water. She thought she could distinguish her father’s castle, and upon it her aged grandmother, with the silver crown on her head, looking through the rushing tide at the keel of the vessel. Then her sisters came up on the waves and gazed at her mournfully, wringing their white hands. She beckoned to them, and smiled, and wanted to tell them how happy and well off she was. But the cabin boy approached, and when her sisters dived down, he thought what he saw was only the foam of the sea.

The next morning the ship sailed into the harbor of a beautiful town belonging to the king whom the prince was going to visit. The church bells were ringing, and from the high towers sounded a flourish of trumpets. Soldiers, with flying colors and glittering bayonets, lined the roads through which they passed. Every day was a festival, balls and entertainments following one another. But the princess had not yet appeared. People said that she had been brought up and educated in a religious house, where she was learning every royal virtue.

At last she came. Then the little mermaid, who was anxious to see whether she was really beautiful, was obliged to admit that she had never seen a more perfect vision of beauty. Her skin was delicately fair, and beneath her long, dark eyelashes her laughing blue eyes shone with truth and purity.

“It was you,” said the prince, “who saved my life when I lay as if dead on the beach,” and he folded his blushing bride in his arms.

“Oh, I am too happy!” said he to the little mermaid; “my fondest hopes are now fulfilled. You will rejoice at my happiness, for your devotion to me is great and sincere.”

The little mermaid kissed his hand and felt as if her heart were already broken. His wedding morning would bring death to her, and she would change into the foam of the sea.

All the church bells rang, and the heralds rode through the town proclaiming the betrothal. Perfumed oil was burned in costly silver lamps on every altar. The priests waved the censers, while the bride and the bridegroom joined their hands and received the blessing of the bishop. The little mermaid, dressed in silk and gold, held up the bride’s train; but her ears heard nothing of the festive music, and her eyes saw not the holy ceremony. She thought of the night of death which was coming to her, and of all she had lost in the world.

On the same evening the bride and bridegroom went on board the ship. Cannons were roaring, flags waving, and in the center of the ship a costly tent of purple and gold had been erected. It contained elegant sleeping couches for the bridal pair during the night. The ship, under a favorable wind, with swelling sails, glided away smoothly and lightly over the calm sea.

When it grew dark, a number of colored lamps were lighted and the sailors danced merrily on the deck. The little mermaid could not help thinking of her first rising out of the sea, when she had seen similar joyful festivities, so she too joined in the dance, poised herself in the air as a swallow when he pursues his prey, and all present cheered her wonderingly. She had never danced so gracefully before. Her tender feet felt as if cut with sharp knives, but she cared not for the pain; a sharper pang had pierced her heart.

She knew this was the last evening she should ever see the prince for whom she had forsaken her kindred and her home. She had given up her beautiful voice and suffered unheard-of pain daily for him, while he knew nothing of it. This was the last evening that she should breathe the same air with him or gaze on the starry sky and the deep sea. An eternal night, without a thought or a dream, awaited her. She had no soul, and now could never win one.

All was joy and gaiety on the ship until long after midnight. She smiled and danced with the rest, while the thought of death was in her heart. The prince kissed his beautiful bride and she played with his raven hair till they went arm in arm to rest in the sumptuous tent. Then all became still on board the ship, and only the pilot, who stood at the helm, was awake. The little mermaid leaned her white arms on the edge of the vessel and looked towards the east for the first blush of morning—for that first ray of the dawn which was to be her death. She saw her sisters rising out of the flood. They were as pale as she, but their beautiful hair no longer waved in the wind; it had been cut off.

“We have given our hair to the witch,” said they, “to obtain help for you, that you may not die to-night. She has given us a knife; see, it is very sharp. Before the sun rises you must plunge it into the heart of the prince. When the warm blood falls upon your feet they will grow together again into a fish’s tail, and you will once more be a mermaid and can return to us to live out your three hundred years before you are changed into the salt sea foam. Haste, then; either he or you must die before sunrise. Our old grandmother mourns so for you that her white hair is falling, as ours fell under the witch’s scissors. Kill the prince, and come back. Hasten! Do you not see the first red streaks in the sky? In a few minutes the sun will rise, and you must die.”

Then they sighed deeply and mournfully, and sank beneath the waves.

The little mermaid drew back the crimson curtain of the tent and beheld the fair bride, whose head was resting on the prince’s breast. She bent down and kissed his noble brow, then looked at the sky, on which the rosy dawn grew brighter and brighter. She glanced at the sharp knife and again fixed her eyes on the prince, who whispered the name of his bride in his dreams.

She was in his thoughts, and the knife trembled in the hand of the little mermaid—but she flung it far from her into the waves. The water turned red where it fell, and the drops that spurted up looked like blood. She cast one more lingering, half-fainting glance at the prince, then threw herself from the ship into the sea and felt her body dissolving into foam.

The sun rose above the waves, and his warm rays fell on the cold foam of the little mermaid, who did not feel as if she were dying. She saw the bright sun, and hundreds of transparent, beautiful creatures floating around her—she could see through them the white sails of the ships and the red clouds in the sky. Their speech was melodious, but could not be heard by mortal ears—just as their bodies could not be seen by mortal eyes. The little mermaid perceived that she had a body like theirs and that she continued to rise higher and higher out of the foam. “Where am I?” asked she, and her voice sounded ethereal, like the voices of those who were with her. No earthly music could imitate it.

“Among the daughters of the air,” answered one of them. “A mermaid has not an immortal soul, nor can she obtain one unless she wins the love of a human being. On the will of another hangs her eternal destiny. But the daughters of the air, although they do not possess an immortal soul, can, by their good deeds, procure one for themselves. We fly to warm countries and cool the sultry air that destroys mankind with the pestilence. We carry the perfume of the flowers to spread health and restoration.

“After we have striven for three hundred years to do all the good in our power, we receive an immortal soul and take part in the happiness of mankind. You, poor little mermaid, have tried with your whole heart to do as we are doing. You have suffered and endured, and raised yourself to the spirit world by your good deeds, and now, by striving for three hundred years in the same way, you may obtain an immortal soul.”

The little mermaid lifted her glorified eyes toward the sun and, for the first time, felt them filling with tears.

On the ship in which she had left the prince there were life and noise, and she saw him and his beautiful bride searching for her. Sorrowfully they gazed at the pearly foam, as if they knew she had thrown herself into the waves. Unseen she kissed the forehead of the bride and fanned the prince, and then mounted with the other children of the air to a rosy cloud that floated above.

“After three hundred years, thus shall we float into the kingdom of heaven,” said she. “And we may even get there sooner,” whispered one of her companions. “Unseen we can enter the houses of men where there are children, and for every day on which we find a good child that is the joy of his parents and deserves their love, our time of probation is shortened. The child does not know, when we fly through the room, that we smile with joy at his good conduct—for we can count one year less of our three hundred years. But when we see a naughty or a wicked child we shed tears of sorrow, and for every tear a day is added to our time of trial.”

Are you seeking more stories about love to read to your child? Read our review of the Ten Best Children’s Picture Books About Love

SHORT STORY FOR CHILDREN WRITTEN BY HANS CHRISTIAN ANDERSEN

LET’S CHAT ABOUT THE STORIES ~ IDEAS FOR TALKING WITH KIDS

Empathy

1. If you were one of the mermaids seeing land for the first time, what do you think you would notice the most about it?

Independent Thinking

1. What do you understand by the idea of an ‘immortal soul’ that the Little Mermaid’s grandmother tells her all humans have?

Love

1. The Little Mermaid is given the opportunity to save her life if she will kill the Prince. But she does not do this. Why does she put the life and happiness of the Prince above that of her own?

Conversation

1. How does this story make you feel? Why?

Illustration of child reading book

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